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  • Thousands of students assemble behind a banner for a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-003.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-067.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-054.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-057.jpg
  • A police liaison officer watches a student balancing a placard on his forehead before the National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-036.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-016.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-013.jpg
  • Thousands of students pass Parliament during a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-011.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-009.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-008.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-006.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-005.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-24-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-14-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-16-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-12-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-05-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-10-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-11-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-06-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-04-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-02-07-07-2020.jpg
  • Metropolitan Police officers monitor a smoke grenade set off by students attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-111.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-092.jpg
  • City of London police officers line up in front of the Home Office to observe thousands of students attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-080.jpg
  • Metropolitan Police officers form a cordon around thousands of students attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-025.jpg
  • Thousands of students pass the Department for Education during a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-015.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts (NCAFC) in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-002.jpg
  • Fire damage to a structure at the Ruskin Park Community Garden, on 21st August 2019, in London, England. The Community Garden is a source of education and enthusiasm for growing vegetables and encouraging inner city gardening to reduce the carbon output involved in food production and transport. They receive grants from Capital Growth and the Lambeth Community Action Fund and were nominated for funding under the Lambeth Community Action Fund 2009/10 by the Herne Hill Ward Councillors.
    ruskin_fire-01-21-08-2019.jpg
  • Fire damage to a structure at the Ruskin Park Community Garden, on 21st August 2019, in London, England. The Community Garden is a source of education and enthusiasm for growing vegetables and encouraging inner city gardening to reduce the carbon output involved in food production and transport. They receive grants from Capital Growth and the Lambeth Community Action Fund and were nominated for funding under the Lambeth Community Action Fund 2009/10 by the Herne Hill Ward Councillors.
    ruskin_fire-03-21-08-2019.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-21-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-23-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-20-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-22-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-15-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-19-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-09-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-07-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-01-07-07-2020.jpg
  • City of London police officers line up in front of the Home Office to observe thousands of students attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-081.jpg
  • A large group of Metropolitan Police officers moves towards thousands of students attending the National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-095.jpg
  • Shadow Chancellor John McDonnell addresses thousands of students attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-041.jpg
  • Thousands of students attend a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants from 2016.
    MK-20151104-free-education-demo-032.jpg
  • Metropolitan Police officers detain students who had been attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-021.jpg
  • Metropolitan Police officers observe a smoke grenade let off by students attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-018.jpg
  • Metropolitan Police officers detain a man who had been attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-023.jpg
  • Thousands of students pass Parliament during a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-010.jpg
  • Shadow Chancellor John McDonnell addresses thousands of students attending a National Demonstration for a Free Education on 4th November 2015 in London, United Kingdom. The demonstration was organised by the National Campaign Against Fees and Cuts NCAFC in protest against tuition fees and the Government’s plans to axe maintenance grants with effect from 2016.
    MK-20151104-free-education-demo-004.jpg
  • Fire damage to a structure at the Ruskin Park Community Garden, on 21st August 2019, in London, England. The Community Garden is a source of education and enthusiasm for growing vegetables and encouraging inner city gardening to reduce the carbon output involved in food production and transport. They receive grants from Capital Growth and the Lambeth Community Action Fund and were nominated for funding under the Lambeth Community Action Fund 2009/10 by the Herne Hill Ward Councillors.
