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  • Detail shot, painted nail riding a horse. Young Brazilian Gaucha cowgirl female, riding horses, preparing to compete in a rodeo. Gaucho cowboy Rodeo, Flores de Cunha, Rio Grande do Sul.
    _MG_2938_1.jpg
  • In front of an appreciative mainly lady audience, a flamenco dancer puts passion into her performance in a caseta (marquee) during the Spring Feria in Seville, Spain. She dramatically stamps her foot and raises her arms in a Juerga an informal, spontaneous gathering where dancing, singing, palmas (hand clapping), or simply pounding in rhythm are enjoyed. Grown out of the fusion of Arabic, Andalusian, Sephardic, and Gypsy cultures traditional flamenco artists simply learned by listening and watching relatives, friends and neighbours. It adapts to the local talent, instrumentation and mood of the audience. Seville holds its annual fair in rows of temporary marquee casetas, hosting families and friends which begin during the April Fair two weeks after the Semana Santa, or Easter Holy Week in the Andalusian capital.
    seville_feria03-10-06-1999_1_1.jpg
  • As one enters the monastic complex, ones is welcomed by a shrine and a standing Buddha with a raised hand in a gesture of reassurance and blessing to visitors, The "parasol" over his head indicates the supremacy of Buddhism. The central figure of the Manfeilang Monastery ( of the Dai denomination) is the White Pagoda  which lies on elevated ground on the banks of the Mekong river in south west Yunnan province.  Dai monasteries are built in the centre of a village or as in this case outside  on higher ground.<br />
<br />
Built in 1204, the Manfeilang monastery complex is in fact a cluster of nine pagodas or stupas, to enshrine what is purported to be the Buddha’s footprint. The whole ensemble forms a fusion of Southeast Asian Buddhist style with typical Dai architecture. It is popular for Buddhist pilgrims from the surrounding region which attracts thousands during the Tan Ta Festival in late October early November each year.  In this region and in these Dai and Sino-Burmese monasteries, Theravada Buddhism is the religion that is practiced.
    chimanmon_0019_1.jpg
  • The central figure of the Manfeilang Monastery ( of the Dai denomination) is the White Pagoda  which lies on elevated ground on the banks of the Mekong river in south west Yunnan province.  Dai monasteries are built in the centre of a village or as in this case outside  on higher ground.<br />
<br />
Built in 1204, the Manfeilang monastery complex is in fact a cluster of nine pagodas or stupas, to enshrine what is purported to be the Buddha’s footprint. The whole ensemble forms a fusion of Southeast Asian Buddhist style with typical Dai architecture. It is popular for Buddhist pilgrims from the surrounding region which attracts thousands during the Tan Ta Festival in late October early November each year.  In this region and in these Dai and Sino-Burmese monasteries, Theravada Buddhism is the religion that is practiced.
    chimanmon_012_1.jpg
  • As one enters the monastic complex, ones is welcomed by a shrine and a standing Buddha with a raised hand in a gesture of reassurance and blessing to visitors, The "parasol" over his head indicates the supremacy of Buddhism. The central figure of the Manfeilang Monastery ( of the Dai denomination) is the White Pagoda  which lies on elevated ground on the banks of the Mekong river in south west Yunnan province.  Dai monasteries are built in the centre of a village or as in this case outside  on higher ground.<br />
<br />
Built in 1204, the Manfeilang monastery complex is in fact a cluster of nine pagodas or stupas, to enshrine what is purported to be the Buddha’s footprint. The whole ensemble forms a fusion of Southeast Asian Buddhist style with typical Dai architecture. It is popular for Buddhist pilgrims from the surrounding region which attracts thousands during the Tan Ta Festival in late October early November each year.  In this region and in these Dai and Sino-Burmese monasteries, Theravada Buddhism is the religion that is practiced.
    chimanmon_0018_1.jpg
  • The central figure of the Manfeilang Monastery ( of the Dai denomination) is the White Pagoda  which lies on elevated ground on the banks of the Mekong river in south west Yunnan province.  Dai monasteries are built in the centre of a village or as in this case outside  on higher ground.<br />
<br />
Built in 1204, the Manfeilang monastery complex is in fact a cluster of nine pagodas or stupas, to enshrine what is purported to be the Buddha’s footprint. The whole ensemble forms a fusion of Southeast Asian Buddhist style with typical Dai architecture. It is popular for Buddhist pilgrims from the surrounding region which attracts thousands during the Tan Ta Festival in late October early November each year.  In this region and in these Dai and Sino-Burmese monasteries, Theravada Buddhism is the religion that is practiced.
    chimanmon_003_1.jpg
  • Details of traditional Uighur instruments in a Kashgar city shop, China
    chimusika_019_1.jpg
  • Detail of the wide variety of tools used to make traditional Uighur and other Muslim and Central Asian instruments: Rawap, Duttar, Tanbur, Huxtar, Gijek, etc.  in Kashgar city's most respected workshop, China
    chimusika_014_1.jpg
  • Details of instrument making: using bone, plastic, sheep’s horns in the music instrument workshop of Kashgar city's most respected maker Ababakri Selay, China
    chimusika_011_1.jpg
  • Ababakri Selay, 80 and son, Muhammad Turson, 40 are Uighurs of Turkic origin, they make  over 40 varieties of instruments in ther workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  their own creation. Five generations have been involved in this traditional instrument making. These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region they inhabit.  They are the principal instrument makers in the city, an institution in their own right and highly respected, Kashgar city, China
    chimusika_003_1.jpg
  • Ababakri Selay, 80 and son, Muhammad Turson, 40 are Uighurs of Turkic origin, they make  over 40 varieties of instruments in ther workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  their own creation. Five generations have been involved in this traditional instrument making. These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region they inhabit.  They are the principal instrument makers in the city, an institution an institution in their own right and highly respected, Kashgar city, China
    chimusika_002_1.jpg
  • Ababakri Selay, 80 and son, Muhammad Turson, 40 are Uighurs of Turkic origin, they make  over 40 varieties of instruments in ther workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  their own creation. Five generations have been involved in this traditional instrument making. These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region they inhabit.  They are the principal instrument makers in the city, an institution an institution in their own right and highly respected, Kashgar city, China
    chimusika_001_1.jpg
  • Detail of the wide variety of tools used to make traditional Uighur and other Muslim and Central Asian instruments: Rawap, Duttar, Tanbur, Huxtar, Gijek, etc.  in Kashgar city's most respected workshop, China
    chimusika_013_1.jpg
  • Ababakri Selay, 80 is a Uighur of Turkic origin, he has been making over 40 varieties of  traditional instruments in his workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  his own creation for five generations.  These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to Chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region he inhabits.  They are the principal instrument makers in the city, an in their institution in their own right and highly respected, Kashgar city, China
    chimusika_004_1.jpg
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