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  • Children engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens10-17-08-2015_1 1.jpg
  • Children engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens10-17-08-2015_1.jpg
  • Children engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens06-17-08-2015_1 1.jpg
  • Children engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens06-17-08-2015_1.jpg
  • Mothers and families engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens03-17-08-2015_1.jpg
  • Artwork by French artist, Kader Attia on the exterior wall of the Hayward Gallery on the 19th April 2019 in London in the United Kingdom. Kader Attias artwork is on display as part of his The Museum of Emotion exhibition, a series of work from the past two decades.
    HaywardGallery-04281.jpg
  • Children engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens07-17-08-2015_1.jpg
  • Children engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens07-17-08-2015_1 1.jpg
  • Mothers and families engage with the artwork called Arcadia on London's Southbank. The PolyLester studio have created this artwork consisting of strips of synthetic, industrial curtain called Arcadia on London's Southbank. PolyLester present a majestic pavilion in front of Royal Festival Hall. They connect three levels of the pedestrian walkway in an elegant, rudimentary structure clad with colourful transparent curtains. The many strips of synthetic, industrial curtain create a shape like a lantern or beacon at night and a graceful clear volume in daytime. The relaxed nature of the strip-curtains invites visitors to enter the pavilion from every direction, making it a truely egalitarian structure.
    southbank_screens03-17-08-2015_1 1.jpg
  • London, UK. Saturday 23rd February 2013. Local Counsellor Nilgun Canver protesting at the site of the Wood Green Banksy in North London and is working with other local people to stop the sale and have the artwork returned for the local people to see. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000.
    20130223wood green banksy_J.jpg
  • The bronze sculpture of a boy forms part of the artwork by Kenny Hunter in Walworth Square at Elephant And Castle on 9th March 2021, in London, England. Its full inscription reads “Against the armour of the storm I’ll hold my human barrier” – a line from a World War Two poem by Hamish Henderson. The striking bronze artwork has been installed in the year that marks the centenary of the Armistice and the end of the First World War. The sculpture has been commissioned to commemorate all the lives that have been affected by war and conflict around the globe, including the lives of members of the armed forces, civilians, refugees and others.
    elephant_and_castle_memorial10-09-03...jpg
  • The bronze sculpture of a boy forms part of the artwork by Kenny Hunter in Walworth Square at Elephant And Castle on 9th March 2021, in London, England. Its full inscription reads “Against the armour of the storm I’ll hold my human barrier” – a line from a World War Two poem by Hamish Henderson. The striking bronze artwork has been installed in the year that marks the centenary of the Armistice and the end of the First World War. The sculpture has been commissioned to commemorate all the lives that have been affected by war and conflict around the globe, including the lives of members of the armed forces, civilians, refugees and others.
    elephant_and_castle_memorial11-09-03...jpg
  • The artwork entitled Crossroads of Curiosity by David Normal, outside the British Library, London. Londoners rest on the flat surfaces below scenes, encouraged to scan the murals using cameras on a phone to call up the collage source material on the phone’s screen and then interact with the artist’s interpretations. The official descriiption says of the artwork: "Artist David Normal’s Crossroads of Curiosity is a suite of murals that extends the notion of a “cabinet of curiosity” outward from the rectilinear arrangement of objects in glass cases to encompass the world in a series of dramatic tableaux featuring provocative juxtapositions of vastly different times, places, and peoples."
    crossroads_curiosity02-04-08-2015_1.jpg
  • The artwork entitled Crossroads of Curiosity by David Normal, outside the British Library, London. Londoners rest on the flat surfaces below scenes, encouraged to scan the murals using cameras on a phone to call up the collage source material on the phone’s screen and then interact with the artist’s interpretations. The official descriiption says of the artwork: "Artist David Normal’s Crossroads of Curiosity is a suite of murals that extends the notion of a “cabinet of curiosity” outward from the rectilinear arrangement of objects in glass cases to encompass the world in a series of dramatic tableaux featuring provocative juxtapositions of vastly different times, places, and peoples."
