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  • A lady carrying a Virgin Active brolly which has caught in the wind as Storm Georgina swept across parts of Britain and in central London, lunchtime office workers were caught out by torrential rain and high winds, on 24th January 2018, in London, England. Pedestrians resorted to leaping across deep puddles at the junction of New Oxford Street and Kingsway at Holborn, the result of overflowing drains. Fifth in a sequence of eight photos.
    storm_georgina-55-24-01-2018.jpg
  • An upside down man remains balanced on his head in a public park - one in a sequence of four - on 19th July 2017, in Ruskin Park, south London borough of Lambeth, England.
    handstand_man-03-19-07-2017.jpg
  • A lady carrying a Virgin Active brolly which has caught in the wind as Storm Georgina swept across parts of Britain and in central London, lunchtime office workers were caught out by torrential rain and high winds, on 24th January 2018, in London, England. Pedestrians resorted to leaping across deep puddles at the junction of New Oxford Street and Kingsway at Holborn, the result of overflowing drains. Fifth in a sequence of eight photos.
    storm_georgina-56-24-01-2018.jpg
  • Local London park run volunteers loaded runners bags into the lorries in Greenwich Park before the start of the 2019 London Marathon, on 28th April 2019, in London, England.
    marathon_volunteers-21-28-04-2019.jpg
  • Matrix messages by Climate Change activists with Extinction Rebellion appear at Somerset House at the northern end of Waterloo Bridge as part of a protest for a better future for planet Earth after blocking the Thames crossing and as part of a multi-location 5-day Easter protest around the capital, on 16th April 2019, in London, England.
    extinction_rebellion-21-16-04-2019.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-28-05-06-2017.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-29-05-06-2017.jpg
  • We look up from a low angle at a number six in gold colour, in a doorway of offices in the City of London. The 6 is set in granite at this prestigious address in the City of London, the capital's financial heart.
    number_six02-15-04-2015_1.jpg
  • MD902 Explorer helicopter from the Kent, Surrey & Sussex Air Ambulance Trust takes-off beneath  commercial airliner overhead after emergency flight to Kings College Hospital in south London. Sharing airspace with both general and commercial aviation, the HEMS helicopters that service the capital need to be under control of local air traffic rules and regulations, making for a safe environment for different aircraft to operate in - separated by set altitude distances.  They may appear to be close but scale and perspective makes it look closer than they actually are. (KSSAAT) fly state of the art Helicopter Emergency Medical Service (HEMS) aircraft operating 365 days a year, out of their base at Marden in Kent and Redhill in Surrey. They're capable of delivering our crews anywhere in our region in 20 minutes flying time, attending over 20,000 missions
    air_ambulance13-16-05-2014_1.jpg
  • MD902 Explorer helicopter from the Kent, Surrey & Sussex Air Ambulance Trust takes-off beneath  commercial airliner overhead after emergency flight to Kings College Hospital in south London. Sharing airspace with both general and commercial aviation, the HEMS helicopters that service the capital need to be under control of local air traffic rules and regulations, making for a safe environment for different aircraft to operate in - separated by set altitude distances.  They may appear to be close but scale and perspective makes it look closer than they actually are. (KSSAAT) fly state of the art Helicopter Emergency Medical Service (HEMS) aircraft operating 365 days a year, out of their base at Marden in Kent and Redhill in Surrey. They're capable of delivering our crews anywhere in our region in 20 minutes flying time, attending over 20,000 missions
    air_ambulance11-16-05-2014_1.jpg
  • The number 5 has been sprayed in aerosol on to tree bark to identify their location in an English wood. As part of a practice in forestry to identify boundaries or specific trees in an orchard or wood, the landowner or manager has made the location easily found using the bright pink colours.
    trees_number03-15-09-2013_1_1.jpg
  • Pedestrians avoid a noodle and sauce takeaway, dropped and discarded on the pavement during lunch-hour in the capitals financial district, on 4th February 2020, in the City of London, England. The lunchtime meal was being carried along the street when its heat and moisture made it drop through the bottom of a paper bag, turning it upside down and lying perfectly on the pavement as city workers emerged from their offices. Those who saw it in time stepped over the greasy obstacle but the distracted mostly by walking with phones to ears, stepped in it and helping spread it across the pavement.
