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  • Interior of a house in Tam Hiep, a village specialising in making children's soft toys, Ha Tay province, Vietnam. The dust from the fabric causes the workers problems with respiratory disease. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    36 Tam Hiep_1.jpg
  • A pregnant woman making 'Bun' rice noodles outside her home in Mach Trang village, Hanoi, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    24 Mach Trang_1.jpg
  • A worker mixing coal dust with her feet for making bricks for burning in the kilns, Bat Trang ceramic making village, Hanoi; Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    34 Bat Trang_1.jpg
  • A young woman folds paper made in Duong O village which specialises in making traditional paper from bark, Bac Ninh province, Vietnam.  With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    93270020_1.jpg
  • Interior of a house in Duong O paper making village, Bac Ninh province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    38 Duong O_1.jpg
  • Hands of a woman making a clay model of a turtle for a mould used for copper casting in Long Thuong village, Hung Yen province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    A 0186_1.jpg
  • Making 'Banh Da' crispy rice and sesame cakes in Tieu village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    30 Tieu_1.jpg
  • Interior of a house in Thanh Khuc, a village specialising in making Banh Chung, a square glutinous rice cake wrapped in banana leaves, Hanoi, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    27 Thanh Khuc_1.jpg
  • A woman making 'Mien' canna flour noodles in Huu Tu village, Hanoi, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    25 Huu Tu_1.jpg
  • Xuan Lai - bamboo furniture making village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    05 Xuan Lai_1.jpg
  • Hands of a woman making a clay model of a turtle for a mould used for copper casting in Long Thuong village, Hung Yen province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    A 0192_1.jpg
  • Woman preparing bamboo for making a traditonal palm leaf hat in Uoc Le village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    93300001_1.jpg
  • Interior of a house in Cao, a village specialising in making incense sticks, Hung Yen province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    40 Cao_1.jpg
  • Portrait of a female worker covered in dust in Cao, a village specialising in making incense sticks, Hung Yen province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    39 Cao_1.jpg
  • Village market selling the materials needed to make Banh Gai, a type of rice cake in Yen So, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    28 Yen So_1.jpg
  • Hands of a woman making Banh Chung, a square glutinous rice cake in Thanh Khuc village, Hanoi, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    26 Banh Chung_1.jpg
  • Interior of a home in Phu My conical hat making village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    08 Phu My_1.jpg
  • A man dyes bamboo sticks for making incense sticks in Tao Duong, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    04 Tao Duong_1.jpg
  • Interior of a workshop making decorative animal heads using real horns from deer and water buffalo in Thuy Ung, water buffalo horn processing village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    195-06_1_1.jpg
  • Making a fishing net in the Khmu village of Ban Kengdeung, Phongsaly province, Lao PDR. The remote and roadless village of Ban Kengdeung is situated along the Nam Ou river (a tributary of the Mekong) and will be relocated due to the construction of the Nam Ou Cascade Hydropower Project Dam 5. The Nam Ou river connects small riverside villages and provides the rural population with food for fishing. But this river and others like it, that are the lifeline of rural communities and local economies are being blocked, diverted and decimated by dams. The Lao government hopes to transform the country into ‘the battery of Southeast Asia’ by exporting the power to Thailand and Vietnam.
    DSCF2803cc_1.jpg
  • A cauldron of sheep's milk for making cheese to make cheese at a sheepfold, Romania. Whereas in many countries sheep are reared for wool and meat, in Romania these are seen as by-products and the real purpose of the flock is to produce branza or cheese.