    crossroads_curiosity02-04-08-2015_1 ...jpg
  • City workers pass-by the giant artwork of a bronze wing<br />
during a spring lunchtime in London's financial district. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_wing10-15-04-2014.jpg
  • City workers pass-by the giant artwork of a bronze wing<br />
during a spring lunchtime in London's financial district. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_wing03-15-04-2014.jpg
  • City workers pass-by the giant artwork of a bronze wing<br />
during a spring lunchtime in London's financial district. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_wing05-15-04-2014.jpg
  • A lady gesticulates with her fingers, echoing the feathered wings of a bronze artwork's wings in the City of London. Spreading her fingers during an animated conversation with an unseen friend, she stands beneath the giant artwork. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_art05-10-04-2014.jpg
  • City workers pass-by the giant artwork of a bronze wing<br />
during a spring lunchtime in London's financial district. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_art07-10-04-2014.jpg
  • London, UK. Saturday 23rd February 2013. Local Counsellor Nilgun Canver protesting at the site of the Wood Green Banksy in North London and is working with other local people to stop the sale and have the artwork returned for the local people to see. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000.
    20130223wood green banksy_I.jpg
  • The bronze sculpture of a boy forms part of the artwork by Kenny Hunter in Walworth Square at Elephant And Castle on 9th March 2021, in London, England. Its full inscription reads “Against the armour of the storm I’ll hold my human barrier” – a line from a World War Two poem by Hamish Henderson. The striking bronze artwork has been installed in the year that marks the centenary of the Armistice and the end of the First World War. The sculpture has been commissioned to commemorate all the lives that have been affected by war and conflict around the globe, including the lives of members of the armed forces, civilians, refugees and others.
    elephant_and_castle_memorial09-09-03...jpg
  • City workers pass-by the giant artwork of a bronze wing<br />
during a spring lunchtime in London's financial district. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_wing02-15-04-2014.jpg
  • City workers pass-by the giant artwork of a bronze wing<br />
during a spring lunchtime in Londons financial district, on 4th July, London, United Kingdom. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_wing_sculpture-01-04-07-2016.jpg
  • City workers talk under the giant artwork of a bronze wing during lunchtime on Threadneedle Street in London's financial district known as the Square Mile. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people15-09-10-2015.jpg
  • City workers talk under the giant artwork of a bronze wing during lunchtime on Threadneedle Street in London's financial district known as the Square Mile. As light reflects off nearby office buildings, the lunchtime crowd walk past this giant artwork on their way to meetings and sandwich bars. The ten-metre-tall bronze sculpture is by President of the Royal Academy of Arts, Christopher Le Brun, commissioned by Hammerson in 2009. It is called ‘The City Wing’ and has been cast by Morris Singer Art Founders, reputedly the oldest fine art foundry in the world.
    city_people14-09-10-2015.jpg
  • People interacting with the Love sculpture artwork in the City of London, UK. Robert Indiana’s famous “Love” sculpture stands at the corner of 99 Bishopsgate – the site of the 1993 IRA bomb 20 years ago.
    20131017_love sculpture_A.jpg
  • Artwork of a large bald man holding a tiny chick in an office window. London, UK.
    20150130_bald man and chick_A.jpg
  • Spectators watch the documentary artwork entitled Incoming by Richard Mosse on giant screens, on 5th March 2017, at the Barbican in the City of London, England. Mosse is a conceptual documentary photographer and Deutsche Börse Photography Prize winner, created an immersive multi-channel video installation in the Curve. In collaboration with composer Ben Frost and cinematographer Trevor Tweeten, Mosse has been working with an advanced new thermographic weapons and border imaging technology that can see beyond 30km, registering a heat signature of relative temperature difference.
    richard_mosse-09-05-03-2017.jpg
  • London 2012 Olympic Park in Stratford, East London. People stop to look at an artwork of a deconstructed old fashioned red telephone call box.
    20120731olympic park various_D.jpg
  • Love sculpture artwork in the City of London, UK. Robert Indiana’s famous “Love” sculpture stands at the corner of 99 Bishopsgate – the site of the 1993 IRA bomb 20 years ago.
