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  • Craftsmen make costumes and props in a Mumbai workshop for the production of The Merchants of Bollywood, Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0007.jpg
  • Craftsmen make costumes and props in a Mumbai workshop for the production of The Merchants of Bollywood, Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0013.jpg
  • An actor leaps during a dance routine at a rehearsal of the show The Merchants of Bollywood in Mumbai, Indai<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0359.jpg
  • Dancers in rehearsals for the Merchants of Bollywood in the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0138.jpg
  • Salim and Sulaiman Merchant, musicians and famous Bollywood music producers who produced the score for the show at work in their Mumbai studio<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060818_0124.jpg
  • Salim and Sulaiman Merchant, musicians and famous Bollywood music producers who produced the score for the show at work in their Mumbai studio<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060818_0073.jpg
  • Dancer Ashwini Iyer, 23 practices her routine at a rehearsal of the production of The Merchants of Bollywood in a studio in Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0344.jpg
  • Dancer Ashwini Iyer, 23 practices her routine at a rehearsal of the production of The Merchants of Bollywood in a studio in Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0339.jpg
  • An actress is pinned into her costume backstage at rehearsals for the Merchants of Bollywood in the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0240.jpg
  • Dancers in the chorus line sleep between rehearsals for the Merchants of Bollywood in the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0223.jpg
  • Dancers Ashwini Iyer, 23 and Aruna Baman, 22 talk at a rehearsal of the production of The Merchants of Bollywood in a studio in Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0162.jpg
  • Dancer Ashwini Iyer, 23, backstage at a rehearsal of the production of The Merchants of Bollywood in a studio in Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0122.jpg
  • An actress is made up backstage during a rehearsal of the production of The Merchants of Bollywood in a studio in Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0114.jpg
  • Actor Arif Zakaria in rehearsal for The Merchants of Bollywood in a studio in Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0092.jpg
  • Stagehands paint and decorate a film set in a studio, Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0085.jpg
  • Stagehands paint and decorate a film set in a studio, Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0040.jpg
  • Stagehands paint and decorate a film set in a studio, Mumbai, India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060817_0034.jpg
  • Writer and Director Toby Gough in rehearsals for the Merchants of Bollywood at the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0354.jpg
  • Actors relax backstage during rehearsals for the Merchants of Bollywood in the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0349.jpg
  • Actors wait to be called for rehearsals for the Merchants of Bollywood in the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0348.jpg
  • Writer and Director Toby Gough in rehearsals for the Merchants of Bollywood at the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0340.jpg
  • Dancers in rehearsals for the Merchants of Bollywood in the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0223.jpg
  • A dancer waits for her cue behind a prop in  rehearsals for the Merchants of Bollywood in the Yash Raj Studios in Mumbai (Bombay), India<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0127.jpg
  • Writer and Director Toby Gough with assistant choreographer Shruti Merchant in rehearsals for the Merchants of Bollywood at the Yash Raj Studios in Mumbai (Bombay), India.<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0084.jpg
  • Writer and Director Toby Gough with assistant choreographer Shruti Merchant in rehearsals for the Merchants of Bollywood at the Yash Raj Studios in Mumbai (Bombay), India.<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0038.jpg
  • Two dancers relax between rehearsals for the Merchants of Bollywood below a Bollywood poster Yash Raj Studios in Mumbai (Bombay), India.<br />
<br />
The Merchants of Bollywood, An Indian theatrical dance musical, charts the history of the world's largest and most prolific film industry, and is loosely based on the showbusiness, Merchant family. Seen by over two million people worldwide, the show is homage to the world of Indian cinema.