    pavement_noodles-45-04-02-2020.jpg
  • Matrix messages by Climate Change activists with Extinction Rebellion appear at Somerset House at the northern end of Waterloo Bridge as part of a protest for a better future for planet Earth after blocking the Thames crossing and as part of a multi-location 5-day Easter protest around the capital, on 16th April 2019, in London, England.
    extinction_rebellion-20-16-04-2019.jpg
  • Matrix messages by Climate Change activists with Extinction Rebellion appear at Somerset House at the northern end of Waterloo Bridge as part of a protest for a better future for planet Earth after blocking the Thames crossing and as part of a multi-location 5-day Easter protest around the capital, on 16th April 2019, in London, England.
    extinction_rebellion-19-16-04-2019.jpg
  • Matrix messages by Climate Change activists with Extinction Rebellion appear at Somerset House at the northern end of Waterloo Bridge as part of a protest for a better future for planet Earth after blocking the Thames crossing and as part of a multi-location 5-day Easter protest around the capital, on 16th April 2019, in London, England.
    extinction_rebellion-16-16-04-2019.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-29-05-06-2017.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-38-05-06-2017.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-32-05-06-2017.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-28-05-06-2017.jpg
  • The number 8 has been sprayed in aerosol on to a tree bark to identify its location in an English wood. Sunlight is pouring on to this remote corner of woodland on the lower slopes of Sutton Bank, North Yorkshire, on the edge of the North Yorks Moors National Park. Foresters often ID chosen trees for felling or for marking boundaries.
    8_tree03-30-09-2014_1.jpg
  • The number 8 has been sprayed in aerosol on to a tree bark to identify its location in an English wood. Sunlight is pouring on to this remote corner of woodland on the lower slopes of Sutton Bank, North Yorkshire, on the edge of the North Yorks Moors National Park. Foresters often ID chosen trees for felling or for marking boundaries.
    8_tree01-30-09-2014_1.jpg
  • A city worker uses his smartphone by an art installation entitled 'One Through Zero (The Ten Numbers)' by American pop artist Robert Indiana (b 1928), in Lime Street, City of London, the capital's Square Mile, and its financial heart. Situated in the capital's Square Mile, its financial heart, are surrounding offices and corporate headquarters from the finance and insurance sector, most notably being the nearby Lloyds of London building. This series of sculptures is composed of 10 brightly painted numerical digits, each made of aluminum and set on its own base. Their construction took place at the former Lippincott Foundry in North Haven, Connecticut from 1980 to 1983
    city_numbers04-05-07-2013_1_1.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-38-05-06-2017.jpg
  • Two days after the London Bridge and Borough Market terrorist attack, Londoners from all faiths and religions attended a vigil outside City Hall, on Monday 5th June 2017, in the south London borough of Southwark, England. As gusts of wind blew umbrellas and polythene ponchos, a prominent armed police presence guarded dignitaries and the public who came to the Southbank to remember the seven killed and many others left with life-changing injuries. The British spirit of defiance and to carry on with every day life, endures.
    terrorism_vigil-32-05-06-2017.jpg
  • The number 8 has been sprayed in aerosol on to a tree bark to identify its location in an English wood. Sunlight is pouring on to this remote corner of woodland on the lower slopes of Sutton Bank, North Yorkshire, on the edge of the North Yorks Moors National Park. Foresters often ID chosen trees for felling or for marking boundaries.
    8_tree04-30-09-2014_1.jpg
  • Striped covers for electrical cables turn a right-angle turn to the left towards power cabinets  which are numbered 1 to 6 at the European Space Agency's Europropulsion Ariane 5 rocket Booster Integration Building. Railings ensure that pedestrians keep to the  walkways without endangering health and safety, according to EU law. Elsewhere in this giant building the boosters that propel ESA rockets into space are integrated with their payloads.
    esa_guiana22415-08-2007_1.jpg
  • As a young woman poses for photos on the Southbank, deliverymen push a cage of unstable, then toppling boxes, on 16th July 2019, in London, England. Part of a larger sequence of 10 images.
    delivery_sequence-06-16-07-2019.jpg
  • As a young woman poses for photos on the Southbank, deliverymen push a cage of unstable, then toppling boxes, on 16th July 2019, in London, England. Part of a larger sequence of 10 images.