    ruskin_fire-04-21-08-2019.jpg
  • Before the latest announcement by Boris Johnson, about a second Coronavirus pandemic lockdown, opera-lovers await the start of a rehearsal of the first socially-distanced performance by English National Opera (ENO) in the London Coliseum which has remained closed throughout summer, on 24th October 2020, in London, England. Musicians and singers on stage are separated appropriate to government restrictions and audience members are seated with same household groups. The Marriage of Figaro was ENO's last show on 14th March, and the Coliseum has stayed closed until now. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    ENO_Coliseum01-24-10-2020.jpg
  • Theatre reviews fo ther 'Dear Evan Hansen' musical hang outside the Noel Coward Theatre on St. Martin's Lane in the heart of the capital's West End Theatreland, still closed to audiences during the Coronavirus pandemic, on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane12-29-09-2020.jpg
  • Theatre reviews fo ther 'Dear Evan Hansen' musical hang outside the Noel Coward Theatre on St. Martin's Lane in the heart of the capital's West End Theatreland, still closed to audiences during the Coronavirus pandemic, on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane06-29-09-2020.jpg
  • Portraits of cast members for the 'Dear Evan Hansen' musical look on to empty tables outside the Noel Coward Theatre on St. Martin's Lane in the heart of the capital's West End Theatreland, still closed to audiences during the Coronavirus pandemic, on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane14-29-09-2020.jpg
  • Portraits of cast members for the 'Dear Evan Hansen' musical look on to empty tables outside the Noel Coward Theatre on St. Martin's Lane in the heart of the capital's West End Theatreland, still closed to audiences during the Coronavirus pandemic, on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane13-29-09-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as Cameron Mackintoshs Gieldgud Theatre on Shaftesbury Avenue in Londons West End Theatreland, will remain closed for the foreseeable future, on 6th July 2020, in London, England. The arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-10-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in Londons West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-01-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-05-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-01-06-07-2020.jpg
  • The architecture of the Great Court of the British Museum, on 28th February 2017, in London, England. Designed by Foster and Partners, the Queen Elizabeth II Great Court transformed the Museum’s inner courtyard into the largest covered public square in Europe. It is a two-acre space enclosed by a spectacular glass roof with the world-famous Reading Room at its centre. The £100 million project was supported by grants of £30 million from the Millennium Commission and £15.75 million from the Heritage Lottery Fund. The Great Court was opened on 6 December 2000 by Her Majesty the Queen.
    british_museum-35-28-02-2017.jpg
  • The architecture of the Great Court of the British Museum, on 28th February 2017, in London, England. Designed by Foster and Partners, the Queen Elizabeth II Great Court transformed the Museum’s inner courtyard into the largest covered public square in Europe. It is a two-acre space enclosed by a spectacular glass roof with the world-famous Reading Room at its centre. The £100 million project was supported by grants of £30 million from the Millennium Commission and £15.75 million from the Heritage Lottery Fund. The Great Court was opened on 6 December 2000 by Her Majesty the Queen.
    british_museum-38-28-02-2017.jpg
  • A typical seaweed dish - firstly the seaweed is boiled then tomatoes, onion and vinegar are added, Tamiao, Bantayan Island, The Philippines. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024531cc_1_1.jpg
  • Dried seaweed, Tamiao, Bantayan Island, The Philippines.  Seaweed farmers in Tamiao clean the seaweed by hand so that it will grow faster. It is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024023 cropcc_1.jpg
  • Gloria Mandawe (56) seaweed farmer, Tamiao, Bantayan Island, The Philippines.  Gloria starts work at 5 am to remove the algae from the seaweed by hand so that it will grow faster. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023920cc_1_1.jpg
  • Gloria Mandawe (56) seaweed farmer, Tamiao, Bantayan Island, The Philippines.  Gloria starts work at 5 am to remove the algae from the seaweed by hand so that it will grow faster. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023914cc_1_1.jpg
  • Gloria Mandawe (56) seaweed farmer, Tamiao, Bantayan Island, The Philippines.  Gloria starts work at 5 am to remove the algae from the seaweed by hand so that it will grow faster. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023892cc_1_1.jpg
  • Gloria Mandawe (56) seaweed farmer, Tamiao, Bantayan Island, The Philippines.  Gloria starts work at 5 am to remove the algae from the seaweed by hand so that it will grow faster. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023886cc_1_1.jpg
  • Gloria Mandawe (56) seaweed farmer, Tamiao, Bantayan Island, The Philippines.  Gloria starts work at 5 am to remove the algae from the seaweed by hand so that it will grow faster. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023881cc_1_1.jpg
  • Imilio Cena (54) seaweed farmer cleaning the seaweed of algae by hand, Tamiao, Bantayan Island, The Philippines. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023858cc_1_1.jpg
  • Portraits of cast members for the 'Dear Evan Hansen' musical are seen through a life ring outside the Noel Coward Theatre on St. Martin's Lane in the heart of the capital's West End Theatreland, still closed to audiences during the Coronavirus pandemic, on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane16-29-09-2020.jpg
  • A pedestrian walks down St. Martin's Lane in the heart of the capital's West End Theatreland, where street barriers featuring some of the many musical and stage plays are featured on social distance street barriers during the Coronavirus pandemic,  on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane18-29-09-2020.jpg
  • Social distance street barriers have some of many West End musical and stage play cast faces outside the Noel Coward Theatre on St. Martin's Lane in Theatreland, where the 'Dear Evan Hansen' musical is still closed to audiences during the Coronavirus pandemic, on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane20-29-09-2020.jpg
  • Theatre reviews fo ther 'Dear Evan Hansen' musical hang outside the Noel Coward Theatre on St. Martin's Lane in the heart of the capital's West End Theatreland, still closed to audiences during the Coronavirus pandemic, on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane09-29-09-2020.jpg
  • Pedestrians walk down St. Martin's Lane in the heart of the capital's West End Theatreland, where street barriers featuring some of the many musical and stage plays are featured on social distance street barriers during the Coronavirus pandemic,  on 29th September 2020, in London, Westminster, England. Despite the government's £1.15bn financial rescue package for the Arts industry and cultural organisations in England , made up of £880m in grants and £270m of repayable loans, London's theatre industry has been hit hard by the pandemic, being closed since the March lockdown closures which has affected 137,250 Arts industry jobs, worth £21.2bn in direct turnover.
