Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 655 images found }

Loading ()...

  • President of the EU Commission, Ursula von der Leyen, leaving Europe House, the European Parliament Liason office in the UK as Anti Brexit protesters shout encouragement and support to her in Westminster before her meeting with the Prime Minister to discuss the impending negotioations and timeframe for the UKs withdrawal from the EU, on 8th January 2020 in London, England, United Kingdom. Ursula Gertrud von der Leyen is a German politician and the President of the European Commission since 1 December 2019.
    20200108_ursula von der leyen_002.jpg
  • President of the EU Commission, Ursula von der Leyen, leaving Europe House, the European Parliament Liason office in the UK as Anti Brexit protesters shout encouragement and support to her in Westminster before her meeting with the Prime Minister to discuss the impending negotioations and timeframe for the UKs withdrawal from the EU, on 8th January 2020 in London, England, United Kingdom. Ursula Gertrud von der Leyen is a German politician and the President of the European Commission since 1 December 2019.
    20200108_ursula von der leyen_003.jpg
  • President of the EU Commission, Ursula von der Leyen, leaving Europe House, the European Parliament Liason office in the UK as Anti Brexit protesters shout encouragement and support to her in Westminster before her meeting with the Prime Minister to discuss the impending negotioations and timeframe for the UKs withdrawal from the EU, on 8th January 2020 in London, England, United Kingdom. Ursula Gertrud von der Leyen is a German politician and the President of the European Commission since 1 December 2019.
    20200108_ursula von der leyen_001.jpg
  • Protester Steve Bray sings a song in support of the EU as President of the EU Commission, Ursula von der Leyen leaves Europe House, the European Parliament Liason office in the UK in Westminster before her meeting with the Prime Minister to discuss the impending negotioations and timeframe for the UKs withdrawal from the EU, on 8th January 2020 in London, England, United Kingdom. Ursula Gertrud von der Leyen is a German politician and the President of the European Commission since 1 December 2019.
    20200108_ursula von der leyen_005.jpg
  • President of the EU Commission, Ursula von der Leyen, leaving Europe House, the European Parliament Liason office in the UK as Anti Brexit protesters shout encouragement and support to her in Westminster before her meeting with the Prime Minister to discuss the impending negotioations and timeframe for the UKs withdrawal from the EU, on 8th January 2020 in London, England, United Kingdom. Ursula Gertrud von der Leyen is a German politician and the President of the European Commission since 1 December 2019.
    20200108_ursula von der leyen_004.jpg
  • Canadian flags hang outside Canade House in London's Trafalgar Square, Westminster. Canada House (Maison du Canada) is a Greek Revival building on Trafalgar Square in London that is part of the High Commission of Canada in London. Canada House hosts the cultural and consular sections of the High Commission. Canada House is very much a public building. It contains the High Commissioner's office, and hosts conferences, receptions, lectures, lunches and "vernissages" where Canadians and Britons can meet, and has facilities for film, video and television screenings.
    canada_house01-25-04-2013_1.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6090.jpg
  • A memorial cross with a poppy on it placed up against the wall, containing the names of hundreds of fallen soldiers that died during the First and Second World War. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6099.jpg
  • The sign to the head quarters of The Commonwealth War Graves Commission, just outside of Arras, France.
    France-Commonwealth-War-Graves-6240.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6070.jpg
  • The headstone of a Jewish soldier. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6085.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6082.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6066.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6063.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6065.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6059.jpg
  • The names of hundreds of fallen soldiers that died during the First and Second World War engraved on the memorial wall. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6035.jpg
  • A memorial register box attached to the wall of a memorial building.  Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6038.jpg
  • Foreign currency exchange board advertising No Commission in central London. On the board that is propped up against a wall in this busy tourist area, formerly a market of fruit and flowers produce, we see five nationalities' currencies represented with their current rates against the Pound sterling. The US and Canadian Dollar, the Euro, Yen and the Swiss Franc are there with respective flags to attract those wishing to change money.
    foreign_exchange01-30-04-2015_1.jpg
  • The sign to the head quarters of The Commonwealth War Graves Commission, just outside of Arras, France.
    France-Commonwealth-War-Graves-6249.jpg
  • A memorial cross with a poppy on it placed up against the wall, containing the names of hundreds of fallen soldiers that died during the First and Second World War. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6098.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6084.jpg
  • Rows and rows of headstone of fallen soldiers. Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6055.jpg
  • A memorial register box attached to the wall of a memorial building.  Faubourg DAmiens cemetery is the burial site of 2678 identified casualties and a memorial to thousands more from the First and Second World War.  It is looked after and managed by the Commonwealth War Graves Commission in the town of Arras, France.