    delivery_sequence-02-16-07-2019.jpg
  • The three letter IATA codes for some of the world's airport destinations have been used as part of an art design in a plaza outside Heathrow Airport's Terminal 5. An arc of these neon-lit codes form an arch on a panel near one of the 1,500 semi mature trees. Illuminated in a sequence, they are all lit here before the sequence re-starts and they all become dimmed. Terminal 5 was created by the Richard Rogers Partnership (now Rogers Stirk Harbour and Partners) and has the capacity to serve around 30 million passengers a year. From writer Alain de Botton's book project "A Week at the Airport: A Heathrow Diary" (2009).
    heathrow_airport544-14-07-2009_1.jpg
  • Man watching the painting Colour Cycle III By Peter Sedgley 19th September 2019 in The Tate Modern, London, United Kingdom. This painting was part of the Tate Collective We Are The Future show. The canvas, which is painted with a series of concentric circles of different colours, is viewed in a darkened space and lit by lights of changing colour in a programmed sequence: this produces a series of radical colour transformations.
    _E6A4806.jpg
  • Children watch a Punch and Judy show in Twickenham in London, England, United Kingdom. Punch and Judy is a traditional, popular, and usually violent puppet show featuring Pulcinella, Mr. Punch, and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character who usually falls victim to Judys club. It is often associated with traditional British seaside culture. photo by Mike Kemp/
    20171202_punch and judy_002.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock03-25-07-2013_1_1.jpg
  • Naturalist and broadcaster Sir David Attenborough watches video of killer whale sequence from The Trials of Life at home in London. Sir David Frederick Attenborough (born 1926) is a British broadcaster and naturalist. His career as the face and voice of natural history programmes has endured for more than 50 years. He is best known for writing and presenting the nine Life series, in conjunction with the BBC Natural History Unit, which collectively form a comprehensive survey of all life on the planet. He is also a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s. Attenborough is widely considered a national treasure in Britain, although he himself does not care for the term. He is a younger brother of director, producer and actor Richard Attenborough.
    david_attenborough01-17-09-1990_1.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_M.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_L.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_C.jpg
  • 2 of 2 in a sequence showing a husband and wife messing around on a street where they attempt to race backwards on cobbles, on 20th July, in Porto, Portugal. In the first picture we see the man upright and confidently winning the race with the lady - while in the second, he has has fallen over completely, with legs in the air.
    portugal_porto-58-20-07-2016.jpg
  • Horse riding in Southern Iceland. <br />
Hvitardalur. Apart from walking, trotting, cantering, and galloping, Icelandic horses can tölt – the word is sometimes translated as ‘rack’ – a four-beat lateral gait with footfalls in the same sequence as the walk, but with much greater speed and smoothness; a tölt is generally at the speed of a canter.
    _O7F2706.jpg
  • Two part-time air show commentators stand on the harbour wall at St. Peter Port, Guernsey, Channel Islands. During a break in the show’s sequence of flying by an assortment of military aircraft, the two men stand in the shade on this warm summer day. Wearing headsets and microphones, the elderly gents are surrounded by broadcasting wiring and digital sound gadgets.
    Red_Arrows712_RBA.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock20-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock17-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock08-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock07-25-07-2013_1_1.jpg
  • German artist Katharina Fritsch's sculpture 'Hahn/Cock', a 4.72m high scale fibre glass and polyester resin, ultramarine blue domestic cockerel, just unveiled on the fourth plinth in the north-west corner of Trafalgar Square, London. The 4th plinth was intended to hold a statue of William IV, but remained bare due to low funds. In 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced.
    hahn_cock02-25-07-2013_1_1.jpg
  • Naturalist and broadcaster Sir David Attenborough watches video of killer whale sequence from The Trials of Life at home in London. Sir David Frederick Attenborough (born 1926) is a British broadcaster and naturalist. His career as the face and voice of natural history programmes has endured for more than 50 years. He is best known for writing and presenting the nine Life series, in conjunction with the BBC Natural History Unit, which collectively form a comprehensive survey of all life on the planet. He is also a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s. Attenborough is widely considered a national treasure in Britain, although he himself does not care for the term. He is a younger brother of director, producer and actor Richard Attenborough.
    david_attenborough03-17-09-1990_1.jpg
  • Naturalist and broadcaster Sir David Attenborough watches video of killer whale sequence from The Trials of Life at home in London. Sir David Frederick Attenborough (born 1926) is a British broadcaster and naturalist. His career as the face and voice of natural history programmes has endured for more than 50 years. He is best known for writing and presenting the nine Life series, in conjunction with the BBC Natural History Unit, which collectively form a comprehensive survey of all life on the planet. He is also a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s. Attenborough is widely considered a national treasure in Britain, although he himself does not care for the term. He is a younger brother of director, producer and actor Richard Attenborough.