    st_martins_lane01-29-09-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as Cameron Mackintoshs Gieldgud Theatre on Shaftesbury Avenue in Londons West End Theatreland, will remain closed for the foreseeable future, on 6th July 2020, in London, England. The arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-09-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in Londons West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-02-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in Londons West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-08-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in Londons West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-06-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in Londons West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-07-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in Londons West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-05-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Apollo Theatre on Shaftesbury Avenue in Londons West End Theatreland, where the musical Jamie was abandoned at the beginning of lockdown, will remain closed for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change highlighting the closure of the arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_WestEnd-03-06-07-2020.jpg
  • The UK government has announced a Coronavirus pandemic financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England which is made up of £880m in grants and £270m of repayable loans. But venues such as The Old Vic theatre in Waterloo will remain for the foreseeable future, on 6th July 2020, in London, England. Some theatres in London and others around the country have been wrapped in bright pink barrier tape, which reads Missing Live Theatre -  a protest project led by stage designers group Scene Change. The arts and culture arts industry supports 137,250 jobs and is worth £21.2bn in direct turnover.
    coronavirus_OldVic-03-06-07-2020.jpg
  • Pro Brexit Leave supporter and Boris Johnson lookalike, with his grants for blondes Jennifer Arcuri placard  in Westminster on Brexit Day as the UK prepares to leave the European Union on 31st January 2020 in London, England, United Kingdom. At 11pm on Friday 31st January 2020, The UK and N. Ireland will officially leave the EU and go into a state of negotiations as to the future arrangement and trade agreement, while adhering to EU rules until the end of 2020.
    20200131_brexit day_037.jpg
  • Pro Brexit Leave supporter and Boris Johnson lookalike, with his grants for blondes Jennifer Arcuri placard  in Westminster on Brexit Day as the UK prepares to leave the European Union on 31st January 2020 in London, England, United Kingdom. At 11pm on Friday 31st January 2020, The UK and N. Ireland will officially leave the EU and go into a state of negotiations as to the future arrangement and trade agreement, while adhering to EU rules until the end of 2020.
