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  • A portrait of a mother in her 41st year has been gathering heather in handfuls and holds up her young child who grins towards his father who is taking the picture at a park near the Essex seaside town of Southend. It is the summer of 1960 and the mum's dress is styled from the previous decade: blue with white spots and pearl necklace. She too is smiling as she grasps the flowers and her child on a warm day. Oddly, the boy looks as though he is wearing a girl's dress which may have been a hand-me-down from an older sibling or just the trend then.
    family_archive2315-06_1960_1.jpg
  • Undressed female mannequins, awaiting latest clothing show body forms and proportions in a central London street. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    retail_window06-04-02-2015_1.jpg
  • Undressed female mannequins, awaiting latest clothing show body forms and proportions in a central London street. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    retail_window08-04-02-2015_1.jpg
  • A tourist takes a selfie near a Francesco Goya portrait of Don Tiburcio Pérez y Cuervo, the Architect, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery. Paintings by the Spanish romantic court artist are being exhibited inside the National Gallery next door and while a large grey hoarding is in place during works in Trafalgar Square, some of Goya's work is reproduced to viewers outside. Tourists to this central landmark in the capital stop and take photos and this selfie girl faces the Goya but seemingly ignores the high art in favour of a fleeting moment with her smartphone - symbolising the disposable and unthinking nature of tourism and travel.
    street_people14-08-10-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London. High street styles and fashions are on display here, showing a sexist representation of how women might appear. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    sexist_mannequins07-10-02-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London. High street styles and fashions are on display here, showing a sexist representation of how women might appear. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    sexist_mannequins06-10-02-2015.jpg
  • Shoppers in front of a window display featuring swimwear in Topshop's Oxford Street store in central London. Prominent pink rectangles dominate the landscape in front of this popular shop on London's busy shopping street in the capital's West End. Couples consult a map and the content on a phone on this warm midsummer day.
    oxford_street01-04-06-2015.jpg
  • Londoners carry boxes beneath the panels of a large poster for the H&M clothing brand on Regent Street, London. The faces of females and males model look out towards the street in the shopping area north of Oxford Circus where many branded shops line Regent Street. Modelling affordable street fashion we see young, beautiful people represented on the billboard, their clothes all perfect and stylish while the realities of ordinary folk are below.
    models_billboard02-25-04-2013.jpg
  • Peeled and torn poster showing remains of woman's face and features in Soho, central London. The eyes of a female model peer through the layers of torn paper in a small street in the capital - a vandalised version of what was once an expensive advertising campaign reduced to litter and waste. The resulting image seems almost abstract, an artistic statement of dystopia and finality.
    female_media02-20-05-2015_1.jpg
  • 1990s children play near a display of wartime Brits during 1995 VE Day 50th anniversary celebrations in London. Two girls wearing identical pink costumes with hearts stand near the poster of the happy wartime couple. In the week near the anniversary date of May 8, 1945, when the World War II Allies formally accepted the unconditional surrender of the armed forces of Germany and peace was announced to tumultuous crowds across European cities, the British still go out of their way to honour those sacrificed and the realisation that peace was once again achieved. Street parties now – as they did in 1945 – played a large part in the country’s patriotic well-being.
    Uk_generations-06-05-1995_1.jpg
  • A man on the street reads about a portrait by Francesco Goya, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery. The portrait is of Bartolomé Sureda y Miserol and is owned by the National Gallery of Art in Washington DC. Standing awkwardly to echo the leaning stance of Goya's subject, the man reads the caption and other details of the artistic work, appreciating its beauty and informative descriptions. Paintings by the Spanish romantic court artist are being exhibited inside the National Gallery next door and while a large grey hoarding is in place during works in Trafalgar Square, some of Goya's work is reproduced to viewers outside.
    street_people24-08-10-2015.jpg
  • Two young woman listen to a busker beneath a portrait of the Countess-Duchess of Benavente by Francesco Goya (1885), work sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery. In a scene about the ordinary girl's life in the 21st century versus that of an aristcratic woman. Doña María Josefa Alonso-Pimentel y Téllez-Girón, Duchess of Osuna, Grandee of Spain, suo jure 15th Countess-12th Duchess of Benavente, Grandee of Spain (1752 - 1834) was a Spanish aristocrat, famous for her patronage of artists, writers and scientists and who died at the age of 81.