    France-Commonwealth-War-Graves-6039.jpg
  • Four estate agent's property boards advertise their names and numbers in a London housing estate, each representing vendors selling their houses and flats for a set commission in the housing market. Above the signs is the pink blossom from a cherry tree whose branches hang over the temporary information boards. The term originally referred to a person responsible for managing a landed estate, while those engaged in the buying and selling of homes were "House Agents", and those selling land were "Land Agents". However, in the 20th century, "Estate Agent" started to be used as a generic term, perhaps because it was thought to sound more impressive. Estate agent is roughly synonymous in the United States with the term real estate broker.
    for_sale-25-01-1991_1.jpg
  • Passers-by wearing face coverings walk past signs for Commission Free money exchange and mobile phone repairs on Charing Cross Road, on 30th October 2020, in London, England.
    money_exchange01-30-10-2020.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled The Invisible Enemy Should Not Exist by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh modern-day Mosul, Iraq which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-05-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled The Invisible Enemy Should Not Exist by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh modern-day Mosul, Iraq which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-03-19-04-2018.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-22-10-04-2018.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-12-10-04-2018.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-02-10-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-05-10-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled The Invisible Enemy Should Not Exist by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh modern-day Mosul, Iraq which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-07-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled The Invisible Enemy Should Not Exist by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh modern-day Mosul, Iraq which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-04-29-03-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled The Invisible Enemy Should Not Exist by the artist Michael Rakowitz, in Trafalgar Square, on 29th March, 2018 in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh modern-day Mosul, Iraq which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-01-29-03-2018.jpg
  • An exterior of Australia House, the Australian High Commission on the Strand, on 16th February 2018, in London, England.
    australia_house-02-16-02-2018.jpg
  • A man passes a poster signed by street artist Dr. D showing a portrait of News Corp head Rupert Murdoch in London. Britain's Culture Secretary Jeremy Hunt referred News Corporation's bid for BSkyB to the Competition Commission.
    hunt0721.jpg
  • A taxi passes a poster signed by street artist Dr. D showing a portrait of News Corp head Rupert Murdoch in London. Britain's Culture Secretary Jeremy Hunt referred News Corporation's bid for BSkyB to the Competition Commission.
    _PH20759.jpg
  • A man passes a poster signed by street artist Dr. D showing a portrait of News Corp head Rupert Murdoch in London. Britain's Culture Secretary Jeremy Hunt referred News Corporation's bid for BSkyB to the Competition Commission.
    _PH10706.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_N.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_M.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_L.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_K.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_J.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_I.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_H.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_G.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_F.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_D.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_C.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_B.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_A.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled The Invisible Enemy Should Not Exist by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh modern-day Mosul, Iraq which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-09-19-04-2018.jpg
  • The 12th Fourth Plinth commission by the Mayor of London  artwork entitled The Invisible Enemy Should Not Exist by the artist Michael Rakowitz, in Trafalgar Square, on 19th April 2018, in London, England. Started in 2006, the sculpture recreates over 7,000 archaeological artefacts looted from the Iraq Museum during the war there or destroyed elsewhere. Oneof these was Lamassu, a winged deity which guarded Nergal Gate at the entrance to the ancient city Assyrian city of Nineveh modern-day Mosul, Iraq which was destroyed by ISIS in 2015. The Lamassu, which had the same footprint as the Fourth Plinth is made of empty Iraqi date syrup cans, representative of a once-renowned industry.
    fourth_plinth-08-19-04-2018.jpg
  • The statue of poet John Betjeman by Martin Jennings looks up to the new artwork entitled 'I Want My Time With You' by British (Britpop) artist Tracy Emin which hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of London's mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads 'I Want My Time With You' and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic." The Brexit-opposing artist also said she wanted to make "a statement that reaches out to everybody from Europe arriving in to London".
    st_pancras-08-10-04-2018.jpg
  • The new artwork entitled I Want My Time With You by British Britpop artist Tracy Emin hangs over the main concourse at St. Pancras Station, on 10th April 2018, in London, England. In the sixth year of the Terrace Wires Commission - and in celebration of the 150th anniversary of St Pancras International and the 250th anniversary of the Royal Academy of Arts, at one of Londons mainline station, the London hub for Eurostar - the 20 metre-long greeting to commuters reads I Want My Time With You and Emin thinks that arriving by train and being met by a lover as they put their arms around them, is very romantic. The Brexit-opposing artist also said she wanted to make a statement that reaches out to everybody from Europe arriving in to London.