    225-15_1.jpg
  • Ababakri Selay, 80 and son, Muhammad Turson, 40 are Uighurs of Turkic origin, they make  over 40 varieties of instruments in ther workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  their own creation. Five generations have been involved in this traditional instrument making. These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region they inhabit.  They are the principal instrument makers in the city, an institution in their own right and highly respected, Kashgar city, China
    chimusika_003_1.jpg
  • Ababakri Selay, 80 and son, Muhammad Turson, 40 are Uighurs of Turkic origin, they make  over 40 varieties of instruments in ther workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  their own creation. Five generations have been involved in this traditional instrument making. These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region they inhabit.  They are the principal instrument makers in the city, an institution an institution in their own right and highly respected, Kashgar city, China
    chimusika_002_1.jpg
  • Ababakri Selay, 80 and son, Muhammad Turson, 40 are Uighurs of Turkic origin, they make  over 40 varieties of instruments in ther workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  their own creation. Five generations have been involved in this traditional instrument making. These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region they inhabit.  They are the principal instrument makers in the city, an institution an institution in their own right and highly respected, Kashgar city, China
    chimusika_001_1.jpg
  • Ms Vanthone, a metalworker opens a wooden mould used to make bracelets from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018253cc_1.jpg
  • Colours are mixed to dye the wool in the factory lab. The factory make its own designs and can make carpets to order as well. They mix their own colours,dye the wool,wash it, weave it according to required designs and export them abroad.The licensee factories fall under three different categories, set by GWF;A for not very likely to hire children, B for more likely and therefor require more often inspections and C for likely to hire children and there for need constant supervision with regular visits any time of the day by GWF inspectors. Amity Carpet Factory is in category A. <br />
The Good Weave Foundation is a charity set up in partnership with the Nepalese carpet industry. The aim is to eliminate child labor in all carpet factories in Nepal. Factories which do not employ children can sign up with the charity and become a licensee to the GWF brand and label their carpets with the GWF label which promises any buyers abroad that no children were involved in making the carpets.
    IMG_5358_1.jpg
  • Ms Vanthone, a metalworker prepares a wooden mould with ash to make bracelets from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974. 12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018236cc_1.jpg
  • Ababakri Selay, 80 is a Uighur of Turkic origin, he has been making over 40 varieties of  traditional instruments in his workshop: Rawap, Duttar, Tanbur, Huxtar, Gijek and many others, including those of  his own creation for five generations.  These five generations have lived through Chinese imperial rule, Russian influence, civil war, and back to Chinese rule. Amidst all this they have continued to make music and instruments and sold them throughout the Muslim region he inhabits.  They are the principal instrument makers in the city, an in their institution in their own right and highly respected, Kashgar city, China
    chimusika_004_1.jpg
  • Seamstress making clothes in her small studio in an area just south of Tiananmen in Beijing, China. In this small Hutong street this small business woman makes clothes for individuals or parties on her own sewing machines and equipment. A small enterprise in a large city.
    20120531tiananmen area beijing_G.jpg
  • Seamstress making clothes in her small studio in an area just south of Tiananmen in Beijing, China. In this small Hutong street this small business woman makes clothes for individuals or parties on her own sewing machines and equipment. A small enterprise in a large city.
    20120531tiananmen area beijing_AO.jpg
  • Seamstress making clothes in her small studio in an area just south of Tiananmen in Beijing, China. In this small Hutong street this small business woman makes clothes for individuals or parties on her own sewing machines and equipment. A small enterprise in a large city.
    20120531tiananmen area beijing_AN.jpg
  • A sign to a metalworkers house who makes spoons and bracelets from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018301cc_1.jpg
  • A woman weaving a lid for a picnic basket in Lu Thuong Te grass weaving village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    33-6_1.jpg
  • Hands of a woman weaving a bamboo basket in Tang Tien village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    10 Tang Tien_1.jpg
  • Interior of a home in Ninh So, bamboo basket weaving village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    13 Ninh So_1.jpg
  • Working in a dark corner of Desford Brickworks, the factory owned by Hanson Brick in Leicestershire, a labourer pats his clay aggregate into a clod (also known as a clot or warp) a lump of kneaded clay formed into a rough brick shape by hand in preparation for being thrown into the mould (or mold) and shaped once again with a stock. He will then skim off the surplus with the bow - a wire stretched between the ends of a curved wooden rod used for removing excess clay from the mould, which hangs on the wall by a nail. The stage afterwards is the firing in the kiln. Obviously the mechanisation of brick making endangers the careers of skilled craftsmen like this man. <br />
Bricks may be made from clay, shale, soft slate, calcium silicate, concrete, or shaped from quarried stone but Clay is the most common material.
