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  • Goulish face masks of horror or scary characters for sale on 13th August 2020 in London, United Kingdom. Evil looking clowns and monster faces designed to scare people have mostly originated from horror films and from comc books.
    20200813_goulish face masks_003.jpg
  • Goulish face masks of horror or scary characters for sale on 13th August 2020 in London, United Kingdom. Evil looking clowns and monster faces designed to scare people have mostly originated from horror films and from comc books.
    20200813_goulish face masks_001.jpg
  • Goulish face masks of horror or scary characters for sale on 13th August 2020 in London, United Kingdom. Evil looking clowns and monster faces designed to scare people have mostly originated from horror films and from comc books.
    20200813_goulish face masks_002.jpg
  • Toy dinosaurs lined up on a bench on 27th December 2016, Lagrasse, France. . Dinosaurs are a diverse group of animals of the clade Dinosauria. They first appeared during the Triassic period, 231.4 million years ago.
    A0005042_1.jpg
  • An official from the Giant Vegetable Olympics attaches the winning pumpkin contestant with a sash honouring its great victory at the Bay Tree Nurseries, Spalding, Lincolnshire, England. Reaching round the immense girth of this specimen is awkward and frankly, a ridiculous pursuit. Sponsored by Garden News Magazine and hosted by the nursery owner, these vegetables can weigh up to 300kg, their growth accelerated by special fertilizers and genetic hormones.
    vegetable_olympics03-15-12-2007 _1_1.jpg
  • Two judges wearing identical tweed jackets are assisted by two other officials, also wearing the same red sweatshirts, are measuring oversized runner beans during the vegetable Olympics at the Bay Tree Nurseries, Spalding, Lincolnshire, England. With obssessive detail, they are discovering to the very millimetre which of theseplants might win this category for the largest runner bean of that year. In the foreground are other kingsize veg examples like marrow and courgettes though the really impressive growth comes from the pumpkins which weigh up to 308,2 kg. These runner beans measured up 39 1/2 in
    vegetable_olympics01-15-12-2007 _1_1.jpg
  • Screaming Lord Sutch holds up a megaphone to the gates of Downing Street in the run-up to the 1992 elections, on 11th March, in London UK. David Edward Sutch 10 November 1940 – 16 June 1999, also known as 3rd Earl of Harrow, or simply Screaming Lord Sutch, was an English musician. He was the founder of the Official Monster Raving Loony Party and served as its leader from 1983 to 1999, during which time he stood in numerous parliamentary elections. He holds the record for losing more than 40 elections in which he stood. Suffering from depression he committed suicide 1999.
    lord_sutch-11-03-1992.jpg
  • Graffiti wall art in Dalston, Hackney, London, United Kingdom. The picture is of a small gremlin or monster holding two spray paint cans.  The street art has been signed Unknown which is the artist’s tag name.
    13-London-Grafitti-6431_1.jpg
  • Goofy Golf, a vintage tourist mini golf course full of obstacles including dinosaurs, aliens and a Sphinx on 6th March 2020 in Panama City, Florida, United States. With an average of 320 days of Florida sunshine each year – and 27 miles of sugar-white sands bordering the clear, emerald green waters where the Gulf of Mexico and St. Andrew Bay converge – Panama City Beach is a favourite of travellers seeking an affordable beach vacation with year round offerings.
    _E6A7695.jpg
  • Goofy Golf, a vintage tourist mini golf course full of obstacles including dinosaurs, aliens and a Sphinx on 6th March 2020 in Panama City, Florida, United States. With an average of 320 days of Florida sunshine each year – and 27 miles of sugar-white sands bordering the clear, emerald green waters where the Gulf of Mexico and St. Andrew Bay converge – Panama City Beach is a favourite of travellers seeking an affordable beach vacation with year round offerings.
    _E6A7669.jpg
  • The Society of Saint Anne gathering to parade during Mardi Gras on 25th February 2020 in Bywater district of New Orleans, Louisiana, United States. Mardi Gras is the biggest celebration the city of New Orleans hosts every year. The magnificent, costumed, beaded and feathered party is laced with tradition and  having a good time. Celebrations are concentrated for about two weeks before and culminate on Fat Tuesday the day before Ash Wednesday and Lent.
