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  • A night outdoor performance of the Kun Ju opera "Peony Pavilion" seen from behind a bamboo screen in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai110.jpg
  • A night outdoor performance of the Kun Ju opera "Peony Pavilion" seen from behind a bamboo screen in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai109.jpg
  • Lead Actor Zhang Jun and Actree Zhang Ran rehearse on site before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai104.jpg
  • Mosquito coils prepared for the audiences who will watch the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai097.jpg
  • Lead Actor Zhang Jun and Actree Zhang Ran poses for photos in costume before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai086.jpg
  • Blocks of ice are hauled in and chopped up to cool the sitting area reserved for the audiences who will watch the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai081.jpg
  • Lead actor Zhang Jun applies makeup before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai077.jpg
  • Lead actress Zhang ran sits while an assistant she performs in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai076.jpg
  • Lead actress Zhang ran sits while an assistant she performs in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai075.jpg
  • Lead actor Zhang Jun applies makeup before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai070.jpg
  • Lead actress Zhang ran sits while an assistant she performs in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai053.jpg
  • Lead actor Zhang Jun applies makeup before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai052.jpg
  • A night outdoor performance of the Kun Ju opera "Peony Pavilion" seen from behind a bamboo screen in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai114.jpg
  • A night outdoor performance of the Kun Ju opera "Peony Pavilion" seen from behind a bamboo screen in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai112.jpg
  • A night outdoor performance of the Kun Ju opera "Peony Pavilion" seen from behind a bamboo screen in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai111.jpg
  • Lead Actor Zhang Jun and Actree Zhang Ran poses for photos in costume before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai094.jpg
  • Lead Actor Zhang Jun and Actree Zhang Ran poses for photos in costume before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai087.jpg
  • Lead Actor Zhang Jun and Actree Zhang Ran poses for photos in costume before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai085.jpg
  • Lead Actor Zhang Jun and Actree Zhang Ran poses for photos in costume before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai084.jpg
  • Blocks of ice are hauled in and chopped up to cool the sitting area reserved for the audiences who will watch the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai083.jpg
  • Supporting actors apply make up before they perform in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai073.jpg
  • Lead actor Zhang Jun applies makeup before performing in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai068.jpg
  • Lead actress Zhang ran sits while an assistant she performs in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai065.jpg
  • Lead actress Zhang ran sits while an assistant she performs in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai061.jpg
  • Lead actress Zhang ran sits while an assistant she performs in the Kun Ju opera "Peony Pavilion" in Shanghai, China, on 07 August, 2010. The modern adaptation of a traditional love story involves performance in a real Chinese garden together with soundtracks by renowned Chinese musician Tan Dun.
    QS100807Shanghai055.jpg
  • Rain-soaked opera fans sit on wet grass before the perfoamance by Italian operatic tenor Luciano Pavarotti during the free Party in the Park concert to celebrate his 30 years in opera, on 30th July 1991 in Londons Hyde Park, on 30th July 1991, in London, England. A crowd of 100,000 stood in the rain to watch Pavarotti perform 20 arias by Verdi, Puccini, Bizet and Wagner. VIPs the Princess of Wales, Prime Minister John Major and Michael Caine were soaked in heavy rain along with everyone else sitting on the grass cowering beneath tarpaulins. Pavarotti helped bring an otherwise high-brow artform to the ordinary Man after the BBC used his rendition of Nessun Dorma to theme their World Cup TV coverage.
    opera_crowd-30-07-1991.jpg
  • Italian operatic tenor Luciano Pavarotti performs in London during the free Party in the Park concert to celebrate his 30 years in opera<br />
on 30th July 1991 in Londons Hyde Park. A crowd of 100,000 stood in the rain to watch Pavarotti perform 20 arias by Verdi, Puccini, Bizet and Wagner. VIPs the Princess of Wales, Prime Minister John Major and Michael Caine were soaked in heavy rain along with everyone else sitting on the grass cowering beneath tarpaulins. Pavarotti helped bring an otherwise high-brow artform to the ordinary Man after the BBC used his rendition of Nessun Dorma to theme their World Cup TV coverage.
    opera_pavarotti-30-07-1991.jpg
  • Exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert350-05-06-2014_1.jpg
  • Exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert337-05-06-2014_1.jpg
  • Exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert327-05-06-2014_1.jpg
  • Exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The discipline of  Choreographie appears in large lettering on the front facade. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier.
