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  • Dana Kings Guided By Justice statue, dedicated to black women who sustained the Montgomery Bus Boycott and collectively walked thousands of miles, stands inside The National Memorial For Peace And Justice in Montgomery, Alabama on 3rd March 2020 in Montgomery, Alabama, United States. The national memorial  commemorate the victims of lynching in the United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7293.jpg
  • Dana Kings Guided By Justice statue, dedicated to black women who sustained the Montgomery Bus Boycott and collectively walked thousands of miles, stands inside The National Memorial For Peace And Justice in Montgomery, Alabama on 3rd March 2020 in Montgomery, Alabama, United States. The national memorial  commemorate the victims of lynching in the United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7294.jpg
  • Dana Kings Guided By Justice statue, dedicated to black women who sustained the Montgomery Bus Boycott standing in The National Memorial for Peace and Justice, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7299.jpg
  • Dana Kings Guided By Justice statue, dedicated to black women who sustained the Montgomery Bus Boycott standing in The National Memorial for Peace and Justice, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7286.jpg
  • Dana Kings Guided By Justice statue, dedicated to black women who sustained the Montgomery Bus Boycott and collectively walked thousands of miles, stands inside The National Memorial For Peace And Justice in Montgomery, Alabama on 3rd March 2020 in Montgomery, Alabama, United States. The national memorial  commemorate the victims of lynching in the United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7260.jpg
  • Dana Kings Guided By Justice statue, dedicated to black women who sustained the Montgomery Bus Boycott in the National Memorial for Peace and Justice, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7276.jpg
  • Private security used in the National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7302.jpg
  • Hank Willis Thomas Raise Up statue, which depicts contemporary issues of police violence and racially biased criminal justice in the National Memorial for Peace and Justice on 3rd March 2020 in Montgomery, Alabama, United States. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7311.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7231.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7220.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. These are the caskets waiting to be accepted by each individual county and erected in their soil to not only recognise the victims of lynching but for each community to begin its own local process of acknowledgement and responsibility for the past. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7233.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7201.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7140.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7148.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7087.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. These are the caskets waiting to be accepted by each individual county and erected in their soil to not only recognise the victims of lynching but for each community to begin its own local process of acknowledgement and responsibility for the past. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7245.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7210.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. These are the caskets waiting to be accepted by each individual county and erected in their soil to not only recognise the victims of lynching but for each community to begin its own local process of acknowledgement and responsibility for the past. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7241.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7219.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7151.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7181.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7147.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. These are the caskets waiting to be accepted by each individual county and erected in their soil to not only recognise the victims of lynching but for each community to begin its own local process of acknowledgement and responsibility for the past. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7161.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7098.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7129.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7085.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7103.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7079.jpg
  • Kwame Akoto-Bamfos Nkyinkim sculpture, dedicated to the memory of the victims of the Transatlantic slave trade at the entrance of the National Memorial for Peace And Justice on 3rd March 2020 in Montgomery, Alabama, United States. It has the title ‘Nkyinkyim’ meaning twisted, relating to the proverb life’s journey is twisted’.  it was created at the artist’s studio in Ghana and installed in Montgomery for the opening of the Memorial in 2018. Informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States was the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa. The Memorial in Montgomery was opened in 2018. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.e wider process of acknowledgement and healing they want to achieve.
    _E6A7083.jpg
  • The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, a national memorial to commemorate the victims of lynching in the United States on 3rd March 2020 in Montgomery, Alabama, United States. The memorial, opened in 2018, features steel monuments dangling like bodies is the brainchild of Bryan Stevenson, who was inspired by the Holocaust memorials in Europe and by the post-Apartheid Truth and Reconciliation process in South Africa.  800 six-foot monuments hang in rows, with each coffin shape representing a county where a racial terror lynching took place. Incorporated into each monument are the names of the racial terror lynching victims and the date of their murder engraved on it. Current research shows that 4,084 African Americans were lynched between 1877 and 1950. More than 85% of the lynchings took place in the Southern states.