    street_people34-08-10-2015.jpg
  • A tourist to Britain takes a photo with a modern handheld device near potraits by the Spanish romantic artist Francesco Goya, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery. The portraits are from the left: Countess-Duchess of Benavente; Bartolome Sureda y Miserol and The Dowager Marchioness of Villafranca. Paintings by Goya are exhibited inside the National Gallery next door and while a large grey hoarding is in place during works in Trafalgar Square, some of Goya's work is reproduced to viewers outside. Tourists to this central landmark in the capital stop and take photos and this selfie girl faces the Goya but seemingly ignores the high art in favour of a fleeting moment with her smartphone - symbolising the disposable and unthinking nature of tourism and travel.
    street_people22-08-10-2015.jpg
  • A tourist takes a selfie near a Francesco Goya portrait of Don Tiburcio Pérez y Cuervo, the Architect, sponsored by Credit Suisse and advertised on a construction hoarding outside the National Portrait Gallery. Paintings by the Spanish romantic court artist are being exhibited inside the National Gallery next door and while a large grey hoarding is in place during works in Trafalgar Square, some of Goya's work is reproduced to viewers outside. Tourists to this central landmark in the capital stop and take photos and this selfie girl faces the Goya but seemingly ignores the high art in favour of a fleeting moment with her smartphone - symbolising the disposable and unthinking nature of tourism and travel.
    street_people10-08-10-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London. High street styles and fashions are on display here, showing a sexist representation of how women might appear. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    sexist_mannequins08-10-02-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London. High street styles and fashions are on display here, showing a sexist representation of how women might appear. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    sexist_mannequins05-10-02-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London. High street styles and fashions are on display here, showing a sexist representation of how women might appear. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    sexist_mannequins04-10-02-2015.jpg
  • Mannequins of women show a sexist stereotype of their gender, outside a clothing business in south London. High street styles and fashions are on display here, showing a sexist representation of how women might appear. As proof of how the fashion and retail industries see the perfect woman's form, we see a skinnier look, the proportions of a curvy rather than a rounded female shape. Womens' groups however see this as unrepresentative, undermining how women see themselves portrayed accurately in the shop window and therefore in everyday life.
    sexist_mannequins03-10-02-2015.jpg
  • An optician's window ad faces and spectacles display in central London. We look through the window of this Soho optometrist's business and see rows of stylish glasses and sunglasses on glass shelves in the background while in the foreground are the large faces of a modern, young and good-looking man and woman both wearing male and female frames.
    opticians_window01-06-03-2014.jpg
  • A shop assistant arranges male mink coats on sale from a rack on the shop floor of the Knightsbridge Harrods department store, on 17th March 1991, in London, England.
    mink_furs-22-03-1991.jpg
  • The shape of a red heart seen against a mannequin's dress in New Bond Street, central London. The detail of the mannequin's dress and top are in the background of the out of focus heart, the human organ seen in its proper place on the body. Representing the human soul or humanity itself, it is a scene of fashion, the beating heart and of affection and fondness.
    heart_woman02-21-05-2015_1.jpg
  • As two passers-by walk into the city scene, two more Londoners stand beneath the panels of a large poster for the H&M clothing brand on Regent Street, London. The faces of female and one male model look out towards the street in the shopping area north of Oxford Circus where many branded shops line Regent Street. Modelling affordable street fashion we see young, beautiful people represented on the billboard, their clothes all perfect and stylish while the realities of ordinary folk are below.
    H&M_poster02-23-04-2013_1.jpg
  • Peeled and torn poster showing remains of woman's face and features in Soho, central London. The eyes of female models peer through the layers of torn paper in a small street in the capital - a vandalised version of what was once an expensive advertising campaign reduced to litter and waste. The resulting image seems almost abstract, an artistic statement of dystopia and finality.
    female_media04-20-05-2015_1.jpg
  • Two laughing young women pause to admire their photos on the steps of Royal Exchange, on 9th December 2016, in the City of London, England.
    cornhill_girls-02-09-12-2016.jpg
  • A young man on a motorbike, Shinagawa district Tokyo, Japan
    SFE_011103_0023.jpg
  • An Asian tourist poses for her own camera while seated on a bench, on 18th January 2017, near Parliament Square, London England.