    st_pancras-04-10-04-2018.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_E.jpg
  • Artist Nic Fiddian-Green's giant 30ft bronze 'Marwari Horse at Water' sculpture which stands at London's Marble Arch. Seated beneath this huge piece of scaled equine head are young people, leaning and sitting on the horse's plinth. This is a popular stopping off place for those enjoying late summer temperatures. The head stands on the end of its nose, a balancing act effective as a standalone piece of art that represents the carrying of wounded masters to safety that had an extraordinary resonance for the artist. Commissioned to create the piece by JCB founder Sir Anthony and Lady Bamford in January 2006 – just after Fiddian-Green had been diagnosed as suffering from a rare form of leukaemia. The Marwari breed was famous in India for centuries as the mount of the Rajput cavalry.
    horse_head02-11-10-2010 12-43-43_1.jpg
  • A detail of poetry and sentences forming Graveyard of Lost Species, a boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the Souvenir, a 39-foot Thames bawley 1933 which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-14-10-09-2019.jpg
  • A low-tide landscape of poetry and sentences forming Graveyard of Lost Species, an boat artwork created by by artists and commissioned by Arts Catalyst, at low-tide on the Thames estuary, at Leigh creek, on 10th September 2019, in Leigh-on-Sea, Essex, England. The project celebrates the local tradition of wrecking boats on the salt marsh, its decaying memory of what has changed or passed. The boat is the Souvenir, a 39-foot Thames bawley 1933 which once served the local fish trade in nearby Southend-on-Sea.
    estuary_walk-16-10-09-2019.jpg
  • Artist Nic Fiddian-Green's giant 30ft bronze 'Marwari Horse at Water' sculpture which stands at London's Marble Arch. Seated beneath this huge piece of scaled equine head are young people, leaning and sitting on the horse's plinth. This is a popular stopping off place for those enjoying late summer temperatures. The head stands on the end of its nose, a balancing act effective as a standalone piece of art that represents the carrying of wounded masters to safety that had an extraordinary resonance for the artist. Commissioned to create the piece by JCB founder Sir Anthony and Lady Bamford in January 2006 – just after Fiddian-Green had been diagnosed as suffering from a rare form of leukaemia. The Marwari breed was famous in India for centuries as the mount of the Rajput cavalry.
    horse_head01-11-10-2010_1.jpg
  • International currency rates on the board outside a bureau-de-change in Hradcany district, on 19th March, 2018, in Prague, the Czech Republic.
    prague-154-19-03-2018.jpg
  • International currency rates on the board outside a bureau-de-change in Hradcany district, on 19th March, 2018, in Prague, the Czech Republic.
    prague-152-19-03-2018.jpg
  • A foreign currency conversion sign in the capitals tourist area of Covent Garden, on 1st September 2017, in London, England.
    currency_rates-01-01-09-2017.jpg
  • Red-tinted window landscape caused by the Serpentine Gallery's Pavilion. Young visitors gather to talk and drink within the main structure of the Serpentine's 40th Anniversary—the Serpentine Gallery Pavilion is designed by world-renowned French architect Jean Nouvel. The entire design is rendered in a vivid red that, in a play of opposites, contrasts with the green of its park setting. In London, the colour reflects the iconic British images of traditional telephone boxes, post boxes and London buses. The building consists of bold geometric forms, large retractable awnings and a sloped freestanding wall that stands 12m above the lawn. Striking glass, polycarbonate and fabric structures create a versatile system of interior and exterior spaces.
    serpentine_pavillion06-11-10-2010 12...jpg
  • Red-tinted landscape against green grass caused by the Serpentine Gallery's Pavilion. Divided in half red and half green, late afternoon sunshine is backlit to reveal the shape and form of this building in one of London's most imminent of green spaces. The Serpentine's 40th Anniversary—the Serpentine Gallery Pavilion is designed by world-renowned French architect Jean Nouvel. The entire design is rendered in a vivid red that, in a play of opposites, contrasts with the green of its park setting. In London, the colour reflects the iconic British images of traditional telephone boxes, post boxes and London buses. The building consists of bold geometric forms, large retractable awnings and a sloped freestanding wall that stands 12m above the lawn. Striking glass, polycarbonate and fabric structures create a versatile system of interior and exterior spaces.