    _E6A4657.jpg
  • Professional freeride mountain biker Sam Pilgrim at Adrenaline Alley on the 17th September 2018 in Corby in the United Kingdom. Adrenaline Alley is a huge indoor sports centre with professional riding areas for BMX bikes, skateboards and scooters.
    SwatchBackflip-09201.jpg
  • Professional freeride mountain biker Sam Pilgrim at Adrenaline Alley on the 17th September 2018 in Corby in the United Kingdom. Adrenaline Alley is a huge indoor sports centre with professional riding areas for BMX bikes, skateboards and scooters.
    SwatchBackflip-0323.jpg
  • Soft toy character peering out of a top floor window as if trapped inside. London, UK.
    20150324_soft toy trapped_A.jpg
  • The Thames Festival is an autumn weekend celebration each September on the banks of the river Thames. 2,000 dancers, musicians and masqueraders take to the streets in an unrivalled display of street arts and creativity in this year's Night Carnival.
    2526Lewis-TF-2010_1.jpg
  • The Thames Festival is an autumn weekend celebration each September on the banks of the river Thames. 2,000 dancers, musicians and masqueraders take to the streets in an unrivalled display of street arts and creativity in this year's Night Carnival.
    2456Lewis-TF-2010_1.jpg
  • Fans of the fantasy film Alien (Alien is a 1979 science fiction horror film directed by Ridley Scott) attending the London Film and Comic Con LFCC is a convention held annually in London that focuses on films, cult television and comics. The convention holds a large dealers hall selling movie, comic and science fiction related memorabiliaand original film props, along with free guest talks, professional photoshoots, autograph sessions, displays. Many of the visitors / attendeesarrive dressed up as their favourite comic and sci-fi characters in the most outlandish costumeswhich draws from the award-winning formula of innovative gameplay.
    _MG_2910_1.jpg
  • Fans of the fantasy film Alien (Alien is a 1979 science fiction horror film directed by Ridley Scott) attending the London Film and Comic Con LFCC is a convention held annually in London that focuses on films, cult television and comics. The convention holds a large dealers hall selling movie, comic and science fiction related memorabiliaand original film props, along with free guest talks, professional photoshoots, autograph sessions, displays. Many of the visitors / attendeesarrive dressed up as their favourite comic and sci-fi characters in the most outlandish costumeswhich draws from the award-winning formula of innovative gameplay.
    _MG_2906_1.jpg
  • Fans of the fantasy film Alien (Alien is a 1979 science fiction horror film directed by Ridley Scott) attending the London Film and Comic Con LFCC is a convention held annually in London that focuses on films, cult television and comics. The convention holds a large dealers hall selling movie, comic and science fiction related memorabiliaand original film props, along with free guest talks, professional photoshoots, autograph sessions, displays. Many of the visitors / attendeesarrive dressed up as their favourite comic and sci-fi characters in the most outlandish costumeswhich draws from the award-winning formula of innovative gameplay.
    _MG_2910_1.jpg
  • The Thames Festival is an autumn weekend celebration each September on the banks of the river Thames. 2,000 dancers, musicians and masqueraders take to the streets in an unrivalled display of street arts and creativity in this year's Night Carnival.
    2526Lewis-TF-2010_1.jpg
  • The Thames Festival is an autumn weekend celebration each September on the banks of the river Thames. 2,000 dancers, musicians and masqueraders take to the streets in an unrivalled display of street arts and creativity in this year's Night Carnival.
    2456Lewis-TF-2010_1.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2246.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2424.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2420.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2348.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2288.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2231.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2219.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2204.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2189.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2185.jpg
  • Thames Festival 2009. The Korean Monsters' Theatre, Sorea, performing a mix of contempory dance and music with martial arts in front of city hall.