    westminster-05-18-01-2017.jpg
  • Two young women take a selfie overlooking the River Thames on Londons Southbank with the Palaces of Westminster and Queen Elizabeth Tower containing Big Ben bell in the background. With their smartphone outstretched to take in the panoramic view behind them, the girls smile into the lens with the famous Westminster landmark on the opposite bank of the river. 17.4 million tourists visit the UK capital 2014.
    westminster_selfie01-28-04-2016.jpg
  • Women walk past a giant ad mural for Hollister California of a bare-chested young male model. The large image of the model wearing only swimwear and a whistle is seen to the full height of the billboard that obscures the construction site behind of the newest addition to the Regent Street clothing brand. The two rather plain looking women walk past without noticing the perfect male form whose torso with pectoral and abdominal muscles, perhaps more interested in getting home rather than admiring the young man above. This is a scene of handsome male youth, the perfect specimen displayed large and prominent for a female (or gay) audience.
    male_mural09-22-03-2012.jpg
  • Women walk past a giant ad mural for Hollister California of a bare-chested young male model, carrying Abercrombie shopping bags. The large image of the model wearing only swimwear and a whistle is seen to the full height of the billboard that obscures the construction site behind of the newest addition to the Regent Street clothing brand. The two pretty girls walk past without noticing the perfect male form whose torso with pectoral and abdominal muscles, perhaps more interested in getting home rather than admiring the young man above. This is a scene of handsome male youth, the use of the perfect specimen displayed in the ad industry, here seen large and prominent for a female (or gay) audience.
    male_mural06-22-03-2012.jpg
  • A woman and her selfie stick stands in front of the broad message on a hoarding announcing the next major exhibition by Delacroix at the National Gallery in London. As a scene of the classic and contemporary Art and Culture, we see the two juxtaposed on the pavement of a modern capital city. In the background is a homeless man, seemingly asleep on the ground, beneath the large lettering announcing the major exhibition. Ferdinand Victor Eugène Delacroix (1798 – 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school
    delacroix_hoarding20-28-01-2016_1.jpg
  • Three blue-suited businessmen walk along a City of London street holding identical blue spiral-bound notebooks. The three gentlemen are possibly en-route to a nearby city meeting, using the same stationery issued by the boss or from the office supplies cupboard. The moment is faintly comical as the men wear almost identical suits with similar shades of blue, popular among young city workers in 2015.
    blue_suits02-10-06-2015.jpg
  • Three blue-suited businessmen walk along a City of London street holding identical blue spiral-bound notebooks. The three gentlemen are possibly en-route to a nearby city meeting, using the same stationery issued by the boss or from the office supplies cupboard. The moment is faintly comical as the men wear almost identical suits with similar shades of blue, popular among young city workers in 2015.
    blue_suits01-10-06-2015.jpg
  • A Chinese youth wearing a Mao shirt photographed in Shanghai, China on 27 July 2009.
    QS090727Shanghai002.jpg
  • A punk girl in a Tokyo park, Harajuka district, Tokyo, Japan
    SFE_011103_0019.jpg
  • A Muslim mother and son walk past a giant ad mural for Hollister California of a bare-chested young male model, a clash of western and eastern cultures. The large image of the model wearing only swimwear and a whistle is seen to the full height of the billboard that obscures the construction site behind of the newest addition to the Regent Street clothing brand. The lady and child walk past ignoring the sexuality of this ad, increasingly seen in UK media. It shows a handsome male youth and the use of the perfect specimen is displayed on the street more and more, seen here large and prominent for a female (or gay) audience while concentrating our attention on a the clashes of a multicultural Britain.
    male_mural10-22-03-2012.jpg
  • Three blue-suited businessmen walk along a City of London street holding identical blue spiral-bound notebooks. The three gentlemen are possibly en-route to a nearby city meeting, using the same stationery issued by the boss or from the office supplies cupboard. The moment is faintly comical as the men wear almost identical suits with similar shades of blue, popular among young city workers in 2015.
    blue_suits03-10-06-2015.jpg
  • Seen from an aerial viewpoint which gives a perspective of deserted housing and empty roads, Jill Parmeter plays post woman. She is a resident of the experimental community village of Poundbury, Dorset, England. Delivering her own newsletter from door-to-door, she crosses Netherton Street and Tinten Lane to post her local news to residents and friends. The roads are empty of cars- nor is there anyone else to talk to. It is as if this community has vanished, leaving her alone. Poundbury is the visionary model village that Charles, Prince of Wales sought to develop in 1993 as a successful and pioneering town near Dorchester, built on land owned by his own Duchy of Cornwall, challenging otherwise poor post-war trends in town planning and to some extent following the New Urbanism concept from the US except that the design influences are European.