    _E6A7072.jpg
  • Male and female Cubans of African and mixed descendancy varying ages enacting a traditional ceremony wearing colourful costumes, performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1393_1.jpg
  • Cuban young man of African descent with a cigar in his mouth dancing wearing colourful costume. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1306_1.jpg
  • Male and female Cubans of African and mixed descendancy varying ages enacting a traditional ceremony wearing colourful costumes, performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1393_1.jpg
  • Cuban woman of African descent throwing rice to the crowd in a traditional gesture. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1290_1.jpg
  • Female Cuban older elderly women singing and dancing wearing colourful costumes, performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1280_1.jpg
  • Female Cuban older elderly woman posing for a portrait wearing colourful costume, performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1259_1.jpg
  • Female Cuban young woman of mixed descendancy posing for a portrait wearing colourful costume, performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1205_1.jpg
  • Cuban young woman girl of African descent dancing, and waving a stick  and shouting, as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1174_1.jpg
  • Male and female Cubans of African and mixed descendancy posing for a portrait wearing colourful costumes, performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1146_1.jpg
  • Cuban young man boy of African descent dancing, and waving a stick  and shouting, as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1046_1.jpg
  • Cuban young man boy of African descent dancing, and waving a stick as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1011_1.jpg
  • Cuban young man boy of African descent dancing, and waving a stick as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_0986_1.jpg
  • Cuban womn of African descent dancing, smiling as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_0938_1.jpg
  • Cuban womn of African descent dancing, smiling as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_0924_1.jpg
  • Cuban young man of African descent with a cigar in his mouth dancing wearing colourful costume. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1306_1.jpg
  • Cuban women of African descent dancing and walking as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_1087_1.jpg
  • Cuban young man boy of African descent dancing, and waving a stick as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_0998_1.jpg
  • Cuban woman of African descent dancing, looking surprised and angry as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_0950_1.jpg
  • Cuban woman of African descent dancing, smiling as part of a performance. Performance in Havana old town, local dance and theatre group enacting the slave trade, colonial rule and how African religion and beliefs continuing, becoming what is now Santeria.
    _MG_0839_1.jpg
  • Studio Be, home to local artist, Brandan Bmike Odums on 28th February 2020 in New Orleans, Louisiana, United States. Studio Be is the first project by BMike to have started up legally, and despite the changing neighborhood around it, has continued to be open to the public since 2016. Inside a formerly abandoned warehouse, BMike has taken over the walls with his solo show Ephemeral Eternal,at 35,000 square feet, it may be one of the grandest, and longest running, solo art shows in the country.
    _E6A6054.jpg
  • The statue of Sir Thomas Guy stands outside the historical entrance of Guys hospital, on 9th June 2020, in London, England. Thomas Guy 1644 – 1724 was British bookseller, speculator and founder of Guys Hospital, London whose links to the global slave trade is now a controversial aspect of this businessman by anti-slavery activists and more recently, Black Lives Matter protesters. His wealth came through shares in the South Sea Company whose main business was in the selling of slaves from Africa to the Spanish colonies. In 1720 he successfully sold his stock of the company for approx £400 million at todays prices and amassed a large fortune, opening the Guys Hospital  in 1725 which today serves as one of  the capitals major NHS healthcare centres. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups who are calling for the removal of statues and street names with links to the slave trade, Guys and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-28-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-24-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-27-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-20-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-18-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-15-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-14-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-06-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-09-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-11-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-01-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-19-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-08-09-06-2...jpg
  • Hours before it was removed by the Canal and River Trust, the statue of merchant slave owner, Robert Milligan stands partially covered by Black Lives Matter activists outside the Museum of Londons Docklands Museum on the former quay of West India Docks, on 9th June 2020, in London, United Kingdom. Scottish merchant Robert Milligan 1746 - 1809 grew up on his familys sugar plantation in Jamaica and by the time of his death, owned 526 slaves of his own. Because of the theft of his sugar and rum cargoes from the docks of the day, he and other busnessmen built the massive West India Docks trade hub, him becoming Deputy Chairman of the West India Dock Company. In the aftermath of the George Floyd protests in the US and UK Black Lives Matter groups, who are calling for the removal of statues and street names with links to the slave trade, Milligans and other statues of British slavery owners and profiteers, have become a focus of impassioned protest.
    black_lives_matter_statue-05-09-06-2...jpg
  • Exterior of the best preserved Grade 2 listed Bastle a fortified 18th/19th century farmhouse at Black Middens, on 28th September 2017, in Gatehouse, Northumberland, England. Bastel, bastle, or bastille houses are a type of construction found along the Anglo-Scottish border, in the areas formerly plagued by border Reivers. Typically, the bastle was 10-12 metres long by 5-6 metres wide with walls up to 1.6 metres thick. Some 400 tonnes of sandstone blocks were needed for construction with corner quoins corner stones weighing up to 300kg. Bastles would have been costly to build so afforded by only wealthy families fearing attack by cross-border bandits.
    black_middens_bastle-02-28-09-2017.jpg
  • An activist from the group Action for Climate Truth and Reparations (ACTR) climbs scaffolding to hang an open letter to the UK people from Africans Rising For Justice, Peace and Dignity from the Houses of Parliament on 12 November 2020 in London, United Kingdom. The letter, which launches Africans Rising’s ReRight History campaign, contains a plea to the UK people to start making amends for the harm caused by slavery and colonialism.
