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  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshuas statue stands in the Annenberg Courtyard of Burlington House.
    reynolds_statue-04-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshuas statue stands in the Annenberg Courtyard of Burlington House.
    reynolds_statue-02-05-08-2019.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly during the Summer Exhibition, on 5th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshuas statue stands in the Annenberg Courtyard of Burlington House.
    reynolds_statue-03-05-08-2019.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled Charles 1, King and Collector is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the kings collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-17-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled Charles 1, King and Collector is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the kings collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-16-06-04-2018.jpg
  • The statue of Sir Joshua Reynolds outside the Royal Academy in Piccadilly where the exhibition entitled Charles 1, King and Collector is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the kings collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time. Sir Joshua Reynolds stands in the Annenberg Courtyard of Burlington House.
    royal_academy-15-06-04-2018.jpg
  • The sculpture of a heroic male figure on horseback entitled Physical Energy by artist George Frederick Watts in the Annenberg Courtyard of Burlington House, the Royal Academy in Piccadilly where the exhibition entitled Charles 1, King and Collector is showing, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the kings collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-05-06-04-2018.jpg
  • As a visual pun, the statue of Sir Joshua Reynolds seeminly paints clouds in blue sky from outside the Royal Academy in Piccadilly during the Summer Exhibition, on 13th August 2019, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. Sir Joshuas statue stands in the Annenberg Courtyard of Burlington House.
    joshua_reynolds-06-13-08-2019.jpg
  • Sculptor Conrad Shawcross's canopy of welded-steel clouds artwork entitled The Dappled Light of the Sun, in the Annenberg Courtyard outside the Royal Academy for the 2015 Summer Show. The public mingle outside in the RA's piazza that traps sun and summer heat so the cool nature of the shadows cast by the art piece.
    royal_academy01-04-06-2015.jpg
  • Summertime in London, England, UK. Sculpture 'The Dappled Light of the Sun' by Conrad Shawcross for the 2015 Summer Exhibition’s Annenberg Courtyard installation, Shawcross has created a large-scale, immersive work consisting of five steel, cloud-like forms. These are made from thousands of tetrahedrons and stand at over six metres high and weigh five tonnes each.
    20150704_summer city royal academy_D.jpg
  • Summertime in London, England, UK. Sculpture 'The Dappled Light of the Sun' by Conrad Shawcross for the 2015 Summer Exhibition’s Annenberg Courtyard installation, Shawcross has created a large-scale, immersive work consisting of five steel, cloud-like forms. These are made from thousands of tetrahedrons and stand at over six metres high and weigh five tonnes each.
    20150704_summer city royal academy_C.jpg
  • Summertime in London, England, UK. Sculpture 'The Dappled Light of the Sun' by Conrad Shawcross for the 2015 Summer Exhibition’s Annenberg Courtyard installation, Shawcross has created a large-scale, immersive work consisting of five steel, cloud-like forms. These are made from thousands of tetrahedrons and stand at over six metres high and weigh five tonnes each.
    20150704_summer city royal academy_B.jpg
  • Summertime in London, England, UK. Sculpture 'The Dappled Light of the Sun' by Conrad Shawcross for the 2015 Summer Exhibition’s Annenberg Courtyard installation, Shawcross has created a large-scale, immersive work consisting of five steel, cloud-like forms. These are made from thousands of tetrahedrons and stand at over six metres high and weigh five tonnes each.
    20150704_summer city royal academy_A.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled Charles 1, King and Collector is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the kings collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-12-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled Charles 1, King and Collector is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the kings collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-11-06-04-2018.jpg
  • Exterior of the Royal Academy in Piccadilly where the exhibition entitled Charles 1, King and Collector is exhibited, on 6th April 2018, in London, England. This is a new cast of the original that was first exhibited outside the RA in 1904 and is an allegory of the human need for new challenges, of our instinct to always be scanning the horizon and the future. King Charles I amassed one of the most extraordinary art collections of his age, acquiring works by some of the finest artists of the past – Titian, Mantegna, Holbein, Dürer – and commissioning leading contemporary artists such as Van Dyck and Rubens. Following the his execution in 1649, the kings collection was sold off and scattered across Europe. Many works were retrieved during the Restoration, others now form the core of museums such as the Louvre and the Prado. This show reunites the greatest masterpieces of this magnificent collection for the first time.
    royal_academy-09-06-04-2018.jpg
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