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![The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) A bottle with crude oil from the oil dissaster in the Guld of Mexico, caused by BP and a tear gas canister used in Egypt is on display surrounded by the many small black stones. The press release states: "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. [3] Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "](https://ssl.c.photoshelter.com/img-get2/I0000pVqbBHRP7SM/fill=/fit=180x180/I0000pVqbBHRP7SM.jpg)
![The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) School children visiting the museum learn about the implications of BP's sponsorship and get to see the crude oil from the Mixican Guld oil dissaster. The press release states: "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. [3] Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "](https://ssl.c.photoshelter.com/img-get2/I0000NVmpc3iuUJA/fill=/fit=180x180/I0000NVmpc3iuUJA.jpg)
![The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) School children visiting the museum learn about the implications of BP's sponsorship and get to see the crude oil from the Mixican Guld oil dissaster. The press release states: "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. [3] Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "](https://ssl.c.photoshelter.com/img-get2/I0000MosZe_45GaM/fill=/fit=180x180/I0000MosZe_45GaM.jpg)
![Tom Alty, commentator and judge of Bartle, Lancashire chats about the quality of the pigs with a fellow judge, Stan Samuels. 'Showing pigs is a performance because you don't have a halter and rope or bridle, you just have a bat [a stick] and a board. You have to have an empathy between pig and handler, but even the good pigs are not as obedient as you'd like. At one show about 15 years ago I asked my wife, who had never taken an animal in the ring, to walk round an old Large Black sow. It was a placid pig, but suddenly there was a grunt and a rush, and the pig disappeared into the horticultural tent, which housed, among other things, a display of eggs. My wife has never been to a show since.'](https://ssl.c.photoshelter.com/img-get2/I0000pdI2zitTgJs/fill=/fit=180x180/I0000pdI2zitTgJs.jpg)
![Tom Alty, right, commentator and judge of Bartle, Lancashire, with Stan Samuels, 'Showing pigs is a performance because you don't have a halter and rope or bridle, you just have a bat [a stick] and a board. You have to have an empathy between pig and handler, but even the good pigs are not as obedient as you'd like. At one show about 15 years ago I asked my wife, who had never taken an animal in the ring, to walk round an old Large Black sow. It was a placid pig, but suddenly there was a grunt and a rush, and the pig disappeared into the horticultural tent, which housed, among other things, a display of eggs. My wife has never been to a show since. The Great Yorkshire Show, one of Britain's biggest agricultural shows, is famous for its competitive displays of livestock. The event, established in 1837, attracts over 125 000 visitors a year and has over 10 000 entries to its pedigree competitions ranging from pigeons and rabbits to bulls and shire horses.](https://ssl.c.photoshelter.com/img-get2/I0000w4PtuyEEMYg/fill=/fit=180x180/I0000w4PtuyEEMYg.jpg)
