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  • Area around Stratford in East London, home to the 2012 Olympic Games. Large scale sponsorship advertisement showing Usain Bolt for majoy corporate sponsor, VISA.
    20120724olympic sponsorship advertis...jpg
  • Area around Stratford in East London, home to the 2012 Olympic Games. Large scale sponsorship advertisement showing the stars of Team BG, for majoy corporate sponsor, Adidas
    20120724olympic sponsorship advertis...jpg
  • Area around Stratford in East London, home to the 2012 Olympic Games. Large scale sponsorship advertisement showing the stars of Team BG, for majoy corporate sponsor, Adidas
    20120724olympic sponsorship advertis...jpg
  • Area around Stratford in East London, home to the 2012 Olympic Games. Large scale sponsorship advertisement showing the stars of Team BG, for majoy corporate sponsor, Adidas
    20120724olympic sponsorship advertis...jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2424.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2420.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2288.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2246.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2231.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2219.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2204.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2189.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2185.jpg
  • 'BP or not BP' and 'Shell Out Sounds' make a joint intervention against the sponsorship by SHELL of the Rembrandt exhibition due to open the following day atthe National Gallery.  The intervention was about the sponsorship of oil money and the looming privatisation of British galleries. At one point the narrator of the show sings: ' Museum man, he bought their plan / to sell his staff to private hands / make deals with corporate monsters / like Shell the oily sponsor'. The show was cut short by staff and all were peacefully ejected from the lobby and into the street. The intervention was part of an ongoing campaign against oil sponsorship of British public institutions like the National Gallery and the Tate galleries.
    _MG_2348.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7481_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7437_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7340_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7310_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7294_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7273_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7269_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7202_1_1.jpg
  • Gilberto Torres, photographed outside the British Museum. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7953_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7916_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7675_1.jpg
  • Gilberto Torres hold up pictures of missing friends and colleagues, here it is Aury Sara Marrugo who was murdered in 2001. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7641_1.jpg
  • The BP character with oil around her mouth. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7628_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7616_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7593_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7561_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7548_1.jpg
  • The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7464_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7289_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7272_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7241_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7237_1_1.jpg
  • Liberate Tate perfoms an art intervention as a political statement against BP's continued sponsorship of the Tate galleries. Parts of their press release reads:  "Fifty veiled figures dressed in black today carried out a performance art installation entitled ‘Parts Per Million’ throughout a series of rooms in the ‘BP Walk Through British Art’ at Tate Britain during the art gallery’s official re-opening (Saturday 23 November 2013). The piece critiqued the role that Tate is playing in exacerbating climate change by bolstering the public perception of BP through its long-standing sponsorship relationship."
    IMG_7195_1_1.jpg
  • Gilberto Torres. The political activist theatre group BP-or-not-BP target the British Museum for taking sponsorship from the oil company BP. The group wants the museum to drop their sponsorship deal with BP. With them on stage is Gilberto Torres, from Colombia , who is taking BP to court over his kidnap and torture in Colombia in 2002 when he was a union representative.
    AB9A7659_1.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9830.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9776.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9525.jpg
  • Activists pretend to be Shell representatives defending their sposorship of the arts. Environmental political activists stage a performance at the National Gallery to protest against Shell's sponsorship of the gallery and the privatisation of the gallery staff.
    AB9A1854.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0086.jpg
  • London, UK. Thursday 9th August 2012. London 2012 Olympic Games Park in Stratford. Sponsorship by VISA at Westfield shopping centre.
    20120809olympic visa sponsor_D.jpg
  • London, UK. Thursday 9th August 2012. London 2012 Olympic Games Park in Stratford. Sponsorship by VISA at Westfield shopping centre.
    20120809olympic visa sponsor_A.jpg
  • London, UK. Thursday 9th August 2012. London 2012 Olympic Games Park in Stratford. Sponsorship by VISA at Westfield shopping centre.
    20120809olympic visa sponsor_C.jpg
  • London, UK. Thursday 9th August 2012. London 2012 Olympic Games Park in Stratford. Sponsorship by VISA at Westfield shopping centre.
    20120809olympic visa sponsor_B.jpg
  • London, UK. Thursday 9th August 2012. London 2012 Olympic Games Park in Stratford. Coca Cola sponsorship on the walkway.
    20120809olympic coca cola sponsor_B.jpg
  • London, UK. Thursday 9th August 2012. London 2012 Olympic Games Park in Stratford. Coca Cola sponsorship on the walkway.
    20120809olympic coca cola sponsor_A.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9858.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9836.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9813.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9737 1.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9630.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9639.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9521.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9400.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A9383.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0141.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0058.jpg
  • The artist activist group Bp-or-not-Bp stage a ceremonial performance at the British Museum 26th of November 2016 in Lonon, the United Kingdom. The performance which ran over several hours highlighted the impact of climate change across the world both present and in the future. The intervention was in protest against the continued sponsorship of the museum by the oil company BP.