    _O7F8136.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1465.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1456.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1321.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1205.jpg
  • With suitcases and a dinosaur toy box in the foreground, two baggage-handlers manhandle bags onto a Saudi Airlines McDonnell-Douglas MD90-30 (registered as HZ-APP) on the apron at Bahrain airport. In the foreground is a box containing a toy dinosaur called The Monster which is too large to be cabin baggage, instead having to travel in the hold along with cargo and the luggage of other passengers on this flight operated by Saudi and departing from this Gulf state seen here 12 months before the terrorist attacks on America that changed the public's attitude to flying on commercial airliners.
    bahrain_airport_loading01-21-04-2001...jpg
  • The fantasy monster Shrek and a bald man adopting the same postural echo outside a tourist trinket shop near Piccadilly Circus, on 9th May 2018, in London, England. Shrek is a 2001 American computer animated adventure fantasy comedy film loosely based on William Steigs 1990 fairy tale picture book.
    shrek_man-06-09-05-2018.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1401.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1430.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1387.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1245.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1284.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1232.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Security staff at the museum let the play run but kept a close eye on any healt and safety issues. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1304.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1183.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1225.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1163.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A1060.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Merfolk actors are getting ready in the Museum cafe. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0985.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Merfolk actors are getting ready in the Museum cafe. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A1017.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. Merfolk actors are getting ready in the Museum cafe. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0931.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0205.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0137.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0172.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016. An actor pretending to be a BP security officer is eaten by the kraken. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0097.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  BP pirates calling for more oil exploration. A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster.
    AB9A0014.jpg
  • A man dressed up as a junk monster looks like he dwarfes Big Ben and is about to eat Parliament. 20.000 people turned out to the Time to Act  climate demonstration. The demonstration calls for urgent action on climate change and solidarity amongst climate change organisations and social justice groups. The March went peacefully through London to the Houses of Parliament.
    _MG_8225_1.jpg
  • A woman walks along a path under high-rise flats in Kennington Park, Lambeth, South London. The three blocks of flats (apartments) are multi-storey and house poorer south London families. Kennington Park is in Kennington in London, England, and lies between Kennington Park Road and St Agnes Place. It was opened in 1854. Previously the site had been Kennington Common. This is where the Chartists gathered for their biggest 'monster rally' on 10 April 1848. Soon after this demonstration the common was enclosed and, sponsored by the royals, made into a public park. Kennington Common was a site of public executions until 1800 as well as being the South London's area of Public speaking. Some of the most illustrious orators to speak here were Methodist founders George Whitefield and John Wesley who is reputed to have attracted a crowd of 30,000.
    kennington_estate03-08-04-2011.jpg
  • People walk through the green space between high-rise flats in Kennington Park, Lambeth, South London. The three blocks of flats (apartments) are multi-storey and house poorer south London families. Kennington Park is in Kennington in London, England, and lies between Kennington Park Road and St Agnes Place. It was opened in 1854. Previously the site had been Kennington Common. This is where the Chartists gathered for their biggest 'monster rally' on 10 April 1848. Soon after this demonstration the common was enclosed and, sponsored by the royals, made into a public park. Kennington Common was a site of public executions until 1800 as well as being the South London's area of Public speaking. Some of the most illustrious orators to speak here were Methodist founders George Whitefield and John Wesley who is reputed to have attracted a crowd of 30,000.
    kennington_estate01-08-04-2011.jpg
  • Conrad Monster performs. One of the contestants at the UK Air Guitar Championships, held at the Electric Ballroom in Camden Town, London. This competition is the longest running air guitar championships in the world. The competition was established between 1994 and 1995 by Jeffrey Louis-Reed and is still to this day the only Air Guitar Championships dedicated to those who love the music and those who would love to have been the musician. The competition is judged by the audience always, rather than a panel of old people that have no comprehension of the philosophy.
    Air Guitar05.jpg
  • Conrad Monster performs. One of the contestants at the UK Air Guitar Championships, held at the Electric Ballroom in Camden Town, London. This competition is the longest running air guitar championships in the world. The competition was established between 1994 and 1995 by Jeffrey Louis-Reed and is still to this day the only Air Guitar Championships dedicated to those who love the music and those who would love to have been the musician. The competition is judged by the audience always, rather than a panel of old people that have no comprehension of the philosophy.
    Air Guitar04.jpg
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