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  • Light sculpture art installation on Southwark Street, London. Installe underneath a railway bridge this is one of a few large scale artworks in this area.
    20110118light installation southwark...jpg
  • Light sculpture art installation on Southwark Street, London. Installe underneath a railway bridge this is one of a few large scale artworks in this area.
    20110118light installation southwark...jpg
  • Light sculpture art installation on Southwark Street, London. Installe underneath a railway bridge this is one of a few large scale artworks in this area.
    20110118light installation southwark...jpg
  • Conduit Court light installation infinity chamber of reflected lightbulbs on 25th February 2020 in London, United Kingdom. Here tourists and local people alink stop to take pictures and enjoy the optical illusion.
    20200225_light installation_002.jpg
  • Conduit Court light installation infinity chamber of reflected lightbulbs on 25th February 2020 in London, United Kingdom. Here tourists and local people alink stop to take pictures and enjoy the optical illusion.
    20200225_light installation_004.jpg
  • Conduit Court light installation infinity chamber of reflected lightbulbs on 25th February 2020 in London, United Kingdom. Here tourists and local people alink stop to take pictures and enjoy the optical illusion.
    20200225_light installation_001.jpg
  • Light sculpture art installation on Southwark Street, London. Installe underneath a railway bridge this is one of a few large scale artworks in this area.
    20110118light installation southwark...jpg
  • Conduit Court light installation infinity chamber of reflected lightbulbs on 25th February 2020 in London, United Kingdom. Here tourists and local people alink stop to take pictures and enjoy the optical illusion.
    20200225_light installation_003.jpg
  • ‘Out of Tune’ by AK Dolven, a sound installation on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. Originally commissioned for the Folkestone Triennial Art festival, A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Folkestone-Art-Out-Of-Tune-7295.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-7160.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-7145.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-7125.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-5642.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-7211.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-7165.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-7122.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-5679.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-5669.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-5685.jpg
  • Workmen carry out the reinstallation of ‘Out of Tune’ by AK Dolven with a cherry picker and a crane on the 21st of May 2020 on the seafront in Folkestone, United Kingdom. This sound installation was originally part of the Folkestone Triennial Art festival of 2011.  A K Dolven’s installation ‘Out of Tune’ features a sixteenth century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart. The bell was cast by Hugh Watts in the seventeenth century in Leicester. The Watts family were the leading bell founders in that city in the early 17th century. In all, they were responsible for almost two hundred castings for churches in the county. Hugh Watts prospered and was the Mayor of Leicester when King Charles 1st visited the city in 1634.
    UK-Art-Folkestone-5674.jpg
  • Art installation 'I am here' on a partially empty apartment block in North London by artists Andrea Luka Zimmerman, Lasse Johansson and Tristan Fennell. i am here addresses a particular socio-political as well as economical situation specific to where it is installed, on the façade of Samuel House, part of Haggerston & Kingsland Estate. The housing estate is located alongside Regents Canal in-between Kingsland Road and Victoria Park in Hackney, London. Over the past 10 years this area has become increasingly gentrified. As a consequence the transformation of the area surrounding Samuel House has been radical and the estate now finds itself wedged in-between luxury loft apartments and expensive live/work spaces.<br />
Whilst this rapid transformation has been going on in the area, nothing much has changed on Haggerston & Kingsland Estate since the early 1980’s. That is, except from an ongoing steady decline due to lack of maintenance and a gradual emptying of the estate. Since at least 2004 no new residents have been accepted, and instead, vacated flats have been boarded up.
    07042011i am here art installationA.jpg
  • People and traffic pass the light sculpture art installation on Southwark Street on 27th November 2019 in London, England, United Kingdom. Installed underneath a railway bridge this is one of a few large scale artworks in this area.
    20191127_light artwork_003.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5362_1.jpg
  • People pass the light sculpture art installation on Southwark Street on 27th November 2019 in London, England, United Kingdom. Installed underneath a railway bridge this is one of a few large scale artworks in this area.
    20191127_light artwork_002.jpg
  • People pass the light sculpture art installation on Southwark Street on 27th November 2019 in London, England, United Kingdom. Installed underneath a railway bridge this is one of a few large scale artworks in this area.
