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  • Yua, a Hmong Du woman wears her traditional skirt made from hand woven hemp (cannabis sativa), decorated with batik (a wax resist technique) and dyed with indigo, Ban Vieng Hang, Houaphan province, Lao PDR. The batik motif is the basis for hand stitched cotton appliqué and embroidery. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts, for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021361cc_1.jpg
  • A Hmong woman sewing her traditional skirt, Ban Long Kuang, Houaphan province, Lao PDR. The woven hemp fabric is decorated by batik, a wax resist technique which is the basis for red cotton applique and colourful cross stitch embroidery.
    A0026828cc_1.jpg
  • A Hmong woman sewing her traditional skirt, Ban Pom Khor, Houaphan province, Lao PDR. The woven hemp fabric is decorated by batik, a wax resist technique which is the basis for pink cotton applique and colour cross stitch embroidery.
    A0026749cc_1.jpg
  • Yua, a Hmong Du woman wears her traditional skirt made from hand woven hemp (cannabis sativa), decorated with batik (a wax resist technique) and dyed with indigo, Ban Vieng Hang, Houaphan province, Lao PDR. The batik motif is the basis for hand stitched cotton appliqué and embroidery. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts, for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021361cc_1.jpg
  • A Hmong woman sewing her traditional skirt, Ban Long Kuang, Houaphan province, Lao PDR. The woven hemp fabric is decorated by batik, a wax resist technique which is the basis for red cotton applique and colourful cross stitch embroidery.
    A0026833cc crop_1.jpg
  • Nan Ya, a Hmong Leng ethnic minority woman decorates the woven hemp fabric by batik, a wax resist technique, Thien Pha, Houaphan province, Lao PDR. Bees’ wax is collected from the forest, heated in small metal pots and mixed with indigo paste (which colours the wax and makes it easier to see on the cloth). A bamboo pen with a metal nib is used for drawing the wax onto the hemp. The wax marks will resist the dye when the cloth is dipped in the indigo dye bath and left to dry. After the last dye bath has been completed, the cloth is boiled to remove the wax. The resulting fabric is an indigo blue colour with white designs and is the base for cotton applique and colourful embroidery. Making hemp fabric is a long and laborious process which the Hmong women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021474cc_1.jpg
  • Mai Xiang, an elderly Hmong women from Ban Kok Wa villagemakes textile products with an elephant appliqué design to sell at the Luang Prabang night market, Lao PDR. The Hmong have recently settled in the town of Luang Prabang - a consequence of the government’s efforts to suppress both the cultivation of opium poppies and slash and burn agriculture, which they have traditionally practiced, and of their own desire to take advantage of the expansion of tourism, which provides an important outlet for their crafts. Using their skilful embroidering and combining the sophisticated, colourful motifs that have traditionally adorned their clothing they have created aprons, tablecloths, cushion and bed covers, slippers and more which they sell to tourists at the Luang Prabang night market.
    A0010433cc_1.jpg
  • Nan Ya, a Hmong Leng ethnic minority woman decorates the woven hemp fabric by batik, a wax resist technique, Thien Pha, Houaphan province, Lao PDR. Bees’ wax is collected from the forest, heated in small metal pots and mixed with indigo paste (which colours the wax and makes it easier to see on the cloth). A bamboo pen with a metal nib is used for drawing the wax onto the hemp. The wax marks will resist the dye when the cloth is dipped in the indigo dye bath and left to dry. After the last dye bath has been completed, the cloth is boiled to remove the wax. The resulting fabric is an indigo blue colour with white designs and is the base for cotton applique and colourful embroidery. Making hemp fabric is a long and laborious process which the Hmong women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021483cc_1.jpg
  • View of Luang Prabang night market in the early evening, Lao PDR.  The traders in the night market are 80% Hmong ethnic minority, almost all of whom are women who sell cotton embroidery and applique work. Many Hmong have moved to Luang Prabang in response to government pressure to end opium production and curtail slash and burn agriculture and to take advantage of educational opportunities for their children.