    brick_maker-04-11-1998_1.jpg
  • A Guatemalan woman waeving making textiles in the traditional way, in San Juan La Laguna - one of the villages on the banks of Lake Atitlan. It is smaller than many of the other towns and with many pess toruists, which has allowed it to preserve much of its traditional culture, which is making textiles with natural dyes. Lake Atitlan is seen as the most important single tourist attraction in Guatemala; and is Central Americas deepest lake. There are many villages on the banks of the lake; each with different identity and culture; the majority of the population in the region identify as indigenous Maya and many still wear traditional dress and speak Maya languages.
    _MG_0246_1.jpg
  • Dhaka, Bangladesh. Boys working in a factory making door mats out of old shoe laces. The children are not disabled but without any formal education and CSID try to convince them to join informal education. Centre for Services and Information on Disability (CSID) is a charity working for integrating disabled children into mainstream society. Boys working in a factory making door mats out of old shoe laces. The children are not disabled but without any formal education and CSID try to convince to join informal education.
    IMG_2433_1.jpg
  • Traditional sausage making in Bologna city, italy.
    cp_ita_0140_1.jpg
  • Extremely valuable Spruce wood for making violins. Much of this wood now comes from Eastern Europe. Violins being made at viloin an cello maker, Rod Ward's studio in Guilden Morden, Hertfordshire, UK. This highly skilled craft involves the process of making from raw wood to final instrument. All hand crafted with specialist tools and care for detail.
    20100408violin makerM.jpg
  • Extremely valuable Spruce wood for making violins. Much of this wood now comes from Eastern Europe. Violins being made at viloin an cello maker, Rod Ward's studio in Guilden Morden, Hertfordshire, UK. This highly skilled craft involves the process of making from raw wood to final instrument. All hand crafted with specialist tools and care for detail.
    20100408violin makerD.jpg
  • Extremely valuable Spruce wood for making violins. Much of this wood now comes from Eastern Europe. Violins being made at viloin an cello maker, Rod Ward's studio in Guilden Morden, Hertfordshire, UK. This highly skilled craft involves the process of making from raw wood to final instrument. All hand crafted with specialist tools and care for detail.
    20100408violin makerC.jpg
  • A sign to a metalworkers house who makes spoons from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018319cc_1.jpg
  • A sign to a metalworkers house who makes spoons from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012655cc_1.jpg
  • The hands of a man shaping a woven bamboo basket in Tang Tien village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    A 0239_1.jpg
  • A man shaping a woven bamboo basket in Tang Tien village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    A 0237_1.jpg
  • Woman preparing 'te' grass for weaving into baskets in Luu Thuong village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    93270007_1.jpg
  • Woman preparing bamboo for weaving into baskets in Tang Tien village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    25160003_1.jpg
  • Woman preparing bamboo for weaving into baskets in Tang Tien village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    25160002_1.jpg
  • A woman preparing bamboo for weaving into baskets in Tang Tien village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    25150001_1.jpg
  • A woman weaving a bamboo basket in Tang Tien village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    25140001_1.jpg
  • A woman embroiders a picture at home in Quat Dong embroidery village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    29 Quat Dong_1.jpg
  • Piles of yellow silk on a plastic table at Dai Hung, a village specialising in producing silkworms and thread, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    23 Dai Hung_1.jpg
  • Silk cocoons on a hatching rack in a home in Chi Dong village, silk worm rearing village, Hanoi, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    22 Chi Dong__1.jpg
  • Silkworms feeding in bamboo baskets and mulberry leaves drying on the floor in an interior of a home in Chi Dong, silkworm rearing village, Hanoi, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    21 Chi Dong_1.jpg
