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  • Serene face painted onto a small stone with the third eye stuck onto the bark of a tree in Moseley Bog in Birmingham, United Kingdom. The third eye is a mystical and esoteric concept of a speculative invisible eye, usually depicted as located on the forehead, which provides perception beyond ordinary sight.
    20201010_the third eye moseley bog_0...jpg
  • Serene face painted onto a small stone with the third eye stuck onto the bark of a tree in Moseley Bog in Birmingham, United Kingdom. The third eye is a mystical and esoteric concept of a speculative invisible eye, usually depicted as located on the forehead, which provides perception beyond ordinary sight.
    20201010_the third eye moseley bog_0...jpg
  • Serene face painted onto a small stone with the third eye stuck onto the bark of a tree in Moseley Bog in Birmingham, United Kingdom. The third eye is a mystical and esoteric concept of a speculative invisible eye, usually depicted as located on the forehead, which provides perception beyond ordinary sight.
    20201010_the third eye moseley bog_0...jpg
  • In a farmer's tool shed, a painted mural depicting B-24 Liberators sweeping over the cracked brick wall of what was once an officers’ mess at the WW2 Wendling airfield, Norfolk England. Below this scene of heroic military might, young officers flying Liberators of the 392nd Bomb Group gathered before and after raids into Germany from November 1943 to July 1945. The runway is now partly covered by a turkey farm and this building is now full of car and tractor parts. Picture from the 'Plane Pictures' project, a celebration of aviation aesthetics and flying culture, 100 years after the Wright brothers first 12 seconds/120 feet powered flight at Kitty Hawk,1903.
    aviation_corbis19-05-10-2000_1.jpg
  • Now an overgrown, mildew-ridden farm shack in woodland in Seething, Norfolk England, this wall mural was once one of the barracks housing 3,000 young World War 2 bomber crews so was probably painted by a young aspiring artist and aviator with the 448th Bomb Group, a fleet of bombers based in England from November 1943 to July 1945. The picture depicts a confrontation between US Air Force B-24 Liberators, a P-51 Mustang and probably a German Dornier. There are hairline cracks in the plaster but the yellow hue of the hand-painted wall is largely intact despite damp conditions in the shed. There are however, other artistic details now faded. Picture from the 'Plane Pictures' project, a celebration of aviation aesthetics and flying culture, 100 years after the Wright brothers first 12 seconds/120 feet powered flight at Kitty Hawk,1903.
    aviation_corbis18-05-10-2000_1.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Untitled Parabolic Lens 1971 by Fred Eversley.
    20181216_space shifters hayward_016.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Untitled 2016-7 by Helen Pashgian.
    20181216_space shifters hayward_017.jpg
  • Kate Moss installation by British based artist Chris Levine during his Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7149_1.jpg
  • Chris Levine’s highly acclaimed artworks Lightness of Being and Equanimity at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7109_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7481_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7340_1_1.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Non-Object Door, 2008, by Anish Kapoor.
    20181216_space shifters hayward_026.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. WeltenLinie 2017 by Alicja Kwade.
    20181216_space shifters hayward_019.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Narcissus Garden 1966–2018 by Yayoi Kusama.
    20181216_space shifters hayward_010.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Interactive Abstract Bodies Split Circle 2012 by Josiah McElheny.
    20181216_space shifters hayward_008.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. 20:50 1987 by Richard Wilson
    20181216_space shifters hayward_004.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. 20:50 1987 by Richard Wilson
    20181216_space shifters hayward_001.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-08-04-09-2018.jpg
  • British based artist Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7167_1.jpg
  • Innovative light artist, Chris Levine, presents ‘Silent Light’, an immersive laser and sound installation with the use of suspended crystals at The Gallery in Sketch London on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7164_1.jpg
  • British based artist Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7085_1.jpg
  • Chris Levine’s highly acclaimed artworks Lightness of Being and Equanimity at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form. (photo by Sam Mellish / Getty Images)
    SMP_7078_1.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. WeltenLinie 2017 by Alicja Kwade.
    20181216_space shifters hayward_021.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Interactive Abstract Bodies Split Ellipse, 2012 by Josiah McElheny.
    20181216_space shifters hayward_023.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Non-Object Door, 2008, by Anish Kapoor.
    20181216_space shifters hayward_022.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Interactive Abstract Bodies Split Ellipse, 2012 by Josiah McElheny.
    20181216_space shifters hayward_024.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Narcissus Garden 1966–2018 by Yayoi Kusama.
    20181216_space shifters hayward_012.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-18-04-09-2018.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-02-04-09-2018.jpg
  • British based artist Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7157_1.jpg
  • Kate Moss installation by British based artist Chris Levine during his Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7152_1.jpg
  • British based artist Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7099_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7437_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7310_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7294_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7241_1_1.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Non-Object Door, 2008, by Anish Kapoor.