    A0010193_1.jpg
  • A Hmong ethnic minority woman decorates woven hemp fabric by batik, a wax resist technique, Vieng Hang, Houaphan province, Lao PDR. Bees wax is collected from the forest, heated in small metal pots and mixed with indigo paste (which colours the wax and makes it easier to see on the cloth). A bamboo pen with a metal nib is used for drawing the wax onto the hemp. The wax marks will resist the dye when the cloth is dipped in the indigo dye bath and left to dry. After the last dye bath has been completed, the cloth is boiled to remove the wax. The resulting fabric is an indigo blue colour with white designs and is the base for cotton applique and colourful embroidery. Making hemp fabric is a long and laborious process which the Hmong women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    DSCF2455cc_1.jpg
  • Nan Ya, a Hmong Leng ethnic minority woman decorates the woven hemp fabric by batik, a wax resist technique, Thien Pha, Houaphan province, Lao PDR. Bees’ wax is collected from the forest, heated in small metal pots and mixed with indigo paste (which colours the wax and makes it easier to see on the cloth). A bamboo pen with a metal nib is used for drawing the wax onto the hemp. The wax marks will resist the dye when the cloth is dipped in the indigo dye bath and left to dry. After the last dye bath has been completed, the cloth is boiled to remove the wax. The resulting fabric is an indigo blue colour with white designs and is the base for cotton applique and colourful embroidery. Making hemp fabric is a long and laborious process which the Hmong women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021474cc_1.jpg
  • Two Mouchi ethnic minority women (sisters) sew traditional clothing outside their home in Ban Nam Sa, Phongsaly province, Lao PDR.  One of the most ethnically diverse countries in Southeast Asia, Laos has 49 officially recognised ethnic groups although there are many more self-identified and sub groups.  These groups are distinguished by their own customs, beliefs and rituals. Details down to the embroidery on a shirt, the colour of the trim and the type of skirt all help signify the wearer's ethnic and clan affiliations.
    A0014198cc_1.jpg
  • Portrait of a 15 year old married Akha Nuquie ethnic minority woman sewing outside her home in Ban Pang Hok Kao village, Phongsaly Province, Lao PDR.  She is wearing the Akha Nuquie traditional costume made from hand woven cotton and dyed with indigo and decoarated with hand embroidery typical of the Akha Nuquie sub-group; the high headdress distinguishes her as a married women. One of the most ethnically diverse countries in Southeast Asia, Laos has 49 officially recognised ethnic groups although there are many more self-identified and sub groups. These groups are distinguished by their own customs, beliefs and rituals. Details down to the embroidery on a shirt, the colour of the trim and the type of skirt all help signify the wearer's ethnic and clan affiliations.
    A0013863cc_1.jpg
  • A 15 year old married Akha Nuquie ethnic minority woman sewing outside her home in Ban Pang Hok Kao village, Phongsaly Province, Lao PDR.  She is wearing the Akha Nuquie traditional costume made from hand woven cotton and dyed with indigo and decoarated with hand embroidery typical of the Akha Nuquie sub-group; the high headdress distinguishes her as a married women. One of the most ethnically diverse countries in Southeast Asia, Laos has 49 officially recognised ethnic groups although there are many more self-identified and sub groups. These groups are distinguished by their own customs, beliefs and rituals. Details down to the embroidery on a shirt, the colour of the trim and the type of skirt all help signify the wearer's ethnic and clan affiliations.
    A0013871cc_1.jpg
  • Nan Ya, a Hmong Leng ethnic minority woman decorates the woven hemp fabric by batik, a wax resist technique in Thien Pha, Houaphan province, Lao PDR. Bees’ wax is collected from the forest, heated in small metal pots and mixed with indigo paste (which colours the wax and makes it easier to see on the cloth). A bamboo pen with a metal nib is used for drawing the wax onto the hemp. The wax marks will resist the dye when the cloth is dipped in the indigo dye bath and left to dry. After the last dye bath has been completed, the cloth is boiled to remove the wax. The resulting fabric is an indigo blue colour with white designs. Making hemp fabric is a long and laborious process which the Hmong women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021476cc_1.jpg
  • Wearing her traditional clothing, Yua, a Hmong Du woman washes the hemp (cannabis sativa) fibre in the river, Ban Vieng Hang, Houaphan province, Lao PDR. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts, for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021302cc_1.jpg
  • Portrait of a Small Flower Miao ethnic minority woman, wearing her traditional clothing, in her home Gao Yuan village, Guizhou, China. Almost 35% of Guizhou's population is made up of over 18 different ethnic minorities including the Miao. Each Miao group became isolated in these mountainous regions, hence the present day diversity in their culture, costume and dialects. According to a popular saying, "if you meet 100 Miaos, you will see 100 costumes."
