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  • Honeymooners cuddle in front of other passengers before their round-the-world adventure, leaving from Heathrow Airport's Terminal 5B. The couple are seen embracing at the departure gate as the remaining air travellers filter through the last security checks and board their long-haul flight. The young lady has a look of contentment on her face, the look of happiness and comfort in the arms of her new husband and they hug with all the affection of young love and trust. Another passenger grins in their direction during this show of devotion. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009).
    heathrow_airport1524-19-08-2009_1.jpg
  • Amid the hectic arrivals concourse of Heathrow airport's Terminal 5, a young couple kiss and hold on to each other after a few weeks separation when the girl took a family holiday away from her boyfriend who needed to work here in London. They have clearly missed each other after such a short break from each other but are otherwise oblivious to the crowds that surround them in this busy international airport. The boy holds the girl's bottom in a display of sexuality that is frowned upon in other cultures where open sexual behaviour is taboo. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009).
    heathrow_airport601-15-07-2009_1.jpg
  • A mature romantic couple cuddle in a London street. As late sun throws the shadows of large London Plane trees across the walls of the South African Embassy in the capital’s Trafalgar Square, the man and woman seem oblivious to all else about them except their own private space. The lady’s head is angled to one side before another smooch, her long legs and smart clothes evident of an evening date in the city. The classic kiss on a street corner.
    lovers_cuddle01-03-03-2011.jpg
  • Honeymooners cuddle in front of their Boeing 747-400 that will soon take them on a round-the-world adventure, leaving from Heathrow Airport's Terminal 5B. The couple are seen as silhouettes against the natural light of the large plate glass windows. As the aircraft is readied and before the flight's air travellers are called to the departure gate, the young man and woman put their heads imagining what new things they will see as their airliner is about to transport them to experience new cultures and possibly a new life. In the background, we see other jets that are parked in their respective jetties across the main movement area, the apron. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009).
    heathrow_airport1521-19-08-2009_1.jpg
  • A departing lover hugs her boyfriend farewell before her long-haul flight in the Departures concourse at. Heathrow Airport's Terminal 5. While embracing her young man, she gazes off into the distance amid the otherwise busy airport terminal where the emotions of parting as well as the joys of reunited loved-ones are played out in various parts of aviation hubs around the world. They are both in their own worlds, removed from the noise and confusion of other passengers. Her departure is brief and yet their sadness of being separated is plainly too much to bear. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009).
    heathrow_airport1483-19-08-2009_1.jpg
  • Amid the hectic arrivals concourse of Heathrow airport's Terminal 5, a young couple hold on to each other tight after a few weeks separation when the girl took a family holiday away from her boyfriend who needed to work here in London. They have clearly missed each other after such a short break from each other but are otherwise oblivious to the crowds that surround them in this busy international airport. They embrace with genuine affection for each other in a display of sexual freedom that is otherwise seen as a taboo in other countries. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009).
    heathrow_airport602-15-07-2009_1.jpg
  • Passers-by walk past the oversized artwork of a hand bag accessory entitled 'Bag of Aspirations' (2019) by the Greek artist Kalliopi Lemos (b1951) located on New Bond Street, on 30th October 2020, in London, England.
    bag_art01-30-10-2020.jpg
  • Young adolescent couples kiss and cuddle in a dark corner of a Gatecrashers' Ball in London, England. Three boys and girls dressed in formal evening-wear have been consuming alcohol during the evening and are groping and snogging. The Gatecrasher Ball was an eighties phenomenon conceived by Edward Ormus Sharington Davenport whose parties catered for Public School students. Labled as excessive and out of control events, Davenport charged <br />
£14 a ticket, for often 3,000 kids although he was later fined for tax evasion.
    RB_031-17-12-1987.jpg
  • A mature romantic couple cuddle in a London street. As late sun throws the shadows of large London Plane trees across the walls of the South African Embassy in the capital’s Trafalgar Square, the man and woman seem oblivious to all else about them except their own private space. The lady’s head is angled to one side before another smooch, her long legs and smart clothes evident of an evening date in the city. The classic kiss on a street corner.
    lovers_kiss01-03-03-2011.jpg
  • A young couple gaze out towards the city of Edinburgh from the summit of Arthurs Seat in Holyrood Park, on 26th June 2019, in Edinburgh, Scotland. Arthurs Seat is an extinct volcano which is considered the main peak of the group of hills in Edinburgh, Scotland, which form most of Holyrood Park, described by Robert Louis Stevenson as a hill for magnitude, a mountain in virtue of its bold design. The hill rises above the city to a height of 250.5 m 822 ft, providing excellent panoramic views of the city and beyond.
    arthurs_seat-20-26-06-2019.jpg
  • A young woman works with a notebook in summer evening sunshine on the summit of Arthurs Seat in Holyrood Park, overlooking the city of Edinburgh, on 26th June 2019, in Edinburgh, Scotland. Arthurs Seat is an extinct volcano which is considered the main peak of the group of hills in Edinburgh, Scotland, which form most of Holyrood Park, described by Robert Louis Stevenson as a hill for magnitude, a mountain in virtue of its bold design. The hill rises above the city to a height of 250.5 m 822 ft, providing excellent panoramic views of the city and beyond.