    20191127_light artwork_001.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5437_1.jpg
  • Leo Smith from Southern Solar and Andy Tyrrell and Jake Beautyman install solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5368_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5347_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5332_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5329_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5325_1.jpg
  • Andy Tyrrell and Jake Beautyman install solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5318_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5313_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5409_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5404_1.jpg
  • Jake Beautyman installs solar panels on a barn roof on Grange farm, near Balcombe. The installation is part of an initiative by local residents in Balcombe to encourage more people to use renewable energy rather than energy based on carbon such as fracking. The initaitive is called Repowerbalcombe and is supported by the charity 10:10.
    _MG_5395_1.jpg
  • Public interact with the Weather Project by Danish artist Olafur Eliasson at Tate Modern. In this installation, representations of the sun and sky dominate the expanse of the Turbine Hall. A glance overhead reveals that the ceiling has disappeared, replaced by a mirror reflecting of the space below. This installation became so popular that numbers of visitors doubled.
    19800101tate modern olafur eliasson_...jpg
  • Public interact with the Weather Project by Danish artist Olafur Eliasson at Tate Modern. In this installation, representations of the sun and sky dominate the expanse of the Turbine Hall. A glance overhead reveals that the ceiling has disappeared, replaced by a mirror reflecting of the space below. This installation became so popular that numbers of visitors doubled.
    19800101tate modern olafur eliasson_...jpg
  • A lone musician kneels to play the tuba within an oval aperture in the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man walks slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape03-15-12-2007 _1.jpg
  • A lone musician kneels to play the tuba within an oval aperture in the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man walks slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape01-15-12-2007 _1.jpg
  • Public interact with the Weather Project by Danish artist Olafur Eliasson at Tate Modern. In this installation, representations of the sun and sky dominate the expanse of the Turbine Hall. A glance overhead reveals that the ceiling has disappeared, replaced by a mirror reflecting of the space below. This installation became so popular that numbers of visitors doubled.
    20031209tate modern olafur eliasson_...jpg
  • Public interact with the Weather Project by Danish artist Olafur Eliasson at Tate Modern. In this installation, representations of the sun and sky dominate the expanse of the Turbine Hall. A glance overhead reveals that the ceiling has disappeared, replaced by a mirror reflecting of the space below. This installation became so popular that numbers of visitors doubled.
    19800101tate modern olafur eliasson_...jpg
  • Public interact with the Weather Project by Danish artist Olafur Eliasson at Tate Modern. In this installation, representations of the sun and sky dominate the expanse of the Turbine Hall. A glance overhead reveals that the ceiling has disappeared, replaced by a mirror reflecting of the space below. This installation became so popular that numbers of visitors doubled.
    20031209tate modern olafur eliasson_...jpg
  • A man in a yellow jacket sits in the doorway of a yellow beach hut, part of an installation called No.1054 Arpeggio by artist Rana Begum are part of the Folkestone Triennial 2021 along the seafront on 6th of March 2021 in Folkestone, United Kingdom. The art installation was a collaboration between Folkestone and Hythe District Council and Creative Folkestone Triennial 2021 that refurbished more than 100 beach huts along Folkestone seafront, the artist work unites geometry, light and colour bringing one of the largest and most joyful artworks in the country to Kent.
    UK-Art-Folkestone-Triennial-0395.jpg
  • As child visitors negotiate their way through a hole, a musician plays the tuba within the art installation sculpture known as Colourscape on Clapham Common, South London, England. Created by an outside overhead sun shining through a collection of large, inflatable PVC domes, the man and other visitors wear coloured capes and walk slowly through tunnels, enticing customers to ecperience vivid colour while emitting eerie sound from voices, brass and string instruments. Designed by Simon Desorgher & Lawrence Casserley, Colourscape celebrated its 10th year of installation in Clapham in 2004. Colourscape's charitable Trust, Nettlefold Arts, was founded in 1988, with the purpose of presenting contemporary music, related arts and educational events, in innovative ways.
    colourscape02-15-12-2007 _1.jpg
  • Roger Hiorns contemporary  art installation 'Seizure'. In a disused council flat in South London, this beautiful work is made from blue copper sulphate crystals formed on the walls of the apartment. It was for this work that he was nominated for the 2009 Turner Prize.