    dorothee_gilbert360-05-06-2014_1.jpg
  • Exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert348-05-06-2014_1.jpg
  • Exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert338-05-06-2014_1.jpg
  • German composer (Franz) Joseph Haydn on the exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert336-05-06-2014_1.jpg
  • German composer Johann Sebastian Bach (1685 – 1750)  on the exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert333-05-06-2014_1.jpg
  • Exterior of the Opera Garnier Paris, France. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The principal facade is on the south side of the building, overlooking the Place de l'Opéra and terminates the perspective along the Avenue de l'Opéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation. The two gilded figural groups, Charles Gumery's L'Harmonie (Harmony) and La Poésie (Poetry), crown the apexes of the principal facade's left and right avant-corps. They are both made of gilt copper electrotype. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera.
    dorothee_gilbert330-05-06-2014_1.jpg
  • Zhang Lin, 23 leading Yue opera performer from the Xiao Bai Hua Shaoxing Opera Troupe during her night's performance together with an all womens cast of performers in a rural village close to Shaoxing City, Zhe Jiang province, China.                                She is one of the leading ights of Yue opera which as a form was born as late as the 1930's and she's been part of this troupe since she was 14. Today Yue opera like all traditional art forms faces stiff competition from television and all sorts of other entertainment and  as the troupe  no longer receive significant state funding, they must perform at least 150 times a year travelling far and wide across the country
    chiopera_026_1.jpg
  • Zhang Lin, 23 leading Yue opera performer from the Xiao Bai Hua Shaoxing Opera Troupe dresses up backstage into one of the many  costumes during her night's performance in a rural village close to Shaoxing City, Zhe Jiang province, China.                                She is one of the leading ights of Yue opera which as a form was born as late as the 1930's and she's been part of this troupe since she was 14. Today Yue opera like all traditional art forms faces stiff competition from television and all sorts of other entertainment and  as the troupe  no longer receive significant state funding, they must perform at least 150 times a year travelling far and wide across the country
    chiopera_020_1.jpg
  • Zhang Lin, 23 leading Yue opera performer from the Xiao Bai Hua Shaoxing Opera Troupe dresses up backstage into one of the many  costumes during her night's performance in a rural village close to Shaoxing City, Zhe Jiang province, China.                                She is one of the leading ights of Yue opera which as a form was born as late as the 1930's and she's been part of this troupe since she was 14. Today Yue opera like all traditional art forms faces stiff competition from television and all sorts of other entertainment and  as the troupe  no longer receive significant state funding, they must perform at least 150 times a year travelling far and wide across the country
    chiopera_019_1.jpg
  • Zhang Lin, 23 leading Yue opera performer from the Xiao Bai Hua Shaoxing Opera Troupe during a performance in a rural village close to Shaoxing City, Zhe Jiang province, China.                                She is one of the leading ights of Yue opera which as a form was born as late as the 1930's and she's been part of this troupe since she was 14. Today Yue opera like all traditional art forms faces stiff competition from television and all sorts of other entertainment and  as the troupe  no longer receive significant state funding, they must perform at least 150 times a year travelling far and wide across the country
    chiopera_016_1.jpg
  • Zhang Lin, 23 leading Yue opera performer from the Xiao Bai Hua Shaoxing Opera Troupe during a performance in a rural farming village close to Shaoxing City, Zhe Jiang province, China.                                She is one of the leading ights of Yue opera which as a form was born as late as the 1930's and she's been part of this troupe since she was 14. Today Yue opera like all traditional art forms faces stiff competition from television and all sorts of other entertainment and  as the troupe  no longer receive significant state funding, they must perform at least 150 times a year travelling far and wide across the country
    chiopera_013_1.jpg
  • Zhang Lin, 23 leading Yue opera performer from the Xiao Bai Hua Shaoxing Opera Troupe in final stages of putting on her make-up before a performance in a rural village close to Shaoxing City, Zhe Jiang province, China.                                She is one of the leading ights of Yue opera which as a form was born as late as the 1930's and she's been part of this troupe since she was 14. Today Yue opera like all traditional art forms faces stiff competition from television and all sorts of other entertainment and  as the troupe  no longer receive significant state funding, they must perform at least 150 times a year travelling far and wide across the country
    chiopera_005_1.jpg
  • An opera watcher leans into a car before the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally08-18-09-2020.jpg
  • Zhang Lin, 23 leading Yue opera performer from the Xiao Bai Hua Shaoxing Opera Troupe having her make-up applied before a performance in a rural village close to Shaoxing City, Zhe Jiang province, China.                                She is one of the leading ights of Yue opera which as a form was born as late as the 1930's and she's been part of this troupe since she was 14. Today Yue opera like all traditional art forms faces stiff competition from television and all sorts of other entertainment and  as the troupe  no longer receive significant state funding, they must perform at least 150 times a year travelling far and wide across the country
