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  • Farmer tends to her Guava plantation in the shadow of the China Petroleum Co. which is blamed for serious air, water and soil pollution, Kaoshiung, Taiwan.
    cp_tai_0197_1.jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • London, UK. Sunday 18th November 2012. Reclaim Shakespeare Company flashmob demonstrating in the British Museum’s Great Court against BP's (British Petroleum) sponsorship of the arts. Oil giant BP has a long-running financial relationship with the British Museum. The museum’s current ‘Shakespeare: Staging the World’ exhibition is sponsored by BP.  Despite the company’s decision to go into the ‘world’s most destructive project’ – the Tar Sands, the devastating Deepwater Horizon spill, and its eyeing-up of the vulnerable Arctic.
    20121118anti bp flashmob british mus...jpg
  • Metropolitan Police officers speak to environmental activists from Extinction Rebellion protesting outside the Shell Centre on the 25th anniversary of the killings of the Ogoni Nine on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • Metropolitan Police officers wearing face coverings prepare to speak to environmental activists from Extinction Rebellion protesting outside the Shell Centre on the 25th anniversary of the killings of the Ogoni Nine on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • Environmental activists from Extinction Rebellion use a tripod, noose and fake oil to mark the 25th anniversary of the killings of the Ogoni Nine outside the Shell Centre on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • An environmental activist from Extinction Rebellion holds an image of Ken Saro-Wiwa outside the Shell Centre on the 25th anniversary of the killings of the Ogoni Nine on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • Environmental activists from Extinction Rebellion protest using a tripod and noose outside the Shell Centre on the 25th anniversary of the killings of the Ogoni Nine on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • A tall Shell sign seems to echo the palm tree landscape alongside the A 92 motorway near Paradas. On the main highway between the Andalucian cities of Granada and Seville, the corporate logo appears to be higher than the growing trees in the distance. The word “Shell” first appeared in 1891 as the trademark for the kerosene that Marcus Samuel and Company shipped to the Far East. The small London business dealt originally in antiques and oriental seashells. In 1897 Samuel formed The Shell Transport and Trading Company. The first logo in 1901 was a mussel shell. In 1904 a scallop shell, or Pecten, gave a visual element to the corporate and brand name.
    shell_trees-1-17-April-2011_1.jpg
  • An environmental activist from Extinction Rebellion pours fake oil from a bucket on top of a tripod outside the Shell Centre on the 25th anniversary of the killings of the Ogoni Nine on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • An environmental activist from Extinction Rebellion holds an image of Ken Saro-Wiwa outside the Shell Centre on the 25th anniversary of the killings of the Ogoni Nine on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • Environmental activists from Extinction Rebellion erect a tripod outside the Shell Centre on the 25th anniversary of the killings of the Ogoni Nine on 10 November 2020 in London, United Kingdom. The Ogoni Nine, leaders of the Movement for the Survival of the Ogoni People (MOSOP) including activist Ken Saro-Wiwa, were executed by the Nigerian government in 1995 after having led a series of peaceful marches involving an estimated 300,000 Ogoni people against the environmental degradation of the land and waters of Ogoniland by Shell and to demand both a share of oil revenue and greater political autonomy.
    MK-20201110-London-Shell-Centre-XR-N...jpg
  • A detail of stains from left from a fuel spillage on the road surface in Aldwych, central London, UK on 7th June 2016. Looking down from higher perspective, we see the rainbow spectrum of colours from petrol which flows into a small drain cover at the intersection of Waterloo Bridge and the Strand. The parallel curves of double-yellow no parking lines are in the foreground.
    fuel_spill-01-07-06-2016.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou009.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou006.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou016.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou011.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou034.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou033.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou029.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou021.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou003.jpg
  • Girls visit a Renaissance art exhibition at London's British Museum. Above them and between pillars is a giant poster called Head of a Woman (1470s) by Andrea del Verrocchio born Andrea di Michele di Francesco de' Cioni, an Italian sculptor, goldsmith  and painter who worked at the court of Lorenzo de' Medici in Florence. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi, but he also influenced Michelangelo. The British Museum's collection of Italian Renaissance drawings is so fragile that its masterpieces are exhibited only once in a generation. About half of the works came from Florence in partnership with the Uffizi and sponsored by BP (British Petroleum). The 100 or so works span the period 1400-1510 by artists including Jacopo and Gentile Bellini, Botticelli, Filippo Lippi, Mantegna, Michelangelo and Raphael.
    british_museum06-10-06-2010_1.jpg
  • Tourist visitors sit beneath and walk past the columns of London's British Museum. Above them and between pillars is a giant poster called Head of a Woman (1470s) by Andrea del Verrocchio born Andrea di Michele di Francesco de' Cioni, an Italian sculptor, goldsmith  and painter who worked at the court of Lorenzo de' Medici in Florence. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi, but he also influenced Michelangelo. The British Museum's collection of Italian Renaissance drawings is so fragile that its masterpieces are exhibited only once in a generation. About half of the works came from Florence in partnership with the Uffizi and sponsored by BP (British Petroleum). The 100 or so works span the period 1400-1510 by artists including Jacopo and Gentile Bellini, Botticelli, Filippo Lippi, Mantegna, Michelangelo and Raphael.
    british_museum02-10-06-2010_1.jpg
  • Petroleum resin based gift items and garden ornaments stand at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who sells almost all of their wares in North America and Europe, has declined drastically in the last two years.Duck-shaped garden ornaments line up in a warehouse waiting for orders at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou041.jpg
  • Workers make petroleum resin based gift items and garden ornaments at the Chuan Sen Art & Design Factory on the outskirts of Guangzhou, in Guangdong Province, China on 04 February, 2009.  Orders at the factory, who exports almost all of their wares in North America and Europe, has declined drastically in the last two years due to the economic slowdown and western consumers' belt-tightening.
    QS090206Guangzhou002.jpg
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