    20131017_love sculpture_D.jpg
  • Love sculpture artwork in the City of London, UK. Robert Indiana’s famous “Love” sculpture stands at the corner of 99 Bishopsgate – the site of the 1993 IRA bomb 20 years ago.
    20131017_love sculpture_E.jpg
  • Couple kissing for a picture with the Love sculpture artwork in the City of London, UK. Robert Indiana’s famous “Love” sculpture stands at the corner of 99 Bishopsgate – the site of the 1993 IRA bomb 20 years ago.
    20131017_love sculpture_F.jpg
  • Love sculpture artwork in the City of London, UK. Robert Indiana’s famous “Love” sculpture stands at the corner of 99 Bishopsgate – the site of the 1993 IRA bomb 20 years ago.
    20131017_love sculpture_B.jpg
  • London black taxi cab artwork sculpture with a tree appearing to grow out of its roof in Silvertown, London, England, United Kingdom.
    20160717_london taxi_B.jpg
  • London black taxi cab artwork sculpture with a tree appearing to grow out of its roof in Silvertown, London, England, United Kingdom. (photo by Mike Kemp/In Pictures via Getty Images)
    20160717_london taxi_A.jpg
  • On the day Conservative MP Boris Johnson is announced as the new Prime Minister of the United Kingdom, political artist Kaya Mar with his latest artwork showing the new PM, naked riding a donkey to a cliff edge on the 23rd July 2019 in London in the United Kingdom.
    Westminster-23-07-19-1040144.jpg
  • On the day Conservative MP Boris Johnson is announced as the new Prime Minister of the United Kingdom, political artist Kaya Mar with his latest artwork showing the new PM, naked riding a donkey to a cliff edge on the 23rd July 2019 in London in the United Kingdom.
    Westminster-23-07-19-1040139.jpg
  • Artwork at The Horniman Museum on 11th January 2016 in London, United Kingdom. The Horniman Museum is located in Forest Hill, South London, England. Commissioned in 1898, it opened in 1901 and was designed by Charles Harrison Townsend.
    K-Horniman Museum-7307.jpg
  • Art removal specialist workmen carry an artwork by the photographer Romina Ressia, into the Hofer Gallery in Maddox Street, on 30th April 2019, in London, England.
    west_end-16-30-04-2019.jpg
  • Art removal specialist workmen offload an artwork by the photographer Romina Ressia from the back of their van in Maddox Street, on 30th April 2019, in London, England.
    west_end-15-30-04-2019.jpg
  • Art removal specialist workmen carry an artwork by Italian artist Marco Grassi, into the Hofer Gallery in Maddox Street, on 30th April 2019, in London, England.
    west_end-11-30-04-2019.jpg
  • Art removal specialist workmen offload an artwork from the back of their van in Maddox Street, on 30th April 2019, in London, England.
    west_end-10-30-04-2019.jpg
  • An artwork showing a background of forest is seen in a London urban street. Tall, straight pine trees in rural woodland, the epitome of freshly scent appear to be an idyllic scene of empty, unsopilt nature. But in the bottom right corner we see the grey slabs of paving stones along with the shodows of anonymous people - passers-by who are walking past this incongruous landscape.
    waterloo_trees02-10-12-2009_1_1.jpg
  • An artistic man carrying an artwork under his arm walks past the temporary renovation hoarding of luxury brand Louis Vuitton in New Bond Street, on 27th February 2019, in London, England.
    vuitton_corner-09-27-02-2019.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-22-10-04-2018.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-12-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-08-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-05-10-04-2018.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-04-10-04-2018.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-02-10-04-2018.jpg
  • A couple look at a stills picture from the documentary artwork entitled Incoming by Richard Mosse, on 5th March 2017, at the Barbican in the City of London, England. Mosse is a conceptual documentary photographer and Deutsche Börse Photography Prize winner, created an immersive multi-channel video installation in the Curve. In collaboration with composer Ben Frost and cinematographer Trevor Tweeten, Mosse has been working with an advanced new thermographic weapons and border imaging technology that can see beyond 30km, registering a heat signature of relative temperature difference.