    107-07_1.jpg
  • Wearing her traditional clothing, Tong, a Hmong Du woman holds a skein of hemp (cannabis sativa) fibre which she has produced herself, Ban Vieng Hang, Houaphan province, Lao PDR. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021321cc_1.jpg
  • Yua, a Hmong Du woman softens the hemp fibre (cannabis sativa) by placing it in a hole in the ground and bashing it with a tool, Ban Vieng Hang, Houaphan province, Lao PDR. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021270cc_1.jpg
  • An Oma woman sewing her traditional clothing in Ban Nam Leng, Phongsaly province, Lao PDR. One of the most ethnically diverse countries in Southeast Asia, Laos has 49 officially recognised ethnic groups although there are many more self-identified and sub groups. These groups are distinguished by their own customs, beliefs and rituals. Details down to the embroidery on a shirt, the colour of the trim and the type of skirt all help signify the wearer's ethnic and clan affiliations.
    A0026144cc_1.jpg
  • A handmade fabric watch made by Hmong ethnic minority women for sale at the Luang Prabang night market, Lao PDR. The Hmong have recently settled in the town of Luang Prabang - a consequence of the government’s efforts to suppress both the cultivation of opium poppies and slash and burn agriculture, which they have traditionally practiced, and of their own desire to take advantage of the expansion of tourism, which provides an important outlet for their crafts.
    A0013723_1.jpg
  • A Red-Thread Miao ethnic minority woman, wearing her colourful appliqued traditional costume, splices ramie, Yi Xin village, Guizhou province, China. Ramie is one of the oldest fibre crops, having been used for at least six thousand years, and is principally used for fabric production. It is a bast fibre and the part used is the bark of the vegetative stalks. Almost 35% of Guizhou's population is made up of over 18 different ethnic minorities including the Miao. Each Miao group became isolated in these mountainous regions, hence the present day diversity in their culture, costume and dialects. According to a popular saying, "if you meet 100 Miaos, you will see 100 costumes."
    092-08_1.jpg
  • Nan Ya, a Hmong Leng ethnic minority woman decorates the woven hemp fabric by batik, a wax resist technique in Thien Pha, Houaphan province, Lao PDR. Bees’ wax is collected from the forest, heated in small metal pots and mixed with indigo paste (which colours the wax and makes it easier to see on the cloth). A bamboo pen with a metal nib is used for drawing the wax onto the hemp. The wax marks will resist the dye when the cloth is dipped in the indigo dye bath and left to dry. After the last dye bath has been completed, the cloth is boiled to remove the wax. The resulting fabric is an indigo blue colour with white designs. Making hemp fabric is a long and laborious process which the Hmong women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021476cc_1.jpg
  • A Mouchi ethnic minority woman wearing traditional clothing and carrying her baby son on her back sews traditional clothing outside her home in Ban Nam Sa, Phongsaly province, Lao PDR. One of the most ethnically diverse countries in Southeast Asia, Laos has 49 officially recognised ethnic groups although there are many more self-identified and sub groups. These groups are distinguished by their own customs, beliefs and rituals.  Details down to the embroidery on a shirt, the colour of the trim and the type of skirt all help signify the wearer's ethnic and clan affiliations.
    A0014189cc_1.jpg
  • Glastonbury Festival, 2015.<br />
Man smiling, wearing sparkly jacket
    _F3A3802-2_1.jpg
  • Portrait of an Oma woman preparing vegetables in her kitchen wearing her traditional headdress, Ban Nam Leng, Phongsaly province, Lao PDR. One of the most ethnically diverse countries in Southeast Asia, Laos has 49 officially recognised ethnic groups although there are many more self-identified and sub groups. These groups are distinguished by their own customs, beliefs and rituals. Details down to the embroidery on a shirt, the colour of the trim and the type of skirt all help signify the wearer's ethnic and clan affiliations.
