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  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) School children visiting the museum learn about the implications of BP's sponsorship and get to see the crude oil from the Mixican Guld oil dissaster. The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. [3] Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A8079.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) A bottle with crude oil from the oil dissaster in the Guld of Mexico, caused by BP and a tear gas canister used in Egypt is on display surrounded by the many small black stones. The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A7956.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1735.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) A bottle with crude oil from the oil dissaster in the Guld of Mexico, caused by BP and a tear gas canister used in Egypt is on display surrounded by the many small black stones. The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. [3] Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A8069.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) <br />
The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A7889.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1967.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1706.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1538.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". Merfolk getting ready to perfom. The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1523.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1977.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) <br />
The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A7920.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1789.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) <br />
The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A7818.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) <br />
The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A7831.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) School children visiting the museum learn about the implications of BP's sponsorship and get to see the crude oil from the Mixican Guld oil dissaster. The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. [3] Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A8130.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1844.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1723.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1554.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1675.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1544.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1541.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1643.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1990.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1891.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1792.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1284.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1163.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Merfolk actors are getting ready in the Museum cafe. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A1017.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. An actor pretending to be a BP security officer is eaten by the kraken. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0097.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1456.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1245 1.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0137.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A1060.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1387.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1183.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1401.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  BP pirates calling for more oil exploration. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0014.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1430.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1321.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1232.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1225.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1205.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Merfolk actors are getting ready in the Museum cafe. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0931.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0172.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Security staff at the museum let the play run but kept a close eye on any healt and safety issues. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1304.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1465.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Merfolk actors are getting ready in the Museum cafe. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0985.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0205.jpg
  • Gilberto Torres, photographed outside the British Museum. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7953_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2483_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7561_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2693_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2568_1.jpg
  • The witness shows evidence of oil spills. BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2509_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2588_1.jpg
  • The witness shows evidence of oil spills. BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2520_1.jpg
  • Gilberto Torres hold up pictures of missing friends and colleagues, here it is Aury Sara Marrugo who was murdered in 2001. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7641_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2575_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2488_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7916_1.jpg
  • The BP character with oil around her mouth. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7628_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2546_1.jpg
  • Gilberto Torres. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7659_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7593_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2551_1.jpg
  • Procecutor read out the charges. BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2453_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2636_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7548_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7464_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7616_1.jpg
  • BP-or-not-BP stages another of their clandestine performances at the British Museum to highlight the fact that the museum is taking money from the oil company BP. The play is about Sherlock Homes and Dr Watson who catch BP and put it on trial with procecutor and evidence of the oil spills that BP has been responsible for inthe past. Eventually BP is found guilty and ejected from the museum.
    AB9A2543_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7675_1.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9836.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9813.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0058.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9830.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9776.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9525.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0086.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9858.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9737 1.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9383.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0048.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9630.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9639.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9521.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0141.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9400.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8842_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A9018_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A9015_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8906_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8832_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8816_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8753_1.jpg
  • A pelican is about to drown in an oil slick made out of black umbrellas running down the steps in the Museum. Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8566_1.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2424.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2348.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2288.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2246.jpg
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