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  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsO.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsM.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsF.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsK.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsE.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20101001tate planesB.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsI.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsN.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsG.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20101001tate planesC.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsP.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsH.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsD.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsC.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsB.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20101001tate planesA.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsA.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsL.jpg
  • Harrier and Jaguar, a grand scale art installation by artist Fiona Banner in the main space Duveen Galleries in Tate Britain gallery. The two stripped down decommissioned fighter jets dominate these great spaces. A Harrier Jump Jet, suspended from the ceiling painted with feint feathers, and the Jaguar, stripped of all ot's paint and polished to a gleaming high silver. Says the artist: "I remember long sublime walks in the Welsh mountains with my father, when suddenly a fighter plane would rip through the sky , and shatter everything. It was so exciting, loud and overwhelming. It would really take our breath away. The sound would arrive from nowhere, all you would see was a shadow and then the plane was gone. At the time the Jump Jets were at the cutting edge of technology but to me they were like dinosaurs, prehistoric, from a time before words."
    20100629tate fighter jetsJ.jpg
  • Visitors ponder the installation of artist Fiona Banner's fighter jet art work 'Harrier and Jaguar' which is exhibited in the north Duveens gallery at Tate Britain, London. This Sepecat Jaguar aircraft was once in service with the Royal Air Force (RAF). It's serial number was XZ118 and its first  was in 1976 and its last in 2006. Its insertion into the gallery was by dismantling the fuselage and re-assembling in situ. Its nose points a few inches from the ground and we see it's now empty cockpit. Banner's art is concerned with flying machines of war that flow low over her as a child in Wales. They may be machines of war but also have the personalities of hanging or submissive birds or beasts, nudes or totems, provoking the idea of body and machine in intimate confrontation. The show runs 28 June 2010 – 3 January 2011.
    tate_jaguar03-29-06-2010_1.jpg
  • Visitors ponder the installation of artist Fiona Banner's fighter jet art work 'Harrier and Jaguar' which is exhibited in the south Duveens gallery at Tate Britain, London. This Sea Harrier aircraft was once in service with the Royal Air Force (RAF). It's serial number was ZE695 and the first flight was in 1988, crashing after its pilot ejected in 2000. Its insertion into the gallery was by dismantling the fuselage and re-assembling in situ. Its nose points a few inches from the ground and we see it's now empty cockpit. Banner's art is concerned with flying machines of war that flow low over her as a child in Wales. They may be machines of war but also have the personalities of hanging or submissive birds or beasts, nudes or totems, provoking the idea of body and machine in intimate confrontation. The show runs 28 June 2010 – 3 January 2011.
    tate_harrier05-29-06-2010_1.jpg
  • Visitors ponder the installation of artist Fiona Banner's fighter jet art work 'Harrier and Jaguar' which is exhibited in the south Duveens gallery at Tate Britain, London. This Sea Harrier aircraft was once in service with the Royal Air Force (RAF). It's serial number was ZE695 and the first flight was in 1988, crashing after its pilot ejected in 2000. Its insertion into the gallery was by dismantling the fuselage and re-assembling in situ. Its nose points a few inches from the ground and we see it's now empty cockpit. Banner's art is concerned with flying machines of war that flow low over her as a child in Wales. They may be machines of war but also have the personalities of hanging or submissive birds or beasts, nudes or totems, provoking the idea of body and machine in intimate confrontation. The show runs 28 June 2010 – 3 January 2011.
    tate_harrier01-29-06-2010_1.jpg
  • Visitors ponder the installation of artist Fiona Banner's fighter jet art work 'Harrier and Jaguar' which is exhibited in the north Duveens gallery at Tate Britain, London. This Sepecat Jaguar aircraft was once in service with the Royal Air Force (RAF). It's serial number was XZ118 and its first  was in 1976 and its last in 2006. Its insertion into the gallery was by dismantling the fuselage and re-assembling in situ. Its nose points a few inches from the ground and we see it's now empty cockpit. Banner's art is concerned with flying machines of war that flow low over her as a child in Wales. They may be machines of war but also have the personalities of hanging or submissive birds or beasts, nudes or totems, provoking the idea of body and machine in intimate confrontation. The show runs 28 June 2010 – 3 January 2011.
    tate_jaguar01-29-06-2010_1_1.jpg
  • Visitors ponder the installation of artist Fiona Banner's fighter jet art work 'Harrier and Jaguar' which is exhibited in the south Duveens gallery at Tate Britain, London. This Sea Harrier aircraft was once in service with the Royal Air Force (RAF). It's serial number was ZE695 and the first flight was in 1988, crashing after its pilot ejected in 2000. Its insertion into the gallery was by dismantling the fuselage and re-assembling in situ. Its nose points a few inches from the ground and we see it's now empty cockpit. Banner's art is concerned with flying machines of war that flow low over her as a child in Wales. They may be machines of war but also have the personalities of hanging or submissive birds or beasts, nudes or totems, provoking the idea of body and machine in intimate confrontation. The show runs 28 June 2010 – 3 January 2011.
    tate_harrier08-29-06-2010_1.jpg
  • Visitors ponder the installation of artist Fiona Banner's fighter jet art work 'Harrier and Jaguar' which is exhibited in the south Duveens gallery at Tate Britain, London. This Sea Harrier aircraft was once in service with the Royal Air Force (RAF). It's serial number was ZE695 and the first flight was in 1988, crashing after its pilot ejected in 2000. Its insertion into the gallery was by dismantling the fuselage and re-assembling in situ. Its nose points a few inches from the ground and we see it's now empty cockpit. Banner's art is concerned with flying machines of war that flow low over her as a child in Wales. They may be machines of war but also have the personalities of hanging or submissive birds or beasts, nudes or totems, provoking the idea of body and machine in intimate confrontation. The show runs 28 June 2010 – 3 January 2011.
    tate_harrier02-29-06-2010_1.jpg
  • The work Forms in Space… by Light in Time, a major new light installation by Cerith Wyn Evans was created for the annual Tate Britain 2017 Commission, where a contemporary British artist was invited to create a new artwork in response to the grand space of the Duveen Galleries, at the heart of Tate Britain ON 3rd May 2017 in London, United Kingdom. These drawings in space takes inspiration from the codified and precise movements of Japanese Noh theatre, reflecting the artist’s interest in choreology – the practice of translating movement, such as dance, into notational form, like a musical score.
    _E6A6093.jpg
  • The work Forms in Space… by Light in Time, a major new light installation by Cerith Wyn Evans was created for the annual Tate Britain 2017 Commission, where a contemporary British artist was invited to create a new artwork in response to the grand space of the Duveen Galleries, at the heart of Tate Britain ON 3rd May 2017 in London, United Kingdom. These drawings in space takes inspiration from the codified and precise movements of Japanese Noh theatre, reflecting the artist’s interest in choreology – the practice of translating movement, such as dance, into notational form, like a musical score.
    _E6A6051.jpg
  • The work Forms in Space… by Light in Time, a major new light installation by Cerith Wyn Evans was created for the annual Tate Britain 2017 Commission, where a contemporary British artist was invited to create a new artwork in response to the grand space of the Duveen Galleries, at the heart of Tate Britain ON 3rd May 2017 in London, United Kingdom. These drawings in space takes inspiration from the codified and precise movements of Japanese Noh theatre, reflecting the artist’s interest in choreology – the practice of translating movement, such as dance, into notational form, like a musical score.
    _E6A6084.jpg
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