    sfe_060816_0006.jpg
  • Some of the younger boys sleep on mats over night at the Kamatipura Night Care Centre in Mumbai. Their mothers have been trafficked into the commercial sex trade in Kamatipura area of Mumbai. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-8638.jpg
  • Dabbawallahs (tiffinwallah) travel across Mumbai's using its extensive rail network as well as using their own bicycles delivering freshly prepared home cooked food to office workers throughout the city. This 125 year tradition, unique to the city employs 5000 tiffinwallahs delivering an average of 200.000 meals a day which are kept in the tin dabbas which are delivered by using both bicycle and the city's rail network. The dabbawallahs are distinctive by their impeccable white uniform which includes a Gandhi style cap and a service second to none which is the toast and the praise of enterprises such as Forbes magazine and other blue chip companies in terms of service, punctuality and delivery, Mumbai (Bombay), India
    20071121_india_0394_1.jpg
  • Dabbawallahs (tiffinwallah) travel across Mumbai's using its extensive rail network as well as using their own bicycles delivering freshly prepared home cooked food to office workers throughout the city. This 125 year tradition, unique to the city employs 5000 tiffinwallahs delivering an average of 200.000 meals a day which are kept in the tin dabbas which are delivered by using both bicycle and the city's rail network. The dabbawallahs are distinctive by their impeccable white uniform which includes a Gandhi style cap and a service second to none which is the toast and the praise of enterprises such as Forbes magazine and other blue chip companies in terms of service, punctuality and delivery, Mumbai (Bombay), India
    20071121_india_0211_1.jpg
  • Dabbawallahs (tiffinwallah) travel across Mumbai's using its extensive rail network as well as using their own bicycles delivering freshly prepared home cooked food to office workers throughout the city. This 125 year tradition, unique to the city employs 5000 tiffinwallahs delivering an average of 200.000 meals a day which are kept in the tin dabbas which are delivered by using both bicycle and the city's rail network. The dabbawallahs are distinctive by their impeccable white uniform which includes a Gandhi style cap and a service second to none which is the toast and the praise of enterprises such as Forbes magazine and other blue chip companies in terms of service, punctuality and delivery, Mumbai (Bombay), India
    20071121_india_0073_1.jpg
  • Dabbawallahs (tiffinwallah) travel across Mumbai's using its extensive rail network as well as using their own bicycles delivering freshly prepared home cooked food to office workers throughout the city. This 125 year tradition, unique to the city employs 5000 tiffinwallahs delivering an average of 200.000 meals a day which are kept in the tin dabbas which are delivered by using both bicycle and the city's rail network. The dabbawallahs are distinctive by their impeccable white uniform which includes a Gandhi style cap and a service second to none which is the toast and the praise of enterprises such as Forbes magazine and other blue chip companies in terms of service, punctuality and delivery, Mumbai (Bombay), India
    20071121_india_0043_1.jpg
  • Dabbawallahs (tiffinwallah) travel across Mumbai's using its extensive rail network as well as using their own bicycles delivering freshly prepared home cooked food to office workers throughout the city. This 125 year tradition, unique to the city employs 5000 tiffinwallahs delivering an average of 200.000 meals a day which are kept in the tin dabbas which are delivered by using both bicycle and the city's rail network. The dabbawallahs are distinctive by their impeccable white uniform which includes a Gandhi style cap and a service second to none which is the toast and the praise of enterprises such as Forbes magazine and other blue chip companies in terms of service, punctuality and delivery, Mumbai (Bombay), India
    20071121_india_0481_1.jpg
  • A child sleeping during class at the Kamatipura Centre in Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district.<br />
The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7313.jpg
  • A mother and son stand on building site outside the crèche of the Veera Desai Centre, Mumbai.  The centre is 1 of 70 crèche’s in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-9348.jpg
  • Young girls having a group counselling session at the Kamatipura Centre in Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-8422.jpg
  • Children taking part in activities at the Kamatipura Centre in Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7949.jpg
  • A child sleeping during class at the Kamatipura Centre in Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district.<br />
The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7792.jpg
  • Lunch is provided for all the children at the Kamatipura Centre, Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7491.jpg
  • Two girls look out into the street from the Kamatipura Centre, Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7464.jpg
  • A mother and her children in the building site outside the crèche of the Veera Desai Centre in Mumbai. The centre is 1 of 70 crèche’s in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-9374.jpg
  • Lunchtime at the Agripada Centre in Mumbai. The older children serve lunch to the younger children. The centre is 1 of 70 centres in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-9162.jpg
  • Toddlers and a staff member at the Agripada Centre in Mumbai. The centre is 1 of 70 centres in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-8762.jpg
  • Children playing in the Agripada Centre in Mumbai. The centre is 1 of 70 centres in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-8733.jpg
  • Two girls dancing during activity time at the Kamatipura Centre in Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7541_1.jpg
  • Lunch is provided for all the children at the Kamatipura Centre, Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7491_1.jpg
  • Two girls look out into the street from the Kamatipura Centre, Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7464_1.jpg
  • A mother and her children in the building site outside the crèche of the Veera Desai Centre in Mumbai. The centre is 1 of 70 crèche’s in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-9374_1.jpg
  • A mother and son stand on building site outside the crèche of the Veera Desai Centre, Mumbai.  The centre is 1 of 70 crèche’s in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-9348_1.jpg
  • Toddlers and a staff member at the Agripada Centre in Mumbai. The centre is 1 of 70 centres in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-8762_1.jpg
  • A child sleeping during class at the Kamatipura Centre in Mumbai. The centre welcomes about 100 children every day from the surrounding red-light district.<br />
The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7313_1.jpg
  • Lunchtime at the Agripada Centre in Mumbai. The older children serve lunch to the younger children. The centre is 1 of 70 centres in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-9162_1.jpg
  • Children playing in the Agripada Centre in Mumbai. The centre is 1 of 70 centres in India run by the Mumbai Mobile Crèche organisation.