    20200131_brexit day_038.jpg
  • Various stages of seaweed production, seedlings, freshly harvested and dried, Tamiao, Bantayan Island, The Philippines.  Seaweed is fast growing and can be harvested in 1-2 months. The seaweed farmers in Tamiao clean it by hand so that it will grow faster.  The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    Seaweed grid_1.jpg
  • Seaweed farmer, Marissa Gegante (30) holding a bowl of freshly cooked seaweed, Tamiao, Bantayan Island, The Philippines. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024524cc_1_1.jpg
  • Seaweed farmer, Marissa Gegante (30) holding a bowl of freshly cooked seaweed, Tamiao, Bantayan Island, The Philippines. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024521cc_1_1.jpg
  • Drying seaweed after harvesting, Tamiao, Bantayan Island, The Philippines. Seaweed is fast growing and can be harvested in 1-2 months. After drying the seaweed is then sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024496cc_1_1.jpg
  • Dried seaweed, Tamiao, Bantayan Island, The Philippines.  Seaweed farmers in Tamiao clean the seaweed by hand so that it will grow faster. It is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024020 cropcc_1.jpg
  • Freshly harvested seaweed, Tamiao, Bantayan Island, The Philippines.  Seaweed farmers in Tamiao clean the seaweed by hand so that it will grow faster. It is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024016 cropcc_1.jpg
  • Freshly harvested seaweed, Tamiao, Bantayan Island, The Philippines.  Seaweed farmers in Tamiao clean the seaweed by hand so that it will grow faster. It is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024014 cropcc_1.jpg
  • Seaweed seedling, Tamiao, Bantayan Island, The Philippines.  The seaweed seedlings are attached to a line and anchored in the sea with floats to deter fish from eating the seaweed. It is fast growing and can be harvested in 1-2 months. Seaweed farmers in Tamiao clean the seaweed by hand so that it will grow faster. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0024008 cropcc_1.jpg
  • Seaweed farmers Zosima Yeliganio (37) and Marissa Gegante (30) cleaning the seaweed of algae by hand, Tamiao, Bantayan Island, The Philippines. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023972cc_1_1.jpg
  • Seaweed farmers tying the seaweed seedlings to the lines to put into the sea, Tamiao, Bantayan Island, The Philippines. The polystyrene floaters are important to keep the seaweed lines at water level to deter fish from eating the seaweed. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023936cc_1_1.jpg
  • Seaweed farm, Tamiao, Bantayan Island, The Philippines. The polystyrene floaters are important to keep the seaweed lines at water level to deter fish from eating the seaweed. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023880cc_1_1.jpg
  • Seaweed farm, Tamiao, Bantayan Island, The Philippines. The polystyrene floaters are important to keep the seaweed lines at water level to deter fish from eating the seaweed. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023878cc_1_1.jpg
  • Gloria Mandawe (56) seaweed farmer, Tamiao, Bantayan Island, The Philippines.  Gloria starts work at 5 am to remove the algae from the seaweed by hand so that it will grow faster. Seaweed is fast growing and can be harvested in 1-2 months. The seaweed is then dried and sold to local buyers and a commercial processing plant in Cebu, where it is turned into powder; a high value product used by many industries including cosmetics and food. Before Typhoon Haiyan, Bantayan Island was the largest seaweed producer in Cebu province. The typhoon destroyed seaweed farms leaving over 2000 farmers without essential equipment and seedlings. Oxfam awarded cash grants to around 700 families to finance the purchase of seaweed seedlings and farming equipment including ropes, poles and floaters.
    A0023872cc_1_1.jpg
  • Hopton's Almshouses, Hopton Street, Southwark, London. Tall glass buildings loom behind these historically important houses at Bankside and near to Tate Modern. Founded by Robert Hopton, fishmonger in 1730. Properties built around a garden in 1752 and are still in use. Before the days of state provision for the old, infirm or poor it was common for wealthy individuals to bequeath money or property to the local parish or to set up independent institutions to assist those in need locally.Many ancient parishes have such institutions and many almshouses still survive. However it is unusual to find one founded as early as 1752 still in its original form, carrying out its original function, so close to London.Hopton's Almshouses were founded from a trust set up by the will of Charles Hopton and provided accommodation for 26 residents, financial grants and fuel.
    20110817hoptons almshousesC.jpg
  • Hopton's Almshouses, Hopton Street, Southwark, London. Tall glass buildings loom behind these historically important houses at Bankside and near to Tate Modern. Founded by Robert Hopton, fishmonger in 1730. Properties built around a garden in 1752 and are still in use. Before the days of state provision for the old, infirm or poor it was common for wealthy individuals to bequeath money or property to the local parish or to set up independent institutions to assist those in need locally.Many ancient parishes have such institutions and many almshouses still survive. However it is unusual to find one founded as early as 1752 still in its original form, carrying out its original function, so close to London.Hopton's Almshouses were founded from a trust set up by the will of Charles Hopton and provided accommodation for 26 residents, financial grants and fuel.
    20110817hoptons almshousesB.jpg
  • British writer Michael Ignatieff  in London. Michael Grant Ignatieff (born May 12, 1947) is a Canadian author, academic and former politician. He was the leader of the Liberal Party of Canada and Leader of the Official Opposition from 2008 until 2011.
    Michael Ignatieff.jpg
  • Supporters of Wikileaks activist, Julian Assange, celebrate the court decision not to grant his extradition to the US, after a prolonged legal hearing at the Old Bailey, on 4th January 2021, in London, England.
    assange_protest34-04-01-2021.jpg
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