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  • A man reads a book while sitting astride an old concrete-filled oil drums at the entrance to an East London railway tunnel. Wearing dark glasses and reading a book about successful business plans. The six solid drums serve as a heavy deterrent for any vehicles expecting to drive through the dark underpass. This is near Brick Lane, an area of now mainly the Bangladeshi and artists' community  but also of a new development of cross-London railways that have changed the area irreversibly. The tunnel is a turning off Sclater Street that formed part of Isambard Kingdom Brunel's subterranean Bishopgate Goodsyard in use between 1840 to 1964. Partly demolished in 2004, the rails now carry overland trains on the Crossrail project.
    tunnel_man01-08-07-2010_1.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_L.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_I.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_H.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_C.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_A.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_M.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_J.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_D.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_E.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_B.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_K.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_G.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_F.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_N.jpg
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