    20181216_space shifters hayward_027.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. 360° Illusion V 2018 by Jeppe Hein.
    20181216_space shifters hayward_025.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. WeltenLinie 2017 by Alicja Kwade.
    20181216_space shifters hayward_018.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. WeltenLinie 2017 by Alicja Kwade.
    20181216_space shifters hayward_020.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Standing Walls, 1969/2016, by Larry Bell.
    20181216_space shifters hayward_014.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Standing Walls, 1969/2016, by Larry Bell.
    20181216_space shifters hayward_015.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Untitled golden by Felix Gonzales-Torres.
    20181216_space shifters hayward_009.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Grey Column, 2011 by DeWain Valentine.
    20181216_space shifters hayward_007.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Sky Mirror, Blue 2016 by Anish Kapoor.
    20181216_space shifters hayward_005.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. 20:50 1987 by Richard Wilson
    20181216_space shifters hayward_003.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-37-04-09-2018.jpg
  • An elderly lady walks slowly with her shopping trolley across a road on the Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-34-04-09-2018.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-12-04-09-2018.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-15-04-09-2018.jpg
  • Innovative light artist, Chris Levine, presents ‘Silent Light’, an immersive laser and sound installation with the use of suspended crystals at The Gallery in Sketch London on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7247_1.jpg
  • Resident DJ, Alex Gromadzki, during Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7188_1.jpg
  • British based artist Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7211_1.jpg
  • Innovative light artist, Chris Levine, presents ‘Silent Light’, an immersive laser and sound installation with the use of suspended crystals at The Gallery in Sketch London on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7165_1.jpg
  • Innovative light artist, Chris Levine, presents ‘Silent Light’, an immersive laser and sound installation with the use of suspended crystals at The Gallery in Sketch London on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7163_1.jpg
  • British based artist Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7118_1.jpg
  • British based artist Chris Levines Silent Light Christmas exhibition launch and cocktail evening at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7123_1.jpg
  • Chris Levine’s highly acclaimed artworks Lightness of Being and Equanimity at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7108_1.jpg
  • Chris Levine with Lightness of Being and Equanimity artwork at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form. (photo by Sam Mellish / Getty Images)
    SMP_7069_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7289_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7273_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7272_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7202_1_1.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Untitled golden by Felix Gonzales-Torres.
    20181216_space shifters hayward_006.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-35-04-09-2018.jpg
  • Innovative light artist, Chris Levine, presents ‘Silent Light’, an immersive laser and sound installation with the use of suspended crystals at The Gallery in Sketch London on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form.
    SMP_7166_1.jpg
  • Chris Levine with artwork at Sketch Mayfair on 15th November 2015 in London, United Kingdom. Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form. (photo by Sam Mellish / Getty Images)
    SMP_7075_1.jpg
  • John Thackara is founder and Director of The Doors of Perception (Doors). This event production company organises festivals in Europe and India in which grassroots innovators work with designers to imagine sustainable futures - and take practical steps to realize them.
    _O7F2064.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7237_1_1.jpg
  • A detail from a computer screen of the Skype icon. Seeing up close to the screen's surface, we see Skype's icon alongside Adobe Photoshop and iTunes in the Mac's Dock. The public's perception is that western governments are eroding their privacy so their distrust and suspicion leads them believe the confidential nature of internet browsing compromised.
    skype_icon01-21-01-2014.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7269_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7195_1_1.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Narcissus Garden 1966–2018 by Yayoi Kusama.
    20181216_space shifters hayward_013.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. Narcissus Garden 1966–2018 by Yayoi Kusama.
    20181216_space shifters hayward_011.jpg
  • Visitors interacting with artworks at the Space Shifters exhibition at the Hayward Gallery on 16th December 2018 in London, United Kingdom. The exhibit was a major group show of sculptures and installations that explored perception and space, featuring 20 artists. 20:50 1987 by Richard Wilson
    20181216_space shifters hayward_002.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-27-04-09-2018.jpg
  • An urban landscape on the soon-to-be demolished Aylesbury Estate, on 4th September 2018, in Southwark, London, England. The Aylesbury Estate contained 2,704 dwellings in approximately 7500 residents and built between 1963 and 1977 and for decades it was seen as a symbol of the failure of British social housing. There were major problems with the physical buildings on the estate and the poor perception of estates in Britain as a whole have led to the Aylesbury Estate gaining the title of one of the most notorious estates in the United Kingdom. Demolition is in progress for the regeneration of the Aylesbury Estate to consist of 3,500 new homes, 50% of which, according to Southwark council, will be affordable.
    aylesbury_estate-04-04-09-2018.jpg
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