    poundbury06-07-06_2003.jpg
  • Emma and Martin are a young professional couple living in the experimental community village of Poundbury, Dorset, England. Sitting in their landscaped rear garden the married couple have their portrait taken against a high concrete wall that serves as their property's back boundary. The roofs of neighbouring homes appear over this partition and young tree saplings are fastened to a stake. Poundbury is the visionary model village that the Charles, Prince of Wales sought to develop in 1993 as a successful and pioneering town near Dorchester, built on land owned by his own Duchy of Cornwall, challenging otherwise poor post-war trends in town planning and to some extent following the New Urbanism concept from the US except that the design influences are European.
    poundbury02-07-06_2003.jpg
  • Detail of a portable computer unit showing 'Power ISR' (Intelligence, Surveillance and Reconnaissance) technology, exhibited at the Farnborough Air Show, England. This portable hardware technology the size of a suitcase is used by intelligence communities to exploit surveillance data - putting it into the hands of defence personnel in the field. The picture shows the analysis of social media (Twitter) trends using keyworded metadata to find terrorist and criminal threats. Data is provided by Google and a BAE Systems airbourne sensor platform flying at 18,000 feet. THIS MATERIAL IS UNCLASSIFIED WITH PERMISSION FOR PUBLICATION GIVEN FROM BAE SYSTEMS MANAGERS. MORE INFO ON REQUEST.
    farnborough_air_show37-17-07-2014.jpg
  • Two businessmen pass-by a slogan about the future of the aviation industry written on a red hoarding at Britain's Farnborough Air Show, Hampshire, England. "What aviation needs is a giant leap forward" it says on a deep red background, next to a door that has also been covered in the primary colour. A pole vaulter is about to leap across the picture to prove the giant momentum needed to spring aviation into the future. The Air Show is one of Europe's premier aviation show events, attracting global companies selling aerospace equipment and enthusiasts who watch daily flying displays. It is seen as a thermometer for current innovation and future trends.
    farnborough_air_show16-14-07-2008_1.jpg
  • Shop mannequins await dressing and styling in a central London window. Limbs and heads populate the retail space in the early evening as an assistant is about to restyle the shop display. None have clothing nor wigs - and in one case, no arms either making a comical scene of retail, business and trends of proportions of what the industry considers normal and acceptable sizes of humanity.
    shop_mannequins01-19-03-2015_1.jpg
  • Seen from behind as they stop at dotted give-way lines on this empty road junction, we see a strange perspective of deserted housing and empty roads, Jen West and her elderly wheelchair-bound mother Margaret - both residents of the experimental community village of Poundbury, Dorset, England. As if they are pedestrians about cross a busy highway, it is an incongruous scene of irony. Poundbury is the visionary model village that Charles, Prince of Wales sought to develop in 1993 as a successful and pioneering town near Dorchester, built on land owned by his own Duchy of Cornwall, challenging otherwise poor post-war trends in town planning and to some extent following the New Urbanism concept from the US except that the design influences are European.
    poundbury05-07-06_2003.jpg
  • On its regular morning walk and wearing a matching red coat as its owner, a small dog exercises in Holmead Road in the experimental community village of Poundbury, Dorset, England. As the mutt looks at the camera, the man waits for him to stop sniffing around before moving on. The pair stand on crunchy gravel, a deterrent for would-be thieves who might be tempted to this small town where middle-class residents live. Poundbury is the visionary model village that Charles, Prince of Wales sought to develop in 1993 as a successful and pioneering town near Dorchester, built on land owned by his own Duchy of Cornwall, challenging otherwise poor post-war trends in town planning and to some extent following the New Urbanism concept from the US except that the design influences are European.
    poundbury04-07-06_2003.jpg
  • A secure fence deters young children from entering and playing in the new (but as yet unused) playground in the experimental community village of Poundbury, Dorset, England. The new swings and mini-roundabout can be seen through the wire in the foreground while the safe surfaces of wood-chip ensures the little ones are protected from falls on to hard surfaces. Poundbury is the visionary model village that Charles, Prince of Wales sought to develop in 1993 as a successful and pioneering town near Dorchester, built on land owned by his own Duchy of Cornwall, challenging otherwise poor post-war trends in town planning and to some extent following the New Urbanism concept from the US except that the design influences are European.