    serpentine_pavillion02-11-10-2010_1_...jpg
  • Looking upwards from below, we see above us artist Yinka Shonibare's artwork called Nelson's Ship in a Bottle on the Fourth Plinth in London's in Trafalgar Square. The artwork features a 1:29 scale replica of Lord Nelson's original HMS Victory commemorating the Battle of Trafalgar in 1805, Shonibare said his version with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. The Fourth Plinth is in the north-west of Trafalgar Square
    nelson_victory11-24-05-2010.jpg
  • With a confusing perspective and scale, a tourist sightseeing bus passes artist Yinka Shonibare's artwork called Nelson's Ship in a Bottle on the Fourth Plinth in London's in Trafalgar Square. The artwork features a 1:29 scale replica of Lord Nelson's original HMS Victory commemorating the Battle of Trafalgar in 1805, Shonibare said his version with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa.
    nelson_victory05-24-05-2010.jpg
  • With a confusing perspective and scale, a spectator photographs artist Yinka Shonibare's artwork called Nelson's Ship in a Bottle on the Fourth Plinth in London's in Trafalgar Square. The artwork features a 1:29 scale replica of Lord Nelson's original HMS Victory commemorating the Battle of Trafalgar in 1805, Shonibare said his version with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. The Fourth Plinth is in the north-west of the Square.
    nelson_victory03-24-05-2010.jpg
  • Spectators stand at the foot of Artist Yinka Shonibare's artwork called Nelson's Ship in a Bottle on the Fourth Plinth in London's in Trafalgar Square. The artwork features a 1:29 scale replica of Lord Nelson's original HMS Victory commemorating the Battle of Trafalgar in 1805, Shonibare said his version with its textile sails with African and batik prints reflects the multicultural and diverse capital. The 2.35m high ship inside a specially-made glass bottle, will be in place for 18 months. 37 large sails are made of patterns which are commonly associated with African dress and culture. The patterns also look back at the path of colonialism as the patterns were inspired by Indonesian batik design, which were mass produced by the Dutch and sold to the colonies in West Africa. The Fourth Plinth is in the north-west of Trafalgar Square, London.
    nelson_victory02-24-05-2010.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock20-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock03-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock02-25-07-2013_1_1.jpg
  • An aerial view of a west London Porsche car salesman in his salesroom. We look down from a high vantage point to see three of his sports cars looking highly-polished in this expensive and exclusive market for elite cars. Two 911 (964) Carrera models from their 1992 range are seen in red and black - one an open top and the other a saloon. The Porsche 964 is the company's internal name for the version of the Porsche 911 model manufactured and sold between 1989 and 1994, designed by Benjamin Dimson in 1986 and built in Stuttgart, Baden-Württemberg, Germany.
    car_salesman-12-08-1992_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock17-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock08-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock07-25-07-2013_1_1.jpg
  • In the window of a London estate agency, we see many properties in various styles and ages for sale. A sales executive swaps some of the pictures as some sell or perhaps, are taken off the market by their vendors.
    estate_agent01-13-03-1991_1.jpg
  • A security employee working for Londons Southbank carries a life ring coincidentally passing through circular artwork overlooking the River Thames, on 21st November 2016, Southbank, London, England.
    southbank-07-21-11-2016.jpg
  • Queen Elizabeth's Royal Yacht Britannia is moored at the quayside at Portsmouth, England. With pendants blowing in the breeze, its pristine paintwork shining in sunlight, the boat awaits its royal passengers for another official tour or voyage abroad. In the background is Lord Nelson's flagship museum, HMS Victory. Her Majesty's Yacht Britannia was the former Royal Yacht of the British monarch, Queen Elizabeth II. She was the 83rd such vessel since the restoration of King Charles II in 1660. She is the second Royal yacht to bear the name, the first being the famous racing cutter built for The Prince of Wales in 1893. Following Labour's victory on 1 May 1997 it was announced that the vessel would be retired and no replacement would be built. She is now permanently moored as an exhibition ship at Ocean Terminal, Leith, Edinburgh, Scotland.
    yacht_britannia-18-06-1994_1_1.jpg
  • Families admire Scallop, a 4 metre high steel sculpture of two interlocking scallop shells on Aldeburgh beach dedicated to Benjamin Britten. Hambling's Scallop (2003) stands on the north end of Aldeburgh beach. It is a tribute to Benjamin Britten and is pierced with the words "I hear those voices that will not be drowned" from his opera Peter Grimes. Aldeburgh is a coastal town in Suffolk, East Anglia, England. Located on the River Alde, the town is notable for its internationally renowned Aldeburgh Festival of arts, which takes place at nearby Snape Maltings, was created in 1948 by the resident and acclaimed composer Benjamin Britten. The Blue Flag shingle beach and fisherman huts is where freshly caught fish are sold daily.