    MK-20201112-London-Parliament-ACTR-A...jpg
  • An activist from the group Action for Climate Truth and Reparations (ACTR) climbs scaffolding to hang an open letter to the UK people from Africans Rising For Justice, Peace and Dignity from the Houses of Parliament on 12 November 2020 in London, United Kingdom. The letter, which launches Africans Rising’s ReRight History campaign, contains a plea to the UK people to start making amends for the harm caused by slavery and colonialism.
    MK-20201112-London-Parliament-ACTR-A...jpg
  • On the 100th anniversary of the Royal Air Force RAF and following a flypast of 100 aircraft formations representing Britains air defence history which flew over central London, a servieman leaves Horseguards, passing the memorial to those killed in the 2002 Bali bombing, on 10th July 2018, in London, England.
    RAF_100-15-10-07-2018.jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath pose for a photograph after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath pose for a photograph after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath walk along School Road after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath walk along School Road after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath pose for a photograph after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath walk along School Road after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath walk along School Road after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath walk along School Road after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Morris dancers from Beorma Border Morris dancing troupe in Kings Heath pose for a photograph after visiting a local friend on May Day under Coronavirus lockdown on 1st May 2020 in Birmingham, England, United Kingdom. These two women from the Beorma Morris are wearing their full costumes including rags and tatters, fishnet tights and feathers, and with distinctive blackened faces. Many morris sides through history blackened their faces, and Blacking up is reputed to have been as some form of disguise because the performers many of whom had jobs in agriculture, were begging, which was both illegal and could bring them shame. If so, the black face must have been a custom that saved face on the part of dancers and audience alike. The Coronavirus or Covid-19 is a new respiratory illness that has not previously been seen in humans. While much or Europe has been placed into lockdown, the UK government has put in place more stringent rules as part of their long term strategy, and in particular social distancing.
    20200501_coronavirus morris dancers_...jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensI.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensD.jpg
  • People gather outside the Black Cultural Archives gallery to celebrate the 70th anniversary of the arrival of the passenger liner, Empire Windrush, and the men and women who came to England from the Caribbean on the 23rd June 2018 in Brixton in the United Kingdom. The arrival of 492 passengers from the Caribbean on the 22 June 1948 marked a seminal moment in Britain’s history. (photo by Sam Mellish / In Pictures via Getty Images)
    Windrush70-06046.jpg
  • Street scene in Monastiraki. Greek Orthodox Church priests pass by wearing their black robes. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110921greek orthodox priestsA.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensL.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensK.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensJ.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensH.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensG.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensF.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensE.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensC.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensB.jpg
  • Changing the Guard (often incorrectly referred to as the Changing of the Guard), refers to a formal ceremony in which sentries providing ceremonial guard duties at important institutions are relieved by a new batch of sentries. The ceremonies are often elaborate and precisely choreographed. In the state capital, Athens, members of the elite Evzones light infantry unit, provide a 24-hour honor guard, with an hourly guard change, at the Presidential Mansion and at the Tomb of the Unknown Soldier, off Syntagma Square at the foot of the Hellenic Parliament. The Changing the Guard at the Tomb of the Unknown Soldier in particular has become a tourist attraction, with many people marvelling at the guards, who stand motionless for two 20-minute intervals, during their 1 hour shifts. Greek soldiers called "Evzons" or 'Tsoliades' in their traditional pleated skirt uniform and shoes with toes tipped by a red or black ball called a 'foonda' are who guard the tomb. Athens is the capital and largest city of Greece. It dominates the Attica periphery and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state. A centre for the arts, learning and philosophy.