  • A young girl sits with her mother while she weaves baskets, Luu Thuong, 'Te' grass weaving village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    18 Luu Thuong_1.jpg
  • Interior of a home in Luu Thuong village, 'te' grass weaving village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    17 Luu Thuong_1.jpg
  • Interior of a home in Kim Chinh, sedge basket weaving village, Ninh Binh province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    16 Kim Chinh_1.jpg
  • A young woman weaving bamboo baskets sitting on a bed at home in Phu Vinh, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    15 Phu Vinh_1.jpg
  • A two month old baby boy asleep in a hammock in Tang Tien, a bamboo basket weaving village, Bac Giang province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    11 Tang Tien 2_1.jpg
  • Interior of a home in Phu Vinh, rattan and bamboo basket weaving village, Ha Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    09 Phu Vinh_1.jpg
  • Incense sticks drying on the road in Quang Phu Cao village, Hay Tay province, Vietnam. With Vietnam’s growing population making less land available for farmers to work, families unable to sustain themselves are turning to the creation of various products in rural areas.  These ‘craft’ villages specialise in a single product or activity, anything from palm leaf hats to incense sticks, or from noodle making to snake-catching. Some of these ‘craft’ villages date back hundreds of years, whilst others are a more recent response to enable rural farmers to earn much needed extra income.
    03 Quang Phu Cao_1.jpg
  • One man is acclaimed the world over and is synonymous with making hand-carved puppets - Bryan Clarke. He is Chairman of the British Punch & Judy Fellowship and has been a professional Punch & Judy man for well over 50 years, making and supplying puppets from his workshop near Lowestoft on the east coast of England for the last 30 years. Hundreds of Punch & Judy performers throughout the UK and overseas use Bryan's puppets and some are seen here in various stages of production - some finished and hanging from this shed roof while in front of this talented artist, we see blocks of wood still being shaped into the familiar characters that children the world over recognise as Mr Punch and other figures. Mr Clarke smiles at the view in this relaxed portrait taken in 1992.
    puppet_maker-23-06-1992.jpg
  • A Guatemalan woman waeving making textiles in the traditional way, in San Juan La Laguna - one of the villages on the banks of Lake Atitlan. It is smaller than many of the other towns and with many pess toruists, which has allowed it to preserve much of its traditional culture, which is making textiles with natural dyes. Lake Atitlan is seen as the most important single tourist attraction in Guatemala; and is Central Americas deepest lake. There are many villages on the banks of the lake; each with different identity and culture; the majority of the population in the region identify as indigenous Maya and many still wear traditional dress and speak Maya languages.
    _MG_0262_1 1.jpg
  • A Guatemalan woman waeving making textiles in the traditional way, in San Juan La Laguna - one of the villages on the banks of Lake Atitlan. It is smaller than many of the other towns and with many pess toruists, which has allowed it to preserve much of its traditional culture, which is making textiles with natural dyes. Lake Atitlan is seen as the most important single tourist attraction in Guatemala; and is Central Americas deepest lake. There are many villages on the banks of the lake; each with different identity and culture; the majority of the population in the region identify as indigenous Maya and many still wear traditional dress and speak Maya languages.
    _MG_0254_1.jpg
  • A Guatemalan woman waeving making textiles in the traditional way, in San Juan La Laguna - one of the villages on the banks of Lake Atitlan. It is smaller than many of the other towns and with many pess toruists, which has allowed it to preserve much of its traditional culture, which is making textiles with natural dyes. Lake Atitlan is seen as the most important single tourist attraction in Guatemala; and is Central Americas deepest lake. There are many villages on the banks of the lake; each with different identity and culture; the majority of the population in the region identify as indigenous Maya and many still wear traditional dress and speak Maya languages.