    richard_mosse-01-05-03-2017.jpg
  • Londoners use the precinct plaza space at Stratford's train station with the Olympic kinetic Shoal artwork, installed at the older Stratford Centre opposite. Shoppers and commuters pass this place every day - part of Stratford mainline station and the older Stratford Centre shopping mall. 'The Shoal' at the Stratford Centre, east London, is made up of around 100 titanium clad 'leaves' mounted between 15 and 19 metres high on metal posts. Worth £13.5m, the Shoal is part of The Stratford Town Centre Public Realm Project, designed and manufacturered using 3D technology.
    olympic_stratford59-22-05-2012.jpg
  • Young woman of mixed race on walkway with the new Olympic kinetic artwork called the Shoal at Stratford. 'The Shoal' at the Stratford Centre, east London, is made up of around 100 titanium clad 'leaves' mounted between 15 and 19 metres high on metal posts. Worth £13.5m, the Shoal is part of The Stratford Town Centre Public Realm Project, designed and manufacturered using 3D technology.
    olympic_stratford35-22-05-2012.jpg
  • A detail of poetry and sentences forming Graveyard of Lost Species, a boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the Souvenir, a 39-foot Thames bawley 1933 which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-14-10-09-2019.jpg
  • A low-tide landscape of poetry and sentences forming Graveyard of Lost Species, an boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the Souvenir, a 39-foot Thames bawley 1933 which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-16-10-09-2019.jpg
  • As part of the annual Art in the City in the City of London, the artwork entitled Temple 2008 by Damien Hirst occupies a public space in Lime Street in the heart of the capitals financial district, on 26th June 2017 in the City of London, England.
    city_art-17-26-06-2017.jpg
  • As part of the annual Art in the City in the City of London, the artwork entitled Temple 2008 by Damien Hirst occupies a public space in Lime Street in the heart of the capitals financial district, on 26th June 2017 in the City of London, England.
    city_art-12-26-06-2017.jpg
  • As part of the annual Art in the City in the City of London, the artwork entitled Temple 2008 by Damien Hirst occupies a public space in Lime Street in the heart of the capitals financial district, on 26th June 2017 in the City of London, England.
    city_art-11-26-06-2017.jpg
  • Patrick Tuttofuoco’s Folkestone letters sculpture and Ian Hamilton Finlay artwork displayed on Folkestone Harbour Arm which is undergoing redevelopment from derelict port to a public space. The Folkestone Artworks is a permanent art collection across the town.
    UK-Kent-Folkestone-0001.jpg
  • Love sculpture artwork in the City of London, UK. Robert Indiana’s famous “Love” sculpture stands at the corner of 99 Bishopsgate – the site of the 1993 IRA bomb 20 years ago.
    20131017_love sculpture_C.jpg
  • As part of the annual Art in the City in the City of London, the artwork entitled Temple 2008 by Damien Hirst occupies a public space in Lime Street in the heart of the capitals financial district, on 26th June 2017 in the City of London, England.
    city_art-02-26-06-2017.jpg
  • Public art underneath a railway bridge in Southwark, London. An artwork is also installed under the bridge consisting of a striped panel many metres long.
    20110817under bridge artB.jpg
  • Woman waiting at a bus stop underneath a railway bridge in Southwark, London. An artwork is also installed under the bridge consisting of a striped panel many metres long.
    20110817under bridge artA.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_005.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_008.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_003.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_001.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_004.jpg
  • Public art underneath a railway bridge in Southwark, London. An artwork is also installed under the bridge consisting of a striped panel many metres long.
    20110817under bridge artC.jpg
  • Public art underneath a railway bridge in Southwark, London. An artwork is also installed under the bridge consisting of a striped panel many metres long.
    20110817under bridge artD.jpg
  • Public art underneath a railway bridge in Southwark, London. An artwork is also installed under the bridge consisting of a striped panel many metres long.