    chiopera_002_1.jpg
  • From inside their cars, opera fans applaud the performance of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally33-18-09-2020.jpg
  • Seen from the driver's seat, Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally29-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally16-18-09-2020.jpg
  • Seen from the driver's seat, Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally24-18-09-2020.jpg
  • Rows of cars are parked in front of the stage to watch British Bass-baritone<br />
Paul Sheehan (playing Benoit) at the start of Puccini's La bohème, performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally13-18-09-2020.jpg
  • Seen from the driver's seat, British Soprano Nardus Williams plays Mimi in Puccini's La bohème, performed by English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally21-18-09-2020.jpg
  • The car park fills up before the technical rehearsal of Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally04-18-09-2020.jpg
  • The car park fills up before the technical rehearsal of Puccini's La bohème is performed by members of  English National Opera (ENO) as a drive-in (ENO Drive and Live) at Alexandra Palace, on 18th September 2020, in London, England. This is Europe's first live drive-in opera production that audiences can safely experience from their cars and ENO's first public performance since the closure of their West End Colisseum home venue, because of the Coronavirus pandemic lockdown in March. As per the latest government advice. Each bubbled group consists of; 34 members of the<br />
ENO Orchestra, 20 ENO Chorus members and 8 principals. Each bubble has its own individual crew to oversee their rehearsals and performances.
    ENO_Ally_Pally02-18-09-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-21-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-24-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-23-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-20-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-14-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-22-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-15-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-16-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-19-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-05-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-09-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-10-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-11-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-07-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-06-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-04-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-02-07-07-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-01-07-07-2020.jpg
  • Before the latest announcement by Boris Johnson, about a second Coronavirus pandemic lockdown, opera-lovers await the start of a rehearsal of the first socially-distanced performance by English National Opera (ENO) in the London Coliseum which has remained closed throughout summer, on 24th October 2020, in London, England. Musicians and singers on stage are separated appropriate to government restrictions and audience members are seated with same household groups. The Marriage of Figaro was ENO's last show on 14th March, and the Coliseum has stayed closed until now. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs (70% are at risk) so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. The 2,395-seat Coliseum (1904) is a Baroque revival (Wrenaissance) style theatre, built as one of West End's largest and most luxurious variety theatres.
    ENO_Coliseum01-24-10-2020.jpg
  • The empty auditorium of the London Coliseum, home of English National Opera ENO, remains closed for performances during the Coronavirus pandemic lockdown, on 7th July 2020, in London, England. The UK’s theatre ticket revenue contributes £1.28bn to the nation’s economy, in which there are 290,000 jobs 70% are at risk so the government has announced a financial rescue package for the Arts industry, a £1.15bn support for cultural organisations in England that is made up of £880m in grants and £270m of repayable loans. But theatre and opera companies such as ENO, whose last performance was The Marriage of Figaro on 14th March, will stay closed for the foreseeable future until there are changes in social distance and safety guidelines. The 2,395-seat Coliseum 1904 is a Baroque revival Wrenaissance style theatre, built as one of West Ends largest and most luxurious variety theatres.
    coronavirus_coliseum-12-07-07-2020.jpg
  • Inside a traditional Beijing courtyard house, Mr Chen Yun Jiang’s opera singer father’s ( Chen Yan Qiu), original travelling trunks which would contain his Opera costumes when he performed.
    chicourt_025_1.jpg
  • Detail of one of the beautifully-designed and ornate backroom staircase in the Palais Garnier, Paris. Original railings and stairs take dancers from their dressing rooms to other parts of the building, such as rehearsal rooms. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier.
    dorothee_gilbert186-05-06-2014_1.jpg
  • Detail of one of the beautifully-designed and ornate backroom staircase in the Palais Garnier, Paris. Original railings and stairs take dancers from their dressing rooms to other parts of the building, such as rehearsal rooms. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier.