    _MG_0244_1 1.jpg
  • A Guatemalan woman waeving making textiles in the traditional way, in San Juan La Laguna - one of the villages on the banks of Lake Atitlan. It is smaller than many of the other towns and with many pess toruists, which has allowed it to preserve much of its traditional culture, which is making textiles with natural dyes. Lake Atitlan is seen as the most important single tourist attraction in Guatemala; and is Central Americas deepest lake. There are many villages on the banks of the lake; each with different identity and culture; the majority of the population in the region identify as indigenous Maya and many still wear traditional dress and speak Maya languages.
    _MG_0238_1.jpg
  • A Guatemalan woman waeving making textiles in the traditional way, in San Juan La Laguna - one of the villages on the banks of Lake Atitlan. It is smaller than many of the other towns and with many pess toruists, which has allowed it to preserve much of its traditional culture, which is making textiles with natural dyes. Lake Atitlan is seen as the most important single tourist attraction in Guatemala; and is Central Americas deepest lake. There are many villages on the banks of the lake; each with different identity and culture; the majority of the population in the region identify as indigenous Maya and many still wear traditional dress and speak Maya languages.
    _MG_0233_1.jpg
  • A Guatemalan woman waeving making textiles in the traditional way, in San Juan La Laguna - one of the villages on the banks of Lake Atitlan. It is smaller than many of the other towns and with many pess toruists, which has allowed it to preserve much of its traditional culture, which is making textiles with natural dyes. Lake Atitlan is seen as the most important single tourist attraction in Guatemala; and is Central Americas deepest lake. There are many villages on the banks of the lake; each with different identity and culture; the majority of the population in the region identify as indigenous Maya and many still wear traditional dress and speak Maya languages.
    _MG_0224_1.jpg
  • Dhaka, Bangladesh. Boys working in a factory making door mats out of old shoe laces. The children are not disabled but without any formal education and CSID try to convince them to join informal education. Centre for Services and Information on Disability (CSID) is a charity working for integrating disabled children into mainstream society. Boys working in a factory making door mats out of old shoe laces. The children are not disabled but without any formal education and CSID try to convince to join informal education.
    IMG_2380_1.jpg
  • Bracelets made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018284cc_1.jpg
  • Spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012649cc_1.jpg
  • A metalworker casting spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012648cc_1.jpg
  • A wooden mould for casting spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012642cc_1.jpg
  • A spoon made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    46-11_1.jpg
  • Ms Vanthone, metalworker casting bracelets made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018293cc_1.jpg
  • Bracelets made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018281cc_1.jpg
  • Ms Vanthone, metalworker casting bracelets made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018278cc_1.jpg
  • Ms Vanthone, metalworker opens up the wooden mould used for casting bracelets made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018271cc_1.jpg
  • Ms Vanthone, metalworker casting bracelets made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0018239cc_1.jpg
  • Spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012652cc_1.jpg
  • A wooden mould and ash for casting spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012643cc_1.jpg
  • A metalworker casting spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012630cc_1.jpg
  • A metalworker casting spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012626cc_1.jpg
  • A metalworker casting spoons made from recycled aluminium sourced from Vietnam War debris and melted in an earthen kiln in Ban Naphia, a remote Tai Phouan village in mountainous Xieng Khouang Province in Northern Laos. Laos is the most bombed country, per capita, in the world with more than two million tons of ordnance dropped on it during the Vietnam War from 1963 to 1974.12 artisan families began transforming war scrap into spoons (150,000 per year) in the 1970s to supplement subsistence farming activities. Supported by the Swiss NGO Helvetas, the project works to make the scrap metal supply chain safer for artisans and scrap collectors by collaborating with organisations such as Mines Advisory Group (MAG) that specialise in unexploded ordnance removal and education. More recently the villagers have started making bracelets and other items.