    20110817under bridge artE.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_007.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_006.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_002.jpg
  • A replica of Lord Nelson's ship Victory, set inside a giant bottle and made by artist Yinka Shonibare, is the latest addition to the fourth plinth in London's Trafalgar Square. The artwork, entitled Nelson's Ship in a Bottle has 31 sails, as did Victory when she went into battle. The sails look like Shonibare's trademark African cloths, woven in England and printed with African patterns, which he has used repeatedly to subvert iconic pieces of western art. They are actually made of traditional sail canvas, hand-sewn, and hand printed in batik designs by the artist.
    20100525victory in a bottleD.jpg
  • A replica of Lord Nelson's ship Victory, set inside a giant bottle and made by artist Yinka Shonibare, is the latest addition to the fourth plinth in London's Trafalgar Square. The artwork, entitled Nelson's Ship in a Bottle has 31 sails, as did Victory when she went into battle. The sails look like Shonibare's trademark African cloths, woven in England and printed with African patterns, which he has used repeatedly to subvert iconic pieces of western art. They are actually made of traditional sail canvas, hand-sewn, and hand printed in batik designs by the artist.
    20100525victory in a bottleE.jpg
  • A replica of Lord Nelson's ship Victory, set inside a giant bottle and made by artist Yinka Shonibare, is the latest addition to the fourth plinth in London's Trafalgar Square. The artwork, entitled Nelson's Ship in a Bottle has 31 sails, as did Victory when she went into battle. The sails look like Shonibare's trademark African cloths, woven in England and printed with African patterns, which he has used repeatedly to subvert iconic pieces of western art. They are actually made of traditional sail canvas, hand-sewn, and hand printed in batik designs by the artist.
    20100525victory in a bottleB.jpg
  • A replica of Lord Nelson's ship Victory, set inside a giant bottle and made by artist Yinka Shonibare, is the latest addition to the fourth plinth in London's Trafalgar Square. The artwork, entitled Nelson's Ship in a Bottle has 31 sails, as did Victory when she went into battle. The sails look like Shonibare's trademark African cloths, woven in England and printed with African patterns, which he has used repeatedly to subvert iconic pieces of western art. They are actually made of traditional sail canvas, hand-sewn, and hand printed in batik designs by the artist.
    20100525victory in a bottleA.jpg
  • London, UK. Saturday 23rd February 2013. People pass the site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_P.jpg
  • London, UK. Saturday 23rd February 2013. TV reporting from the site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_N.jpg
  • London, UK. Saturday 23rd February 2013. People pass the site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_O.jpg
  • London, UK. Saturday 23rd February 2013. TV reporting from the site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_M.jpg
  • London, UK. Saturday 23rd February 2013. Site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_F.jpg
  • London, UK. Saturday 23rd February 2013. Site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_E.jpg
  • London, UK. Saturday 23rd February 2013. Site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_A.jpg
  • London, UK. Saturday 23rd February 2013. Site of the Wood Green Banksy in North London. The iconic artwork was removed from this site and will go on sale in Miami and is expected to reach an estimated £500,000. Local people are protesting and campaigning to stop the ale.
    20130223wood green banksy_D.jpg
  • Metallic skull bonnet badge on the hood of a taxi. This small human head is styled on the Damien Hirst diamond skull, a world reknowned artwork. London, UK.
    20150225_taxi skull_C.jpg
  • Street art of Charlie Chaplin interacts with passers by and other visual advertising under a bridge in London Bridge, UK. People juxtappose the artwork of the famous silent movie star as their faces and shapes work alongside him.
    20160219_charlie chaplin_G.jpg
  • Street art of Charlie Chaplin interacts with passers by and other visual advertising under a bridge in London Bridge, UK. People juxtappose the artwork of the famous silent movie star as their faces and shapes work alongside him.
    20160219_charlie chaplin_D.jpg
  • Street art of Charlie Chaplin interacts with passers by and other visual advertising under a bridge in London Bridge, UK. People juxtappose the artwork of the famous silent movie star as their faces and shapes work alongside him.
    20160219_charlie chaplin_C.jpg
  • Street art of Charlie Chaplin interacts with passers by and other visual advertising under a bridge in London Bridge, UK. People juxtappose the artwork of the famous silent movie star as their faces and shapes work alongside him.