    dorothee_gilbert184-05-06-2014_1.jpg
  • Detail of one of the beautifully-designed and ornate backroom staircase in the Palais Garnier, Paris. Original railings and stairs take dancers from their dressing rooms to other parts of the building, such as rehearsal rooms. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier.
    dorothee_gilbert182-05-06-2014_1.jpg
  • Detail of one of the beautifully-designed and ornate backroom staircase in the Palais Garnier, Paris. Original railings and stairs take dancers from their dressing rooms to other parts of the building, such as rehearsal rooms. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier.
    dorothee_gilbert321-05-06-2014_1.jpg
  • Detail of one of the beautifully-designed and ornate backroom staircase in the Palais Garnier, Paris. Original railings and stairs take dancers from their dressing rooms to other parts of the building, such as rehearsal rooms. The Palais Garnier is a 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier.
    dorothee_gilbert180-05-06-2014_1.jpg
  • Singer Maureen Brathwaite from the Birmingham Opera Company performs Hi Sam inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_C_006.jpg
  • Singer Stephen Bowen performs Thats just Life, isnt it? from the Birmingham Opera Company inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_B_012.jpg
  • Singer Maureen Brathwaite from the Birmingham Opera Company performs Hi Sam inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_028.jpg
  • Singer Alison Rose from the Birmingham Opera Company performs Freedom Bridge inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_020.jpg
  • Singer Alison Rose from the Birmingham Opera Company performs Freedom Bridge inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_019.jpg
  • Singer Maureen Brathwaite from the Birmingham Opera Company performs Hi Sam inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_C_005.jpg
  • Singer Alison Rose from the Birmingham Opera Company performs Freedom Bridge inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_C_004.jpg
  • Singer Maureen Brathwaite from the Birmingham Opera Company performs Hi Sam inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_B_013.jpg
  • Singer Maureen Brathwaite from the Birmingham Opera Company performs Hi Sam inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_031.jpg
  • Singer Maureen Brathwaite from the Birmingham Opera Company performs Hi Sam inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_029.jpg
  • Singer Maureen Brathwaite from the Birmingham Opera Company performs 'Hi Sam' inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom. (photo by Mike Kemp/In Pictures via Getty Images)
    20170923_birmingham weekender_A_030.jpg
  • Singer Stephen Bowen performs Thats just Life, isnt it? from the Birmingham Opera Company inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_027.jpg
  • Singer Stephen Bowen performs Thats just Life, isnt it? from the Birmingham Opera Company inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_026.jpg
  • Singer Stephen Bowen performs Thats just Life, isnt it? from the Birmingham Opera Company inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_025.jpg
  • Singer Stephen Bowen performs Thats just Life, isnt it? from the Birmingham Opera Company inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_024.jpg
  • Singer Alison Rose from the Birmingham Opera Company performs Freedom Bridge inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_022.jpg
  • Singer Stephen Bowen performs Thats just Life, isnt it? from the Birmingham Opera Company inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_023.jpg
  • Singer Alison Rose from the Birmingham Opera Company performs Freedom Bridge inside The Mailbox to an audience, during the Birmingham Weekender Arts And Culture Festival on 23rd September 2017 in Birmingham, United Kingdom.
    20170923_birmingham weekender_A_021.jpg
  • Red lips for the opera the Mikado and a rain-soaked red carpet that awaits crowds seeing the English National Operas opening night of Orpheus and Eurydice at the Coliseum on St. Martins Lane, on 1st October 2019, in London, England.
    ENO_carpet-10-01-10-2019.jpg
  • Interior shot of the historic Teatro Colon opera house which opened in 1908 in Buenos Aires. It is ranked the third best Opera house in the world by National Geographic, and is acoustically considered to be amongst the five best concert venues in the world.
    _MG_2709_1.jpg
  • Interior shot of the historic Teatro Colon opera house which opened in 1908 in Buenos Aires. It is ranked the third best Opera house in the world by National Geographic, and is acoustically considered to be amongst the five best concert venues in the world.
    _MG_2771_1.jpg
  • Interior shot of the historic Teatro Colon opera house which opened in 1908 in Buenos Aires. It is ranked the third best Opera house in the world by National Geographic, and is acoustically considered to be amongst the five best concert venues in the world.
    _MG_2659_1.jpg
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