    A0012597cc_1.jpg
  • Japanese chef making fresh noodles in a restaurant in London. Condensation steams up the window.
    20091213noodle chefA.jpg
  • An Intha woman  making tofu on 22nd January 2016 in Shan State, Myanmar. Located on the northwestern shore of Inle Lake, the Intha village of Kaung Daing is known for its tofu, prepared using split yellow peas instead of  soybeans
    DSCF3985cc_1_1.jpg
  • A shepherd separates the curd from the whey whilst making cheese from sheep's milk at the Measurement of the Milk festival, Botiza, Maramures, Romania
    99-13_1.jpg
  • Christopher Kelly, one of the designers of the giant bear, works on making the covers for the steel structure. Aurora is a giant polar bear puppet, the size of a London double decker bus. The bear is the brain child of Greenpeace UK and it will be the center piece in the Greenpeace campaign Save the Arctic  global day of action in London Sept 15th. Aurora is designed by Christopher Kelly in collaboration with props designer Simon Costin and made by Factory Settings in East London.
    IMG_8866_1_1.jpg
  • Alex works on the rope settings inside the head while Pete works on making the eyes come to life. Aurora is a giant polar bear puppet, the size of a London double decker bus. The bear is the brain child of Greenpeace UK and it will be the center piece in the Greenpeace campaign Save the Arctic  global day of action in London Sept 15th. Aurora is designed by Christopher Kelly in collaboration with props designer Simon Costin and made by Factory Settings in East London.
    IMG_8521_1_1.jpg
  • A small factory making dolls and bags on the island Atauro.<br />
Atauro is an island with 10.000 inhabitants belonging to the state of Timor Leste, 25 km north of the capital Dili. Timor Leste gained independence from Indonesia in May 2002.
    IMG_7719_2.jpg
  • Pottery making is one of Bhaktapur's traditional industries and the pots are laid out in this little square to dry before going into the oven to be burned.
    IMG_2800_1.jpg
  • A small drum making factory in Dhading run by husband and wife, assisted by their nephew. The drums are made of wood and mountain goat intestines and fine tuned using black carbon rock. The drum comes in different sizes and is a traditional instrument in Nepal used on many occations.
    IMG_1675_1.jpg
  • A small drum making factory in Dhading run by husband and wife, assisted by their nephew. The drums are made of wood and mountain goat intestines and fine tuned using black carbon rock. The drum comes in different sizes and is a traditional instrument in Nepal used on many occations.
    IMG_1668_1.jpg
  • A small drum making factory in Dhading run by husband and wife, assisted by their nephew. The drums are made of wood and mountain goat intestines and fine tuned using black carbon rock. The drum comes in different sizes and is a traditional instrument in Nepal used on many occations.
    IMG_1657_1.jpg
  • A small drum making factory in Dhading run by husband and wife, assisted by their nephew. The drums are made of wood and mountain goat intestines and fine tuned using black carbon rock. The drum comes in different sizes and is a traditional instrument in Nepal used on many occations.
    IMG_1651_1.jpg
  • Wicker basket making at dusk near Dhading. The basket is used for many things and usually carried on the back with a strap around the fore head.
    IMG_1110_2.jpg
  • Susan Harlow making lace at home in Pickering, North Yorkshire, UK
    RA 32-16_1.jpg
  • Chef Paula Hotti making breakfast scones at The Three Chimneys Restaurant, Colbost, Isle of Skye, Scotland, UK.
    35-10_1_1.jpg
  • Aurora in the making with her head still on the ground. Aurora is a giant polar bear puppet, the size of a London double decker bus. The bear is the brain child of Greenpeace UK and it will be the center piece in the Greenpeace campaign Save the Arctic  global day of action in London Sept 15th. Aurora is designed by Christopher Kelly in collaboration with props designer Simon Costin and made by Factory Settings in East London.
    IMG_8763_1_1.jpg
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