    poundbury03-07-06_2003.jpg
  • Showing a Neighbourhood Watch sticker to discourage crime, a map and various by-laws, the Resident's Association Information Board is attached to a brick wall on Middlemarsh Street in the experimental community village of Poundbury, Dorset, England. The wooden case needs treating and the glass needs wiping but there is a feeling of security and of a close and friendly community. Poundbury is the visionary model village that Charles, Prince of Wales sought to develop in 1993 as a successful and pioneering town near Dorchester, built on land owned by his own Duchy of Cornwall, challenging otherwise poor post-war trends in town planning and to some extent following the New Urbanism concept from the US except that the design influences are European.
    poundbury01-07-06_2003.jpg
  • Detail of a portable computer unit showing 'Power ISR' (Intelligence, Surveillance and Reconnaissance) technology, exhibited at the Farnborough Air Show, England. This portable hardware technology the size of a suitcase is used by intelligence communities to exploit surveillance data - putting it into the hands of defence personnel in the field. The picture shows the analysis of social media (Twitter) trends using keyworded metadata to find terrorist and criminal threats. Data is provided by Google and a BAE Systems airbourne sensor platform flying at 18,000 feet. THIS MATERIAL IS UNCLASSIFIED WITH PERMISSION FOR PUBLICATION GIVEN FROM BAE SYSTEMS MANAGERS. MORE INFO ON REQUEST.
    farnborough_air_show38-17-07-2014.jpg
  • Detail of a portable computer unit showing 'Power ISR' (Intelligence, Surveillance and Reconnaissance) technology, exhibited at the Farnborough Air Show, England. This portable hardware technology the size of a suitcase is used by intelligence communities to exploit surveillance data - putting it into the hands of defence personnel in the field. The picture shows the analysis of social media (Twitter) trends using keyworded metadata to find terrorist and criminal threats. Data is provided by Google and a BAE Systems airbourne sensor platform flying at 18,000 feet. THIS MATERIAL IS UNCLASSIFIED WITH PERMISSION FOR PUBLICATION GIVEN FROM BAE SYSTEMS MANAGERS. MORE INFO ON REQUEST.
    farnborough_air_show39-17-07-2014.jpg
  • The fashionable styles of menswear suits worn by shop mannequins and discounted by 50% in the window of an Oxford Street window, on 24th August 2016, in London, UK. The trend at the moment is for slim-fitting suits with a shine giving them a 1960s retro look work by young millennial men in Britain.
    last_day-01-24-08-2016.jpg
  • A chaotic mess of bikes and bike racks are left on the pavement 29th January 2016. Some bits have been stolen, others just dismantled. Riding bikes in London is a growing trend and mode of transport.
    AB9A0196_1.jpg
  • A flower rainbow at dawn showing support for the NHS staff outside UCL hospital during the coronavirus pandemic on the 10th May 2020 in London, United Kingdom. Researchers at University College London warn the risk of death if you have an underlying health conditions is five times higher so the team created the coronavirus calculator to let individuals see how at risk they are. Rainbows are used as a symbol of peace and hope as they often appear when the sun follows a heavy rainfall. They serve to remind us that there is hope and light to follow even after dark times. The current trend appears to have started in Italy but has also been adopted by the US, Canada and Spain, where people have adorned their windows and balconies with colourful pictures.
    _E6A1131.jpg
  • The Brazen Head closed down pub in London, England, United Kingdom. Due to the economic downturn many pubs like this one are now boarded up. Other factors in the demise of some pubs are increased rental rates, lower disposable income and the smoking ban, while the trend towards wine drinking, and competition from off-licences and supermarkets has also hit pubs, especially those who concentrate on beer sales.
    20170107_closed pub_001.jpg
  • The Newman Arms closed down pub in London, England, United Kingdom. Due to the economic downturn many pubs like this one are now boarded up. Other factors in the demise of some pubs are increased rental rates, lower disposable income and the smoking ban, while the trend towards wine drinking, and competition from off-licences and supermarkets has also hit pubs, especially those who concentrate on beer sales.