    20091228seizureK.jpg
  • Roger Hiorns contemporary  art installation 'Seizure'. In a disused council flat in South London, this beautiful work is made from blue copper sulphate crystals formed on the walls of the apartment. It was for this work that he was nominated for the 2009 Turner Prize.
    20091228seizureB.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsZ.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsE.jpg
  • Light installation in the walkway underneath one of Birminghams Queensways near the Mailbox in Birmingham, United Kingdom.
    20171108_mailbox lights_002.jpg
  • An art installation at the Kerlin Gallery on 05th April 2017 in Dublin, Republic of Ireland. The Kerlin Gallery is a contemporary art gallery based in Dublin, which represents Irish and International artists. Dublin is the largest city and capital of the Republic of Ireland.
    SMP_4947.jpg
  • Art installation, titled Eternal Light, at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03581.jpg
  • Art installation, titled Eternal Light, at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03584.jpg
  • Art installation, titled Eternal Light, at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03583.jpg
  • Sparks of Passion art installation at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03561.jpg
  • Wind turbine installation. The base of a wind turbine arriving by an exceptional load lorry to Alvington Court Farm, Forest of Dean. Gloucestershire. The truck has rear steering to guide it through small country lanes to arrive at its location ready for construction.
    UK-Renewable-Energy-Wind-turbine-450...jpg
  • Wind turbine installation. The view up the ladder inside the shaft of a wind turbine before it is built. Forest of Dean. Gloucestershire.
    UK-Renewable-Energy-Wind-turbine-441...jpg
  • Roger Hiorns contemporary  art installation 'Seizure'. In a disused council flat in South London, this beautiful work is made from blue copper sulphate crystals formed on the walls of the apartment. It was for this work that he was nominated for the 2009 Turner Prize.
    20091228seizureF.jpg
  • Roger Hiorns contemporary  art installation 'Seizure'. In a disused council flat in South London, this beautiful work is made from blue copper sulphate crystals formed on the walls of the apartment. It was for this work that he was nominated for the 2009 Turner Prize.
    20091228seizureI.jpg
  • Roger Hiorns contemporary  art installation 'Seizure'. In a disused council flat in South London, this beautiful work is made from blue copper sulphate crystals formed on the walls of the apartment. It was for this work that he was nominated for the 2009 Turner Prize.
    20091228seizureL.jpg
  • Roger Hiorns contemporary  art installation 'Seizure'. In a disused council flat in South London, this beautiful work is made from blue copper sulphate crystals formed on the walls of the apartment. It was for this work that he was nominated for the 2009 Turner Prize.
    20091228seizureH.jpg
  • Roger Hiorns contemporary  art installation 'Seizure'. In a disused council flat in South London, this beautiful work is made from blue copper sulphate crystals formed on the walls of the apartment. It was for this work that he was nominated for the 2009 Turner Prize.
    20091228seizureE.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsY.jpg
  • Girl buried in sunflower seeds. Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsR.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsX.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsV.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsU.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsS.jpg
  • Girl buried in sunflower seeds. Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsQ.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsT.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsH.jpg
  • Girl buried in sunflower seeds. Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsP.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsJ.jpg
  • Girl buried in sunflower seeds. Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsM.jpg
  • Girl buried in sunflower seeds. Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsK.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsG.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsD.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsF.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsC.jpg
  • Ai Weiwei, one of China’s leading conceptual artists, has undertaken the eleventh commission in The Unilever Series at Tate Modern in London. Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. These life-sized sunflower seed husks are intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of hundreds of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds form a seemingly infinite landscape. Sunflower Seeds is a sensory and immersive installation, on which visitors can touch, walk on and listen to as the seeds shift under our feet. Porcelain is almost synonymous with China and, to make this work, Ai Weiwei has manipulated traditional methods of crafting what has historically been one of China’s most prized exports. Sunflower Seeds invites us to look more closely at the ‘Made in China’ phenomenon and the geo-politics of cultural and economic exchange today.
    20101012tate sunflower seedsA.jpg
  • Mayor of London’s Thames Festival 2011. Tim Etchells’ installation ‘We Wanted to be the Sky’ translating well into an urban environment. We Wanted takes a phrase from Cat Power’s song Colors And The Kids on the album Moon Pix as the basis for a 15 metre long, 1 metre tall 3-d sign made from stainless steel and programmable LED's.