    david_attenborough02-17-09-1990_1.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_N.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_K.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_J.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_G.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_D.jpg
  • Storm Georgina swept across parts of Britain and in central London, lunchtime office workers were caught out by torrential rain and high winds, on 24th January 2018, in London, England. Pedestrians resorted to leaping across deep puddles at the junction of New Oxford Street and Kingsway at Holborn, the result of overflowing drains. First in a sequence of two photos.
    storm_georgina-37-24-01-2018.jpg
  • 3 of 3 in a photo sequence showing children ignoring a no climbing safety sign, hauling themselves on to the plinth of Nelson's Column, on 15th December 2016, in Trafalgar Square, next to a Christmas nativity scene in London, England. The Greater London Authority (GLA) has banned tourists climbing the 148-year-old lions due to fears they are being damaged, with potentially dangerous cracks appearing as well as the indignity of having rubbish pushed in their mouths. There has also been a serious injury resulting in an air ambulance helicopter landing to evacuate to hospital in 2015.
    trafalgar_climbing-01-15-12-2016.jpg
  • Horse riding in Southern Iceland. <br />
Hvitardalur. Apart from walking, trotting, cantering, and galloping, Icelandic horses can tölt – the word is sometimes translated as ‘rack’ – a four-beat lateral gait with footfalls in the same sequence as the walk, but with much greater speed and smoothness; a tölt is generally at the speed of a canter.
    _O7F2684_1.jpg
  • Naturalist and broadcaster Sir David Attenborough watches video of killer whale sequence from The Trials of Life at home in London. Sir David Frederick Attenborough (born 1926) is a British broadcaster and naturalist. His career as the face and voice of natural history programmes has endured for more than 50 years. He is best known for writing and presenting the nine Life series, in conjunction with the BBC Natural History Unit, which collectively form a comprehensive survey of all life on the planet. He is also a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s. Attenborough is widely considered a national treasure in Britain, although he himself does not care for the term. He is a younger brother of director, producer and actor Richard Attenborough.
    david_attenborough04-17-09-1990_1.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_I.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_H.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_F.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_E.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_B.jpg
  • German contemporary artist Katharina Fritsch's sculpture 'Hahn/Cock'. A blue cockerel, on The Fourth Plinth in Trafalgar Square, London. The Fourth Plinth was originally intended to hold a statue of William IV, but remained bare due to insufficient funds. For over 150 years the fate of the plinth was debated; in 1999, a sequence of three contemporary artworks to be displayed on the plinth were announced. The success of this initiative led to a commission being formed to decide on a use for the plinth.
    20130726_blue cock_A.jpg
  • Children watch a Punch and Judy show in Twickenham in London, England, United Kingdom. Punch and Judy is a traditional, popular, and usually violent puppet show featuring Pulcinella, Mr. Punch, and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character who usually falls victim to Judys club. It is often associated with traditional British seaside culture. photo by Mike Kemp/
    20171202_punch and judy_001.jpg
  • 1 of 2 in a sequence showing a husband and wife messing around on a street where they attempt to race backwards on cobbles, on 20th July, in Porto, Portugal. In the first picture we see the man upright and confidently winning the race with the lady - while in the second, he has has fallen over completely, with legs in the air.
    portugal_porto-53-20-07-2016.jpg
  • A flying helmet belonging to a member of the elite 'Red Arrows', Britain's prestigious Royal Air Force aerobatic team, is cradled in the highly-polished open Plexiglass  canopy of a team Hawk jet aircraft. With the arrow pointing downwards we see it from below along with the airplane's red fuselage and the words Royal Air Force stencilled in blue lettering on the side within a white stripe. There are strong angles with clear blue space on the top right. The colours that dominate this image are red, white and blue - the colors of the Union Jack, United Kingdom's flag. This scene is at RAF Akrotiri, Cypus where the Red Arrows put the finishing touches to their display sequences before starting the gruelling air show calendar in the UK and Europe. The squadron represents all that is perfect with aerobatic flying, about teamwork and discipline.
    Red_Arrows102_RBA_1.jpg
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