    AB9A0048.jpg
  • Team Momentus from The Gryphon School in Dorset: (from left) Tom Long, 19, Matthew Bugler,18, and Nathan Riley,17, explore the aerodynamics of their F1 car with their home-made computer-controlled wind tunnel. <br />
<br />
Racing model cars made of balsa wood, finding big money sponsorship and solving Tricky physics problems are all in a day’s work for the children taking part in the global F1 in schools project. A technology challenge in which children use computers to design, test and build miniature Formula 1 cars
    F1inschools_1.jpg
  • Team Momentus from The Gryphon School in Dorset: (from left) Tom Long, 19, Matthew Bugler,18, and Nathan Riley,17, explore the aerodynamics of their F1 car with their home-made computer-controlled wind tunnel. <br />
<br />
Racing model cars made of balsa wood, finding big money sponsorship and solving Tricky physics problems are all in a day’s work for the children taking part in the global F1 in schools project. A technology challenge in which children use computers to design, test and build miniature Formula 1 cars
    f1in schools24_1.jpg
  • Thomas Simpson explores the lines of a Prototype miniature formula 1 car during a team Pulse development session at Devonport high school, Plymouth. <br />
<br />
Racing Model cars made of balsa wood, finding big money sponsorship and solving Tricky physics problems are all in a day’s work for the children taking part in the global F1 in schools project. A technology challenge in which children use computers to design, test and build miniature formula 1 cars.
    F1_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6821_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6805_1_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6775_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6756_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6751_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6693_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6617_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6601_1.jpg
  • The Reclaim Shakespeare Company did four performances in the court yard of the British Museum supported by a large flash-mob  audience. The company is made up of activists who wants The Royal Shakespeare company stop accepting sponsorship from the oil company BP. BP also sponsor the Tate museums and the British Museum. The flashmob was organised by the anti-oil activist groups The Reclaim Shakespeare Company,<br />
Rising Tide, Liberate Tate, the UK Tar Sands Network and Art Not Oil. The Royal Shakespeare Company has publicly announced they will stop their partnership with BP and the performance was therefor the last by the Reclaim the Shakespeare Company activists after a long run of successful interventions.
    IMG_6559_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
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  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8832_1.jpg
  • Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8816_1.jpg
  • A pelican is about to drown in an oil slick made out of black umbrellas running down the steps in the Museum. Reverend Billy and the art activist group Bp or not BP call out for the British Museum to stop accepting corporate sponsorship from the oil company BP at the British Museum and to an end to the use of fossil fuels.
    AB9A8566_1.jpg
  • The art activist protest group Bp-or-not-Bp make an artistic intervention at the British Museum to highlight the fact that the oil company BP sponsors a show called Sunken Cities at the Museum May 17 2016. (photo by Kristian Buus/In Pictures via Getty Images) School children visiting the museum learn about the implications of BP's sponsorship and get to see the crude oil from the Mixican Guld oil dissaster. The press release states:  "The lines of stones in the artwork represent the 340 people forcibly disappeared in the four months prior to BP signing a $12bn dollar deal with the Sisi regime – a rehash of a deal it had made with the Mubarak regime. The total number disappeared under the Sisi regime may run into thousands. [3] Teargas is a weapon that was used both to repress popular protest in Tahrir Square during the revolution but also those who actively opposed BP’s operations in the country. "
    AB9A8079.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1977.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1967.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1844.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1789.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1735.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1723.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1706.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1554.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1544.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1541.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1538.jpg
  • Bp-or-not-Bp stage a splash mob dressed as merfolk at the British Museum in protest against the continued sponsorship by the oil company Bp, in particular against  the sponsorhsip of the exhibition 'Sunken Cities". Merfolk getting ready to perfom. The merfolk sang and performed around the museum with placards rejoycing BP and the rising sea levels because as merfolk they will benefit from climate change. The public were invited to add their thoughts on future sunken cities around the world and to participate in the ongoing debate on oil and climate change. (photo by Kristian Buus/In Pictures via Getty Images)
    AB9A1523.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1465.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1456.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1401.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1387.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1321.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1284.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1245 1.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1232.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1205.jpg
  • Bp-or-not-BP stage a splash mob art intervention at the British Museum in protest against the continued BP sponsorship of the exhibition Sunken Cities 25th of September 2016.  A flock of merfolk and BP pirates roamed the museum as well as a kraken, a giant sea monster. The merfolk all advocate more oil explorationa dn more climate change to raise the sea levels and make their life better.
    AB9A1183.jpg
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