    A0026127cc_1.jpg
  • Portrait of an Akha Nuquie woman and her baby in Ban Phanghok, Phongsaly province, Lao PDR. One of the most ethnically diverse countries in Southeast Asia, Laos has 49 officially recognised ethnic groups although there are many more self-identified and sub groups. These groups are distinguished by their own customs, beliefs and rituals. Details down to the embroidery on a shirt, the colour of the trim and the type of skirt all help signify the wearer's ethnic and clan affiliations.
    A0026059cc_1.jpg
  • A handmade fabric purse with an elephant design made by Hmong ethnic minority women for sale at the Luang Prabang night market, Lao PDR. The Hmong have recently settled in the town of Luang Prabang - a consequence of the government’s efforts to suppress both the cultivation of opium poppies and slash and burn agriculture, which they have traditionally practiced, and of their own desire to take advantage of the expansion of tourism, which provides an important outlet for their crafts.
    A0010458_1.jpg
  • An Aini ethnic minority woman sits on a bed with a young boy in her home in Xiang Dao Ya village. Costume styles in the past were identified by discrete regions and sub regions, but due to a number of factors some groups are more widely dispersed.  This may be due to migration or search for land, and more recently, as a result of re-settlement of groups by the Chinese government, made necessary by the construction of new roads, reservoirs and hydroelectric schemes. The People's Republic of China recognises 55 ethnic minority groups in China in addition to the Han majority. The ethnic minorities form 9.44% of mainland China and Taiwan's total population and the greatest number can be found in Yunnan Province, 34% (25 ethnic groups).
    56-18_1.jpg
  • A handmade child's bib made by a Hmong ethnic minority woman for sale at the Luang Prabang night market, Lao PDR. The Hmong have recently settled in the town of Luang Prabang - a consequence of the government’s efforts to suppress both the cultivation of opium poppies and slash and burn agriculture, which they have traditionally practiced, and of their own desire to take advantage of the expansion of tourism, which provides an important outlet for their crafts. Using their skilful embroidering and combining the sophisticated, colourful motifs that have traditionally adorned their clothing they have created aprons, tablecloths, cushion and bed covers, slippers and more which they sell to tourists at the Luang Prabang night market.
    A 5753_1_1.jpg
  • A handmade child's bib made by Hmong ethnic minority women for sale at the Luang Prabang night market, Lao PDR. The Hmong have recently settled in the town of Luang Prabang - a consequence of the government’s efforts to suppress both the cultivation of opium poppies and slash and burn agriculture, which they have traditionally practiced, and of their own desire to take advantage of the expansion of tourism, which provides an important outlet for their crafts. Using their skilful embroidering and combining the sophisticated, colourful motifs that have traditionally adorned their clothing they have created aprons, tablecloths, cushion and bed covers, slippers and more which they sell to tourists at the Luang Prabang night market.
    A 5748_1_1.jpg
  • Wearing her traditional clothing, Tong, a Hmong Du woman holds a skein of hemp (cannabis sativa) fibre which she has produced herself, Ban Vieng Hang, Houaphan province, Lao PDR. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021321cc_1.jpg
  • Wearing her traditional clothing, Yua, a Hmong Du woman washes the hemp (cannabis sativa) fibre in the river, Ban Vieng Hang, Houaphan province, Lao PDR. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts, for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021302cc_1.jpg
  • Handmade children's slippers made by Hmong ethnic minority women for sale at the Luang Prabang night market, Lao PDR. The Hmong have recently settled in the town of Luang Prabang - a consequence of the government’s efforts to suppress both the cultivation of opium poppies and slash and burn agriculture, which they have traditionally practiced, and of their own desire to take advantage of the expansion of tourism, which provides an important outlet for their crafts.
    A0010479_1.jpg
  • Yua, a Hmong Du woman softens the hemp fibre (cannabis sativa) by placing it in a hole in the ground and bashing it with a tool, Ban Vieng Hang, Houaphan province, Lao PDR. Making hemp fabric is a long and laborious process; the end result is a strong durable cloth with qualities similar to linen which the Hmong Du women make into skirts for their traditional clothing. In Lao PDR, hemp is now only cultivated in remote mountainous areas of the north.
    A0021270cc_1.jpg
  • A Hmong woman sews a piece of a young woman's traditional  New Year costume.  The Hmong of Laos earn a sizeable supplementary income by sending handmade traditional costumes to their overseas relatives for sale.
    A0010255cc_1.jpg
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