    scallop_hambling07-26-07-2012.jpg
  • Scallop, a 4 metre high steel sculpture of two interlocking scallop shells on Aldeburgh beach dedicated to Benjamin Britten. Hambling's Scallop (2003) stands on the north end of Aldeburgh beach. It is a tribute to Benjamin Britten and is pierced with the words "I hear those voices that will not be drowned" from his opera Peter Grimes. Aldeburgh is a coastal town in Suffolk, East Anglia, England. Located on the River Alde, the town is notable for its internationally renowned Aldeburgh Festival of arts, which takes place at nearby Snape Maltings, was created in 1948 by the resident and acclaimed composer Benjamin Britten. The Blue Flag shingle beach and fisherman huts is where freshly caught fish are sold daily.
    scallop_hambling05-26-07-2012.jpg
  • Families admire Scallop, a 4 metre high steel sculpture of two interlocking scallop shells on Aldeburgh beach dedicated to Benjamin Britten. Hambling's Scallop (2003) stands on the north end of Aldeburgh beach. It is a tribute to Benjamin Britten and is pierced with the words "I hear those voices that will not be drowned" from his opera Peter Grimes. Aldeburgh is a coastal town in Suffolk, East Anglia, England. Located on the River Alde, the town is notable for its internationally renowned Aldeburgh Festival of arts, which takes place at nearby Snape Maltings, was created in 1948 by the resident and acclaimed composer Benjamin Britten. The Blue Flag shingle beach and fisherman huts is where freshly caught fish are sold daily.
    scallop_hambling03-26-07-2012.jpg
  • Families admire Scallop, a 4 metre high steel sculpture of two interlocking scallop shells on Aldeburgh beach dedicated to Benjamin Britten. Hambling's Scallop (2003) stands on the north end of Aldeburgh beach. It is a tribute to Benjamin Britten and is pierced with the words "I hear those voices that will not be drowned" from his opera Peter Grimes. Aldeburgh is a coastal town in Suffolk, East Anglia, England. Located on the River Alde, the town is notable for its internationally renowned Aldeburgh Festival of arts, which takes place at nearby Snape Maltings, was created in 1948 by the resident and acclaimed composer Benjamin Britten. The Blue Flag shingle beach and fisherman huts is where freshly caught fish are sold daily.
    scallop_hambling01-26-07-2012.jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
  • London School Of Hygiene And Medicine during the coronavirus pandemic on the 10th May 2020 in London, United Kingdom. The school is a key player in the understanding of COVID-19 and Professor Peter Piot was appointed as special advisor to President of European Commission. In this role, he will advise the Commission in supporting and steering research and innovation in the global fight against the coronavirus pandemic.
    _E6A1134.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_008.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_007.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_005.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_006.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_004.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_002.jpg
  • The 12th Fourth Plinth sculpture named 'The Invisible Enemy Should Not Exist' by artist Michael Rakowitz, in Trafalgar Square, on 5th April 2018 in London, United Kingdom. The artwork attempts to recreate more than 7,000 objects which have been lost forever. Some were looted from the Iraq Museum in 2003, while others were destroyed at archaeological sites across the country during the Iraq War. Rakowitz has recreated the Lamassu. This winged bull and protective deity guarded the entrance to Nergal Gate of Nineveh from 700 BC until it was destroyed by Daesh in 2015. The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20180405_fourth plinth_001.jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
  • A 4.1m high bronze sculpture of a boy on a rocking horse has been unveiled on the Fourth Plinth in Trafalgar Square, London, England, UK. Artists Michael Elmgreen and Ingar Dragset say "Powerless Structures, Fig 101 (the title of the piece) questions "monuments predicated on military victory or defeat". They said it was "up to the public to love it or hate it" but "hopefully not ignore it". Funded by the Mayor of London and Arts Council England, the sculpture will remain in place for a year. The artists said, in a statement, that "the image of a young boy astride his rocking horse encourages viewers to consider the less spectacular events in their lives which are often the most important". The Fourth Plinth is an empty plinth in Trafalgar Square in central London originally intended to hold an equestrian statue. For over 150 years there was much squabbling about what to do with the fourth plinth, but very little agreement, until the temporary use of the plinth to display three pieces of art in the last years of the 20th century lead to a commission being formed to decide on a use for it. Eventually that commission unanimously decided to use it for the temporary display of artworks.
    20120223fourth plinth boy rocking ho...jpg
Next
  • Facebook
  • Twitter
x

In Pictures

  • About
  • Contact
  • Join In Pictures
  • Archive
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area