    arthurs_seat-22-26-06-2019.jpg
  • Walkers enjoy summer evening sunshine on the summit of Arthurs Seat in Holyrood Park, overlooking the city of Edinburgh, on 26th June 2019, in Edinburgh, Scotland. Arthurs Seat is an extinct volcano which is considered the main peak of the group of hills in Edinburgh, Scotland, which form most of Holyrood Park, described by Robert Louis Stevenson as a hill for magnitude, a mountain in virtue of its bold design. The hill rises above the city to a height of 250.5 m 822 ft, providing excellent panoramic views of the city and beyond.
    arthurs_seat-11-26-06-2019.jpg
  • Walkers enjoy summer evening sunshine on the summit of Arthurs Seat in Holyrood Park, overlooking the city of Edinburgh, on 26th June 2019, in Edinburgh, Scotland. Arthurs Seat is an extinct volcano which is considered the main peak of the group of hills in Edinburgh, Scotland, which form most of Holyrood Park, described by Robert Louis Stevenson as a hill for magnitude, a mountain in virtue of its bold design. The hill rises above the city to a height of 250.5 m 822 ft, providing excellent panoramic views of the city and beyond.
    arthurs_seat-08-26-06-2019.jpg
  • In summer evening sunshine, walkers climb the last metres to the summit of Arthurs Seat in Holyrood Park that overlooks the city of Edinburgh, on 26th June 2019, in Edinburgh, Scotland. Arthurs Seat is an extinct volcano which is considered the main peak of the group of hills in Edinburgh, Scotland, which form most of Holyrood Park, described by Robert Louis Stevenson as a hill for magnitude, a mountain in virtue of its bold design. The hill rises above the city to a height of 250.5 m 822 ft, providing excellent panoramic views of the city and beyond.
    arthurs_seat-01-26-06-2019.jpg
  • A young couple gaze out towards the city of Edinburgh from the summit of Arthurs Seat in Holyrood Park, on 26th June 2019, in Edinburgh, Scotland. Arthurs Seat is an extinct volcano which is considered the main peak of the group of hills in Edinburgh, Scotland, which form most of Holyrood Park, described by Robert Louis Stevenson as a hill for magnitude, a mountain in virtue of its bold design. The hill rises above the city to a height of 250.5 m 822 ft, providing excellent panoramic views of the city and beyond.
    arthurs_seat-21-26-06-2019.jpg
  • Walkers enjoy summer evening sunshine on the summit of Arthurs Seat in Holyrood Park, overlooking the city of Edinburgh and the Firth of Fourth estuary, on 26th June 2019, in Edinburgh, Scotland. Arthurs Seat is an extinct volcano which is considered the main peak of the group of hills in Edinburgh, Scotland, which form most of Holyrood Park, described by Robert Louis Stevenson as a hill for magnitude, a mountain in virtue of its bold design. The hill rises above the city to a height of 250.5 m 822 ft, providing excellent panoramic views of the city and beyond.
    arthurs_seat-13-26-06-2019.jpg
  • An antique sign extolling the virtues of eating eel in F Cooke's Pie and Mash shop in Broadway Market, Hackney, London..Eel, pie and mash shops are a traditional but dying business. Changing tastes and the scarcity of the eel has meant that the number of shops selling this traditional working class food has declined to just a handful mostly in east London. The shops were originally owned by one or two families with the earliest recorded, Manze's on Tower Bridge Road being the oldest surviving dating from 1908. Generally eels are sold cold and jellied and the meat pie and mash potato covered in a green sauce called liquor.
    SFE_110715_071_1.jpg
  • The Muses Stair and glass octagonal lantern, in the Foreign and Commonwealth Office FCO, on 17th September 2017, in Whitehall, London, England. The roof is graced by goddesses of plenty canephora and cherubs illustrating the Roman virtues. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later 1875 the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-17-17-09-2017.jpg
  • The Muses Stair and glass octagonal lantern, in the Foreign and Commonwealth Office FCO, on 17th September 2017, in Whitehall, London, England. The roof is graced by goddesses of plenty canephora and cherubs illustrating the Roman virtues. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later 1875 the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-18-17-09-2017.jpg
  • The portraits of Emperor Napoleon III and Empress Eugenie at the top of the Muses Stair below the glass octagonal lantern, in the Foreign and Commonwealth Office FCO, on 17th September 2017, in Whitehall, London, England. The royal portraits of Napoleon Empress Eugenie, were gifted to the East India Company in gratitude of its benefaction to the Paris Exhibition of 1855. The roof is an octagonal glass dome, graced by goddesses of plenty canephora and cherubs illustrating the Roman virtues. The main Foreign Office building is in King Charles Street, and was built by George Gilbert Scott in partnership with Matthew Digby Wyatt and completed in 1868 as part of the new block of government offices which included the India Office and later 1875 the Colonial and Home Offices. George Gilbert Scott was responsible for the overall classical design of these offices but he had an amicable partnership with Wyatt, the India Office’s Surveyor, who designed and built the interior of the India Office.
    foreign_office-15-17-09-2017.jpg
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