    20110920changing the guard athensA.jpg
  • Democrat activists driving through downtown encouraging African American voting in the Primaries on 3rd March 2020 in Selma, Alabama, United States. Bloody Sunday 50 years earlier was the day when 600 civil rights demonstrators calling for the right to vote were brutally beaten by state troopers preventing them from crossing the bridge en route to Montgomery. Television images of the crackdown on peaceful marchers stunned America. It represented a watershed in civil rights history that paved the way, months later, for the Voting Rights Act.
    _E6A6823.jpg
  • Guardsman, one black, march into position before the funeral of Margaret Thatcher. Draped in the union flag and mounted on a gun carriage, the coffin of ex-British Prime Minister Baroness Margaret Thatcher's coffin travels along Fleet Street towards St Paul's Cathedral in London, England. Afforded a ceremonial funeral with military honours, not seen since the death of Winston Churchill in 1965, family and 2,000 VIP guests (incl Queen Elizabeth) await her cortege.
    thatcher_funeral06-17-04-2013_1_1.jpg
  • The National Historical Museum (Muzeu Historik Kombetar) in Tirana is Albania's largest museum. It was officially opened on October  28th, 1981. The gigantic mosaic over the main entrance is entitled The Albanians and represents the development of Albania's history including everyone from Illirians to partisans.
    Albania033_1_1.jpg
  • Detroit is the most populous city in the U.S. state of Michigan, and is the seat of Wayne County, the most populous county in the state.<br />
Known as the world's traditional automotive center, "Detroit" is a metonym for the American automobile industry and an important source of popular music legacies celebrated by the city's two familiar nicknames, the Motor City and Motown. Many neighborhoods remain distressed since the collapse of the motor industry. The state governor declared a financial emergency in March 2013, appointing an emergency manager. On July 18, 2013, Detroit filed the largest municipal bankruptcy case in U.S. history
    _F3A8235_1_1.jpg
  • Detroit is the most populous city in the U.S. state of Michigan, and is the seat of Wayne County, the most populous county in the state.<br />
Known as the world's traditional automotive center, "Detroit" is a metonym for the American automobile industry and an important source of popular music legacies celebrated by the city's two familiar nicknames, the Motor City and Motown. Many neighborhoods remain distressed since the collapse of the motor industry. The state governor declared a financial emergency in March 2013, appointing an emergency manager. On July 18, 2013, Detroit filed the largest municipal bankruptcy case in U.S. history
    _F3A8231_1_1.jpg
  • Detroit is the most populous city in the U.S. state of Michigan, and is the seat of Wayne County, the most populous county in the state.<br />
Known as the world's traditional automotive center, "Detroit" is a metonym for the American automobile industry and an important source of popular music legacies celebrated by the city's two familiar nicknames, the Motor City and Motown. Many neighborhoods remain distressed since the collapse of the motor industry. The state governor declared a financial emergency in March 2013, appointing an emergency manager. On July 18, 2013, Detroit filed the largest municipal bankruptcy case in U.S. history
    _F3A8180_1_1.jpg
  • Detroit is the most populous city in the U.S. state of Michigan, and is the seat of Wayne County, the most populous county in the state.<br />
Known as the world's traditional automotive center, "Detroit" is a metonym for the American automobile industry and an important source of popular music legacies celebrated by the city's two familiar nicknames, the Motor City and Motown. Many neighborhoods remain distressed since the collapse of the motor industry. The state governor declared a financial emergency in March 2013, appointing an emergency manager. On July 18, 2013, Detroit filed the largest municipal bankruptcy case in U.S. history
    _F3A7774_1.jpg
  • The infamous Edmund Pettus Bridge named after a confederate general and head of the Alabama Ku Klux Klan on 3rd March 2020 in Selma, Alabama, United States. Bloody Sunday, 55 years earlier, was the day when 600 civil rights demonstrators, marching to the state capital for the right to vote, were brutally beaten by state troopers preventing them from crossing the bridge en route to Montgomery. Television images of the crackdown on peaceful marchers stunned America. It represented a watershed in civil rights history that paved the way, months later, for the Voting Rights Act.
    _E6A6880.jpg
  • The infamous Edmund Pettus Bridge named after a confederate general and head of the Alabama Ku Klux Klan on 3rd March 2020 in Selma, Alabama, United States. Bloody Sunday, 55 years earlier, was the day when 600 civil rights demonstrators, marching to the state capital for the right to vote, were brutally beaten by state troopers preventing them from crossing the bridge en route to Montgomery. Television images of the crackdown on peaceful marchers stunned America. It represented a watershed in civil rights history that paved the way, months later, for the Voting Rights Act.
    _E6A6884.jpg
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