    20160219_charlie chaplin_A.jpg
  • A seagull stands on top of the Vistoria Square Statue, also known locally as The Floozie in the Jacuzzi in Victoria Square in Birmingham, United Kingdom. The River, affectionately known as the Floozie in the Jacuzzi, is an artwork by Dhruva Mistry, which following leaks costing two thousands pounds per day, the water was turned off in 2013 to save costs. As of 6 July 2015, the main pool was filled with soil and bedding plants and no longer functions as a fountain.
    20170518_victoria square birmingham_...jpg
  • Vistoria Square Statue, also known locally as The Floozie in the Jacuzzi in Victoria Square in Birmingham, United Kingdom. The River, affectionately known as the Floozie in the Jacuzzi, is an artwork by Dhruva Mistry, which following leaks costing two thousands pounds per day, the water was turned off in 2013 to save costs. As of 6 July 2015, the main pool was filled with soil and bedding plants and no longer functions as a fountain.
    20191005_victoria square sculpture b...jpg
  • A Real Birmingham Family by Gillian Wearing in Birmingham, United Kingdom. A Real Birmingham Family is a public artwork and sculpture by Gillian Wearing, cast in bronze, and erected in Centenary Square, outside the Library of Birmingham, England, on 30 October 2014. It depicts two local sisters, each single mothers called Roma and Emma Jones, with their two children.
    20191005_gillian wearing sculpture b...jpg
  • City workers take a break at lunchtime in the now redeveloped area with modern glass offices, angular structures and colourful perspex artwork at Aldgate in the City of London, England, United Kingdom. As Londons financial district grows in height, the architecture has changed the face of Londons financial district.
    20190821_aldgate redevelopment_010.jpg
  • City workers take a break at lunchtime in the now redeveloped area with modern glass offices, angular structures and colourful perspex artwork at Aldgate in the City of London, England, United Kingdom. As Londons financial district grows in height, the architecture has changed the face of Londons financial district.
    20190821_aldgate redevelopment_009.jpg
  • City workers take a break at lunchtime in the now redeveloped area with modern glass offices, angular structures and colourful perspex artwork at Aldgate in the City of London, England, United Kingdom. As Londons financial district grows in height, the architecture has changed the face of Londons financial district.
    20190821_aldgate redevelopment_007.jpg
  • A shopper walks past a window display that features numbers - part of a design theme called State of the Arts, at the Selfridges department store on Oxford Street, on 4th March 2019, in London England. Darren Almonds piece ‘Chance Encounter 004’, consists of a grid formed from rectangular panels, featuring fragmented numbers that appear to scroll across the surface. <br />
State of the Arts is a gallery of works by nine crtically-acclaimed artists in Selfridges windows to celebrate the power of public art. Each of the artists are involved in creating a site-specific artwork at one of the new Elizabeth line stations as part of the Crossrail Art Programme.
    oxford_street-06-04-03-2019.jpg
  • Workmen clean the fountain base after being instructed by Birmingham City Council to see if the landmark, known locally as 'The Floozie in the Jacuzzi' in Victoria Square, can be made structurally sound and able to pump water again on 26th November 2020 in Birmingham, United Kingdom. The River, affectionately known as the Floozie in the Jacuzzi, is an artwork by Dhruva Mistry, which following leaks costing two thousands pounds per day, the water was turned off in 2013 to save costs. As of 6 July 2015, the main pool was filled with soil and bedding plants and no longer functioned as a fountain.
    20201126_floozie in the jacuzzi_005.jpg
  • Workmen clean the fountain base after being instructed by Birmingham City Council to see if the landmark, known locally as 'The Floozie in the Jacuzzi' in Victoria Square, can be made structurally sound and able to pump water again on 26th November 2020 in Birmingham, United Kingdom. The River, affectionately known as the Floozie in the Jacuzzi, is an artwork by Dhruva Mistry, which following leaks costing two thousands pounds per day, the water was turned off in 2013 to save costs. As of 6 July 2015, the main pool was filled with soil and bedding plants and no longer functioned as a fountain.
    20201126_floozie in the jacuzzi_004.jpg
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