    20110911art installationB.jpg
  • Mayor of London’s Thames Festival 2011. Tim Etchells’ installation ‘We Wanted to be the Sky’ translating well into an urban environment. We Wanted takes a phrase from Cat Power’s song Colors And The Kids on the album Moon Pix as the basis for a 15 metre long, 1 metre tall 3-d sign made from stainless steel and programmable LED's.
    20110910art installationA.jpg
  • Chinese wedding couple have their pictures taken at the Festival of Love installation. The South Bank is a significant arts and entertainment district, and home to an endless list of activities for Londoners, visitors and tourists alike.
    20140713_south bank wedding couple_C.jpg
  • Chinese wedding couple have their pictures taken at the Festival of Love installation. The South Bank is a significant arts and entertainment district, and home to an endless list of activities for Londoners, visitors and tourists alike.
    20140713_south bank wedding couple_B.jpg
  • Chinese wedding couple have their pictures taken at the Festival of Love installation. The South Bank is a significant arts and entertainment district, and home to an endless list of activities for Londoners, visitors and tourists alike.
    20140713_south bank wedding couple_A.jpg
  • Family running late past the Festival of Love installation. The South Bank is a significant arts and entertainment district, and home to an endless list of activities for Londoners, visitors and tourists alike.
    20140713_south bank running late_A.jpg
  • Five women wearing red headscarves pass the Festival of Love installation. The South Bank is a significant arts and entertainment district, and home to an endless list of activities for Londoners, visitors and tourists alike.
    20140713_south bank red hearscarf wo...jpg
  • Light installation in the walkway underneath one of Birminghams Queensways near the Mailbox in Birmingham, United Kingdom.
    20171108_mailbox lights_001.jpg
  • Installation of fibre broadband in central London on 29th January 2021 in London, United Kingdom. Superfast broadband infrastructure is seen as an essential utility in the modern day and more and more is being rolled out across the city.
    20210129_fibre broadband_002.jpg
  • Two women study and stand by an art installation outside the Royal Festival Hall on the South Bank, London, UK
    SFE_110819_087.jpg
  • Art installation at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03598.jpg
  • Art installation at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03599.jpg
  • People pose for photos in front of an art installation, titled Eternal Light, at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03578.jpg
  • Art installation titled Fire Bath at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03572.jpg
  • Art installation at Gyeongpo beach in Gangneung, as part of the Fire Art exhibition with the Pyeongchang Cultural Olympiad in celebration of the 2018 Pyeongchang Winter Olympics on 23rd February 2018 in South Korea.
    DSC03573.jpg
  • Wind turbine installation. The base of a wind turbine arriving by an exceptional load lorry is guided through the farm buildings at Alvington Court Farm, Forest of Dean. Gloucestershire. The truck has rear steering to guide it through small lanes to arrive at its location ready for construction.
    UK-Renewable-Energy-Wind-turbine-460...jpg
  • Wind turbine installation. The base of a wind turbine arriving by an exceptional load lorry is guided through the farm buildings at Alvington Court Farm, Forest of Dean. Gloucestershire. The truck has rear steering to guide it through small lanes to arrive at its location ready for construction.
    UK-Renewable-Energy-Wind-turbine-462...jpg
  • Wind turbine installation. The base of a wind turbine arriving by an exceptional load lorry to Alvington Court Farm, Forest of Dean. Gloucestershire. The truck has rear steering to guide it through small country lanes to arrive at its location ready for construction.
    UK-Renewable-Energy-Wind-turbine-453...jpg
  • Wind turbine installation. The base of a wind turbine arriving by an exceptional load lorry to Alvington Court Farm, Forest of Dean. Gloucestershire. The truck has rear steering to guide it through small country lanes to arrive at its location ready for construction.
    UK-Renewable-Energy-Wind-turbine-456...jpg
  • Wind turbine installation. The base of a wind turbine arriving by an exceptional load lorry is guided through the farm buildings at Alvington Court Farm, Forest of Dean. Gloucestershire. The truck has rear steering to guide it through small lanes to arrive at its location ready for construction.
    UK-Renewable-Energy-Wind-turbine-458...jpg
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