    20180331_closed down pub_001.jpg
  • Hostile street architecture designed to prevent homeless people sittind, standing or sleeping in London, England, United Kingdom. Hostile architecture is a controversial urban design trend in which public spaces are constructed or altered to discourage people from using them in a way not intended by the owner. Also known as unpleasant design, defensive architecture, or defensive urban design it is most typically associated with aggression against the homeless in the form of ‘anti-homeless spikes’ studs embedded in flat surfaces to make sleeping rough and impractical. Hostile architecture often targets the citys most vulnerable, both intentionally through anti-loitering and anti-skateboarding measures and unintentionally by making the cityscape hostile to all parts of the public.
    20180128_hostile architecture_002.jpg
  • Hostile street architecture designed to prevent homeless people sittind, standing or sleeping in London, England, United Kingdom. Hostile architecture is a controversial urban design trend in which public spaces are constructed or altered to discourage people from using them in a way not intended by the owner. Also known as unpleasant design, defensive architecture, or defensive urban design it is most typically associated with aggression against the homeless in the form of ‘anti-homeless spikes’ studs embedded in flat surfaces to make sleeping rough and impractical. Hostile architecture often targets the citys most vulnerable, both intentionally through anti-loitering and anti-skateboarding measures and unintentionally by making the cityscape hostile to all parts of the public.
    20180128_hostile architecture_001.jpg
  • Closed down boarded up and run down, The Old Rose pub on The Highway in East London on 24th February 2020 in London, United Kingdom. Due to the economic downturn many pubs like this one are now boarded up. Other factors in the demise of some pubs are increased rental rates, lower disposable income and the smoking ban, while the trend towards wine drinking, and competition from off-licences and supermarkets has also hit pubs, especially those who concentrate on beer sales.
    20200224_closed pub_001.jpg
  • The fashionable styles of menswear suits worn by shop mannequins and discounted by 50% in the window of an Oxford Street window, on 24th August 2016, in London, UK. The trend at the moment is for slim-fitting suits with a shine giving them a 1960s retro look work by young millennial men in Britain.
    last_day-03-24-08-2016.jpg
  • The fashionable styles of menswear suits worn by shop mannequins and discounted by 50% in the window of an Oxford Street window, on 24th August 2016, in London, UK. The trend at the moment is for slim-fitting suits with a shine giving them a 1960s retro look work by young millennial men in Britain.
    last_day-02-24-08-2016.jpg
  • Ten weeks after the UK went into Coronavirus pandemic lockdown, the Office for National Statistics reveal that the total death toll has passed 50,000 covid-19 victims, and the economy continues a downward trend, clothing mannequins lie horizontal on the shop floor of a closed retailer in the borough of Southwark, on 2nd June 2020, in London, England.
    coronavirus_southwark-16-02-06-2020.jpg
  • Ten weeks after the UK went into Coronavirus pandemic lockdown, the Office for National Statistics reveal that the total death toll has passed 50,000 covid-19 victims, and the economy continues a downward trend, Londoners walk past outside where clothing mannequins sit on a sofa on the shop floor of a closed retailer in the borough of Southwark, on 2nd June 2020, in London, England.
    coronavirus_southwark-15-02-06-2020.jpg
  • Ten weeks after the UK went into Coronavirus pandemic lockdown, the Office for National Statistics reveal that the total death toll has passed 50,000 covid-19 victims, and the economy continues a downward trend, Londoners walk past outside where clothing mannequins sit on a sofa on the shop floor of a closed retailer in the borough of Southwark, on 2nd June 2020, in London, England.
    coronavirus_southwark-11-02-06-2020.jpg
  • Ten weeks after the UK went into Coronavirus pandemic lockdown, the Office for National Statistics reveal that the total death toll has passed 50,000 covid-19 victims, and the economy continues a downward trend, Londoners walk past outside where clothing mannequins sit on a sofa on the shop floor of a closed retailer in the borough of Southwark, on 2nd June 2020, in London, England.
    coronavirus_southwark-08-02-06-2020.jpg
  • Ten weeks after the UK went into Coronavirus pandemic lockdown, the Office for National Statistics reveal that the total death toll has passed 50,000 covid-19 victims, and the economy continues a downward trend, Londoners walk past outside where clothing mannequins sit on a sofa on the shop floor of a closed retailer in the borough of Southwark, on 2nd June 2020, in London, England.
    coronavirus_southwark-10-02-06-2020.jpg
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