    09-mmc-8733_1.jpg
  • Ronnie Screwvala, CEO of UTV, at Sea Face Bay in Mumbai (formerly Bombay), India.<br />
As a producer and businessman, over the past five years Screwvala has led the transformation of India's prolific but chaotic film industry to become a crossover figure in Hollywood and Bollywood.
    SFE_080325_0079.jpg
  • A mother who is a sex worker and her daughter embrace as the daughter goes to the Kamatipura Centre. Children at risk of sexual exploitation come to the centre every evening so that they have a safe place to sleep. The centre welcomes about 100 children every day from the surrounding red-light district. The centre is run by the Prerana organisation who specialise in children of the red-light districts in Mumbai.
    09-prerana-7984.jpg
  • Female sex workers on the street in Kamathipura, which is Mumbai’s oldest red-light district and Asia’s largest.  It was set up by the British for their troops.
    09-prerana-7671.jpg
  • Sheetal Mandan – Age 9 months with her mother.  They live in a small tin shack on the construction site.  At the construction site is the Agripada Centre that is run by the Mumbai Mobile Crèche organisation.
    09-mmc-9127.jpg
  • Sheetal Mandan – Age 9 months with her mother.  They live in a small tin shack on the construction site.  At the construction site is the Agripada Centre that is run by the Mumbai Mobile Crèche organisation.
    09-mmc-9127_1.jpg
  • MF Husain (b. 1915, Maharashtra) India's foremost modernist painter at his studio in Mumbai (formerly Bombay). .In the 1990s some of Husain's works became controversial because of their portrayal of naked Hindu deities. Charges were brought against him by Hindu Nationalists but were dismissed by the Delhi High Court. Despite this, Husain remains in self imposed exile in London and Dubai. His painting continue to command prices of several million dollars at auction.
    SFE_980916_0003.jpg
  • MF Husain (b. 1915, Maharashtra) India's foremost modernist painter at his studio in Mumbai (formerly Bombay). .In the 1990s some of Husain's works became controversial because of their portrayal of naked Hindu deities. Charges were brought against him by Hindu Nationalists but were dismissed by the Delhi High Court. Despite this, Husain remains in self imposed exile in London and Dubai. His painting continue to command prices of several million dollars at auction. He is seen here with an image of the Bollywood actress, Madhuri Dixit who for a long period was seen as his muse.
    SFE_980916_0002.jpg
  • Ganga Thampi, applies make up to her face shortly before taking the staring role of Sita in the Indian epic Ramayana. She is both a teacher and one of the stars of  the traditional and highly prestigious Kalakshetra school for the arts, Chennai. The school was founded in 1936 and due to its exacting and demanding schedule is considered India's formost classical dance academy of this ancient cultural art heritage that is informally known as "temple dancing" and that dates back to the Natya Shastra, the 2000 year old text that lays down the principles of Indian dramatic theory and performance. Tamil Nadu, India.
    20071125_india_0127_1.jpg
  • Ganga Thampi, applies make up to her face shortly before taking the staring role of Sita in the Indian epic Ramayana. She is both a teacher and one of the stars of  the traditional and highly prestigious Kalakshetra school for the arts, Chennai. The school was founded in 1936 and due to its exacting and demanding schedule is considered India's formost classical dance academy of this ancient cultural art heritage that is informally known as "temple dancing" and that dates back to the Natya Shastra, the 2000 year old text that lays down the principles of Indian dramatic theory and performance. Tamil Nadu, India.
    20071125_india_0069_1.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6980.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6963.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6922.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6933.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6863.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6721.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6987.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6981.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6972.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6970.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6962.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6949.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6878.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6921.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6886.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6916.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6912.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6877.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6867.jpg
  • The UNESCO world heritage site of the Ajanta cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. The site consists of approx. 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 CE, which are ornately decorated and incredibly well preserved, boasting cave paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art.
    _MG_6860.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6858.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6855.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6835.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6854.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6839.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6830.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6783.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6821.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6818.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6790.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6779.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6766.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6760.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6738.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6731.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6730.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6707.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6704.jpg
  • The UNESCO world heritage site of the Ellora cave complex on 12th December 2009 in Maharashtra state, near Mumbai, India. It is one of the largest rock-cut monastery-temple cave complexes in the world, featuring incredibly well preserved Hindu, Buddhist and Jain monuments and artwork, dating from the 600–1000 CE period.  It is described as among the finest surviving examples of ancient Indian art.
    _MG_6727.jpg
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